Paint Figurative Prints

The present hand-colored lithograph is one of several decorative images of flower-filled vases published by Nathaniel Currier. This example contains roses, tulips, forget-me-nots, and others all within a vase with gold eagle head handles and an image of a beautiful young woman the belly. 16 x 11 inches, artwork 22.5 x 18.25 inches, frame Entitled bottom center Signed in the stone, lower left "Lith. and Pub. by N. Currier" Inscribed lower right "152 Nassau St. Cor. of Spruce N.Y." Copyrighted bottom center "Entered according to Act of Congress in the year 1848 by N. Currier in the Clerk's office of the Southern District of N.Y." with the number 249 Framed to conservation standards using 100 percent rag matting, housed in a lemon gold moulding. Nathaniel Currier was a tall introspective man with a melancholy nature. He could captivate people with his piercing stare or charm them with his sparkling blue eyes. Nathaniel was born in Roxbury, Massachusetts on March 27th, 1813, the second of four children. His parents, Nathaniel and Hannah Currier, were distant cousins who lived a humble yet spartan life. When Nathaniel was eight years old, tragedy struck. Nathaniel’s father unexpectedly passed away leaving Nathaniel and his eleven-year-old brother Lorenzo to provide for the family. In addition to their mother, Nathaniel and Lorenzo had to care for six-year-old sister Elizabeth and two-year-old brother Charles. Nathaniel worked a series of odd jobs to support the family, and at fifteen, he started what would become a life-long career when he apprenticed in the Boston lithography shop of William and John Pendleton. A Bavarian gentleman named Alois Senefelder invented lithography just 30 years prior to young Nat Currier’s apprenticeship. While under the employ of the brothers Pendleton, Nat was taught the art of lithography by the firm’s chief printer, a French national named Dubois, who brought the lithography trade to America. Lithography involves grinding a piece of limestone flat and smooth then drawing in mirror image on the stone with a special grease pencil. After the image is completed, the stone is etched with a solution of aqua fortis leaving the greased areas in slight relief. Water is then used to wet the stone and greased-ink is rolled onto the raised areas. Since grease and water do not mix, the greased-ink is repelled by the moisture on the stone and clings to the original grease pencil lines. The stone is then placed in a press and used as a printing block to impart black on white images to paper. In 1833, now twenty-years old and an accomplished lithographer, Nat Currier left Boston and moved to Philadelphia to do contract work for M.E.D. Brown, a noted engraver and printer. With the promise of good money, Currier hired on to help Brown prepare lithographic stones of scientific images for the American Journal of Sciences and Arts. When Nat completed the contract work in 1834, he traveled to New York City to work once again for his mentor John Pendleton, who was now operating his own shop located at 137 Broadway. Soon after the reunion, Pendleton expressed an interest in returning to Boston and offered to sell his print shop to Currier. Young Nat did not have the financial resources to buy the shop, but being the resourceful type he found another local printer by the name of Stodart. Together they bought Pendleton’s business. The firm ‘Currier & Stodart’ specialized in "job" printing. They produced many different types of printed items, most notably music manuscripts for local publishers. By 1835, Stodart was frustrated that the business was not making enough money and he ended the partnership, taking his investment with him. With little more than some lithographic stones, and a talent for his trade, twenty-two year old Nat Currier set up shop in a temporary office at 1 Wall Street in New York City. He named his new enterprise ‘N. Currier, Lithographer’ Nathaniel continued as a job printer and duplicated everything from music sheets to architectural plans. He experimented with portraits, disaster scenes and memorial prints, and any thing that he could sell to the public from tables in front of his shop. During 1835 he produced a disaster print Ruins of the Planter's Hotel, New Orleans, which fell at two O’clock on the Morning of the 15th of May 1835, burying 50 persons, 40 of whom Escaped with their Lives. The public had a thirst for newsworthy events, and newspapers of the day did not include pictures. By producing this print, Nat gave the public a new way to “see” the news. The print sold reasonably well, an important fact that was not lost on Currier. Nat met and married Eliza Farnsworth in 1840. He also produced a print that same year titled Awful Conflagration of the Steamboat Lexington in Long Island Sound on Monday Evening, January 18, 1840, by which melancholy occurrence over One Hundred Persons Perished. This print sold out very quickly, and Currier was approached by an enterprising publication who contracted him to print a single sheet addition of their paper, the New York Sun. This single page paper is presumed to be the first illustrated newspaper ever published. The success of the Lexington print launched his career nationally and put him in a position to finally lift his family up. In 1841, Nat and Eliza had their first child, a son they named Edward West Currier. That same year Nat hired his twenty-one year old brother Charles and taught him the lithography trade, he also hired his artistically inclined brother Lorenzo