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Medium: Engraving
Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife
Located in Middletown, NY
Sadeler, Aegidius II, after Bartholomeus Spranger Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller Engraving on hand made laid paper wit...
Category

Early 17th Century Old Masters Engraving Figurative Prints

Materials

Handmade Paper, Laid Paper, Engraving

Mein Weg mit dem Weib #14 - Original Etching by W.R. Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...
Category

1910s Symbolist Engraving Figurative Prints

Materials

Drypoint, Aquatint

Boxing Match
Located in New York, NY
Hermine David, drypoint and engraving, Boxing Match, circa 1927, signed and numbered in pencil, lower margin. Reference: Jean Adhemar, Inventaire Biblioth...
Category

1920s Realist Engraving Figurative Prints

Materials

Engraving, Drypoint

The Biggest of All; Telephone and Telegraph Building.
Located in Storrs, CT
The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...
Category

Early 20th Century American Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Architectura Curiosa Nova, Dragon Fish Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category

1660s Realist Engraving Figurative Prints

Materials

Engraving

Portrait of Adolph Menzel - Etching by Giovanni Boldini - 1897
Located in Roma, IT
Portrait of Adolph Menzel is a magnificent drypoint realized by Giovanni Boldini in 1897. Reference: Buzzoni / M. Toffanello, Museo Giovanni Boldini, G...
Category

1890s Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...
Category

1910s Modern Engraving Figurative Prints

Materials

Paper, Engraving

Tugs on the Hudson
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category

Early 20th Century American Modern Engraving Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Salvador Dali "Nude with Guitar"
Located in Boston, MA
Artist: Dali, Salvador Title: Nude with Guitar Series: Secret Poems of Appolinaire Date: 1967 Medium: Drypoint etching Unframed Dimensions: 15" x 11" Framed Dimensions: 25.25"...
Category

1960s Surrealist Engraving Figurative Prints

Materials

Drypoint, Etching

Terence, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Terenzio' (Terence) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) w...
Category

Mid-18th Century Renaissance Engraving Figurative Prints

Materials

Engraving

An Inland View; in Atooi ( Hawaii ) 1784 Captain Cook engraving by John Webber
Located in Paonia, CO
An Inland View in Atooi ( Hawaii ) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. This engraving depicts ...
Category

1780s Realist Engraving Figurative Prints

Materials

Engraving

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting three draped young men and cortege of banqueters from an Attic column krater now in the British Museum. Technique : Copper-line engra...
Category

Early 1800s Other Art Style Engraving Figurative Prints

Materials

Engraving

L'Éventail rose
Located in New York, NY
A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.
Category

1920s Cubist Engraving Figurative Prints

Materials

Color, Drypoint, Etching

Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world. This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Engraving Figurative Prints

Materials

Engraving

Personne Seule Etendue
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category

Late 20th Century Surrealist Engraving Figurative Prints

Materials

Mezzotint

A Man of Kamtschatka (Russia) 1784 Captain Cooks Final voyage by John Webber
Located in Paonia, CO
A Man of Kamtschatka (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was t...
Category

1780s Realist Engraving Figurative Prints

Materials

Engraving

Triumph der Salome - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Triumph der Salome is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...
Category

1920s Symbolist Engraving Figurative Prints

Materials

Engraving

Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

1640s Academic Engraving Figurative Prints

Materials

Engraving

London Bridge.
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category

1920s Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Wybrand Lolkes - The Dutch Dwarf
Located in Bournemouth, Dorset
A portrait of an eccentric personage Wybrand Lolles known as the Dutch Dwarf who, despite his awkward appearance was remarkably agile and possessed uncommon strength. Lithograph af...
Category

19th Century Engraving Figurative Prints

Materials

Engraving

Degas, Au Salon, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Impressionist Engraving Figurative Prints

Materials

Engraving

Aphrodite - Héliogravure and Drypoint attr. to Salvador Dali - 1963
Located in Roma, IT
S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, full margins, not signed....
Category