to travel out west and make sketches of the new frontier as material for future prints. Charles worked for the firm on and off over the years, and invented a new type of lithographic crayon which he patented and named the Crayola. Lorenzo continued selling sketches to Nat for the next few years. In 1843, Nat and Eliza had a daughter, Eliza West Currier, but tragedy struck in early 1847 when their young daughter died from a prolonged illness. Nat and Eliza were grief stricken, and Eliza, driven by despair, gave up on life and passed away just four months after her daughter’s death. The subject of Nat Currier’s artwork changed following the death of his wife and daughter, and he produced many memorial prints and sentimental prints during the late 1840s. The memorial prints generally depicted grief stricken families posed by gravestones (the stones were left blank so the purchasers could fill in the names of the dearly departed). The sentimental prints usually depicted idealized portraits of women and children, titled with popular Christian names of the day. Late in 1847, Nat Currier married Lura Ormsbee, a friend of the family. Lura was a self-sufficient woman, and she immediately set out to help Nat raise six-year-old Edward and get their house in order. In 1849, Lura delivered a son, Walter Black Currier, but fate dealt them a blow when young Walter died one year later. While Nat and Lura were grieving the loss of their new son, word came from San Francisco that Nat’s brother Lorenzo had also passed away from a brief illness. Nat sank deeper into his natural quiet melancholy. Friends stopped by to console the couple, and Lura began to set an extra place at their table for these unexpected guests. She continued this tradition throughout their lives. In 1852, Charles introduced a friend, James Merritt Ives, to Nat and suggested he hire him as a bookkeeper. Jim Ives was a native New Yorker born in 1824 and raised on the grounds of Bellevue Hospital where his father was employed as superintendent. Jim was a self-trained artist and professional bookkeeper. He was also a plump and jovial man, presenting the exact opposite image of his new boss. Jim Ives met Charles Currier through Caroline Clark, the object of Jim’s affection. Caroline’s sister Elizabeth was married to Charles, and Caroline was a close friend of the Currier family. Jim eventually proposed marriage to Caroline and solicited an introduction to Nat Currier, through Charles, in hopes of securing a more stable income to support his future wife. Ives quickly set out to improve and modernize his new employer’s bookkeeping methods. He reorganized the firm’s sizable inventory, and used his artistic skills to streamline the firm’s production methods. By 1857, Nathaniel had become so dependent on Jims’ skills and initiative that he offered him a full partnership in the firm and appointed him general manager. The two men chose the name ‘Currier & Ives’ for the new partnership, and became close friends. Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders at work. The fifth floor housed the coloring department, and was one of the earliest production lines in the country. The colorists were generally immigrant girls, mostly German, who came to America with some formal artistic training. Each colorist was responsible for adding a single color to a print. As a colorist finished applying their color, the print was passed down the line to the next colorist to add their color. The colorists worked from a master print displayed above their table, which showed where the proper colors were to be placed. At the end of the table was a touch up artist who checked the prints for quality, touching-in areas that may have been missed as it passed down the line. During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, some were sent out to contract artists. The rate Currier & Ives paid these artists for coloring work was one dollar per one hundred small folios (a penny a print) and one dollar per one dozen large folios. Currier & Ives also offered uncolored prints to dealers, with instructions (included on the price list) on how to 'prepare the prints for coloring.' In addition, schools could order uncolored prints from the firm’s catalogue to use in their painting classes. Nathaniel Currier and James Merritt Ives attracted a wide circle of friends during their years in business. Some of their more famous acquaintances included Horace Greeley, Phineas T. Barnum, and the outspoken abolitionists Rev. Henry Ward, and John Greenleaf Whittier (the latter being a cousin of Mr. Currier). Nat Currier and Jim Ives described their business as "Publishers of Cheap and Popular Pictures" and produced many categories of prints. These included Disaster Scenes, Sentimental Images, Sports, Humor, Hunting Scenes, Politics, Religion, City and Rural Scenes, Trains, Ships, Fire Fighters, Famous Race Horses, Historical Portraits, and just about any other topic that satisfied the general public's taste. In all, the firm produced in excess of 7500 different titles, totaling over one million prints produced from 1835 to 1907. Nat Currier retired in 1880, and signed over his share of the firm to his son Edward. Nat died eight years later at his summer home 'Lion’s Gate' in Amesbury, Massachusetts. Jim Ives remained active in the firm until his death in 1895, when his share of the firm passed to his eldest son, Chauncey. In 1902, faced will failing health from the ravages of Tuberculosis, Edward Currier sold his share of the firm to Chauncey Ives...