1960s Surrealist Engraving Figurative Prints

Materials

Drypoint

Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category

Mid-18th Century Engraving Figurative Prints

Materials

Engraving, Mezzotint

Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...
Category

18th Century Engraving Figurative Prints

Materials

Watercolor, Mezzotint

La Mode de Paris, French late 19th century colour fashion illustration engraving
Located in Melbourne, Victoria
'La Mode de Paris' Wood-engraving with original hand-colouring. French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...
Category

Late 19th Century Victorian Engraving Figurative Prints

Materials

Engraving

Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category

Late 19th Century Impressionist Engraving Figurative Prints

Materials

Drypoint, Etching

La Grenouille (The Frog), from Buffon's l'Histoire Naturelle
Located in Washington, DC
Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...
Category

1940s Cubist Engraving Figurative Prints

Materials

Drypoint, Etching, Aquatint

Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame...
Category

Mid-18th Century Engraving Figurative Prints

Materials

Handmade Paper, Engraving, Mezzotint

Lincoln and His Family, Philadalphia 1866
Located in Paonia, CO
Lincoln and His Family, Philadelphia 1866 is a mezzotint engraving from the painting by Samual B. Waugh and engraved by prestigious engraver William Sartain. This family portrait...
Category

Mid-19th Century Other Art Style Engraving Figurative Prints

Materials

Engraving

Mr Matthew Buchinger - The Wonderful Little Man of Nuremberg
Located in Bournemouth, Dorset
Matthias Buchinger (German: June 2, 1674 – January 17, 1740), sometimes called Matthew Buchinger in English, was a German artist, magician, calligrapher, and performer who was born w...
Category

19th Century Engraving Figurative Prints

Materials

Engraving

Seventy Percent Chance
Located in Palm Springs, CA
Medium: Mezzotint Year: 2023 Edition: 50 Image Size: 11.75 x 17.5 inches Pedestrians sheltering from the rain under umbrellas in an urban downtown setting, Art Werger’s prints show...
Category

21st Century and Contemporary Contemporary Engraving Figurative Prints

Materials

Mezzotint

Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category

20th Century Modern Engraving Figurative Prints

Materials

Paper, Drypoint

Flowering Henbane : A Besler 18th Century Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving depicting flowering "Hyosciamus albus and Hyosciamus vulgaris" (Henbane) plants from Basilius Besler's landmark work, Hortus Eystettensi...
Category

Early 18th Century Academic Engraving Figurative Prints

Materials

Engraving

Paul Jouve - Eagle - Original Engraving
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Artwork by Paul Jouve. Original copper engraving heightened with pochoir. Paul...
Category

1950s Modern Engraving Figurative Prints

Materials

Engraving

Grant after Thomas Lupton - Engraving, Meeting of His Majesty's Stag Hounds
Located in Corsham, GB
This monochromatic artwork depicts a lively hunting scene, with a large group of riders on horseback accompanied by numerous hounds in the foreground of a vast rural landscape. Insc...
Category

19th Century Engraving Figurative Prints

Materials

Engraving

Sportsmen
Located in Storrs, CT
Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 1/4 x 5 3/4 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch...
Category

Early 1900s Post-Impressionist Engraving Figurative Prints

Materials

Drypoint, Etching

Sportsmen
Sportsmen
$800 Sale Price
54% Off
Herd of Horses - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Herd of Horses is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized t...
Category

Late 19th Century Old Masters Engraving Figurative Prints

Materials

Engraving, Etching

Promenade dans la Neige - Etching by J. Tissot - 1880
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...
Category

1880s Post-Impressionist Engraving Figurative Prints

Materials

Drypoint, Etching

Two nudes - Figurative etching print, Monochromatic, Minimalistic, Female nude
Located in Warsaw, PL
LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts) in the studios of professors Władysław Strzemiński, Adam Rychtarski, Stefan Wegner and Ludwik Tyrowicz. He graduated with special award from the Academy of Fine Arts in Krakow in 1954. In 1958 he became a member of the Piąte Koło association ("Fifth Wheel...
Category

Early 2000s Contemporary Engraving Figurative Prints

Materials

Watercolor, Paper, Drypoint

'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Engraving Figurative Prints

Materials

Drypoint, Etching

Rue De Toiles, Bourges
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Category

Mid-19th Century French School Engraving Figurative Prints

Materials

Laid Paper, Drypoint, Etching

Chez Madame Dupont
Located in Storrs, CT
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full shee...
Category

1930s Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Architectura Curiosa Nova, Chalice Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Chalice Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked ...
Category

1660s Realist Engraving Figurative Prints

Materials

Engraving

Mein Weg mit dem Weib, plate 10
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fro...
Category

1910s Modern Engraving Figurative Prints

Materials

Drypoint, Etching, Aquatint

Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
Located in Surfside, FL
Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category

1980s Abstract Expressionist Engraving Figurative Prints

Materials

Drypoint, Etching, Aquatint, Intaglio

Die Nacht (The Night), nude and cupids, German antique engraving
By Virgilio Tojetti
Located in Melbourne, Victoria
'Die Nacht' (The Night) German wood-engraving, 1903. 310mm by 230mm (image) 410mm by 280mm (sheet)
Category

Early 20th Century Symbolist Engraving Figurative Prints

Materials

Engraving

Parabole 2 (Sunshine streams through clouds and trees as three men observe)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category

Late 20th Century Surrealist Engraving Figurative Prints

Materials

Mezzotint

Le Viol II
Located in Wien, 9
- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...
Category

1930s Modern Engraving Figurative Prints

Materials

Drypoint, Etching, Aquatint

Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category

1930s American Modern Engraving Figurative Prints

Materials

Etching, Drypoint

Bernard Sanders, Head of Girl
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary. Signed in pencil; titled in lower margin in pencil.
Category

Early 20th Century American Modern Engraving Figurative Prints

Materials

Drypoint

Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Category

Mid-20th Century Modern Engraving Figurative Prints

Materials

Handmade Paper, Drypoint, Etching

Reflet - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This impression is #8 of 50 Mezzotint artist Mikio Watanabe was born in 1954 in Ja...
Category

1980s Engraving Figurative Prints

Materials

Mezzotint

English Bar
Located in Storrs, CT
English Bar. 1908. Etching and drypoint. Exsteens catalog 275 state ii. 8 1/8 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed ...
Category

Early 1900s Art Nouveau Engraving Figurative Prints

Materials

Drypoint, Etching

English Bar
English Bar
$800 Sale Price
54% Off
'Arbre-Homme' (Tree-Man) —Mid-Century European Surrealism
Located in Myrtle Beach, SC
Ferdinand Springer, 'Arbre-Homme', engraving, 1945, edition 23. Signed and numbered '23/20' in pencil. A fine, richly-inked impression, on heavy, b...
Category

1940s Surrealist Engraving Figurative Prints

Materials

Engraving

Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...
Category

1950s Modern Engraving Figurative Prints

Materials

Wood, Archival Paper, Engraving

Degas, La Fete de la Patronne, E. Degas Monotypes (after)
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.625 x 7.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Engraving Figurative Prints

Materials

Engraving

Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...
Category

1930s American Modern Engraving Figurative Prints

Materials

Drypoint

France at her Furnaces
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category

1910s Modern Engraving Figurative Prints

Materials

Drypoint, Etching

Terence, Ancient Roman, C18th Grand Tour Classical antique engraving print
Located in Melbourne, Victoria
'Terenzio' (Terence) Copper-line engraving by Silvestro Pomared after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) w...
Category

Mid-18th Century Renaissance Engraving Figurative Prints

Materials

Engraving

Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Engraving Figurative Prints

Materials

Drypoint

Engraving figurative prints for sale on 1stDibs.

Find a wide variety of authentic Engraving figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Charles Amand Durand, Mino Maccari, and Franz von Bayros (Choisi Le Conin). Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Engraving figurative prints, so small editions measuring 0.04 inches across are also available

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