Original gouache with stencil by Warner Kreuter. Wisconsin, 1929. Initialed lower/mid right. Dated lower left. Mounted on green card stock. Unframed.

Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...

Poison Apple 2 - Midnight Green Edition: Available for the first time as a screen print edition, Poison Apple 2.0 marks 5 years of the original exhibition at D...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Artist: Dan May (American, 1955-) Title: "Devil at Cocktail Hour" *Signed by May in pencil lower left Year: 2003 Medium: Original Monoprint on unbranded ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Living the dream By Gordon Hunt [2022] limited_edition Acrylic paint on paper Edition number 18 Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x ...

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Mastry 2017 Exhibition Banner Actual Banner Prominently Displayed in Downtown LA Throughout a career spanning four decades, Kerry James Marshall has continuously interrogated and addressed the omission of black individuals from the Western art-historical canon. Across painting and a variety of different media, his complex and multilayered portrayals synthesize disparate genres, while seeking to counter stereotypical representations. As Lanka Tattersall notes, "Marshall's determination to mark the historical absence of black bodies in the Western canon of painting and his emphatic, programmatic insertion of blackness into the field of art are carried through the literal matter—the pigments—of his paintings."1 Marshall was born in 1955 in Birmingham, Alabama. He studied at the Otis Art Institute in Los Angeles, earning his B.F.A. in 1978 and an honorary doctorate in 1999. In 2014, Marshall joined David Zwirner...

The present hand-colored lithograph presents the viewer with a hunting scene in a picturesque landscape. In the foreground, a man approaches two partridges as his two pointers prepare to flush them out. Beyond, a white fence draws our eyes to the homestead in the distance. Images like this one show how people in the United States were trying to identify themselves as a new nation in the North American landscape - as separate from their European counterparts but with similar similar and specific wildlife and magesties of nature. It also identifies hunting in this landscape as an American pastime. 9.25 x 12.5 inches, artwork 18.38 x 22 inches, frame Entitled bottom center "Partridge Shooting...

BUCHOZ, Pierre Joseph A Group of Six Hyacinths. Collection coloriée des plus belles variétés de Jacinthes, qu'on monte aux Curieux dans les Jardins des Fleuristes d’Harlem. Paris, T...

"The Jean Genie" David Bowie as Ziggy Stardust, Santa Monica, CA 1972 Acrylic and enamel screen print on linen, 62 x 48 in Russell Young is a pop artist of international acclaim. Ru...

Coronation Edition, in celebrate Trooping the Colour for King's Birthday in London on 14th June 2025, we are releasing this best cap secret Hand painted Aluminium Edition of 10 only,...

London: c1850. Engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet. In good condition with a small edge loss at the lower-rig...

Oil on canvas Anna Song is Korean artist & picture book author born in 1984 who lives and works in Seoul, South Korea. In 2007, she won the Korean Andersen Award for Excellence in P...

Liquitex and pencil on embossed paper. Hand signed, dated and numbered by Wesselmann. This work is number 25 from a series of 27 hand painted, unique variants. Artwork size 14.6 x...

Risk "1911'' Print 13x19 Inches - Gicleé on Coventry Rag Archival Paper - Hand Spray Painted Color Drip. Signed and Numbered. Printers Proof edition of 20. Three Color Versions. Ema...

Luis Miguel Valdes (Cuba, 1949) 'La Lengua Castellana (Red)" (The Spanish Tongue/Language), 2015 woodcut, manual intervention on paper 47.3 x 84.7 in. (120 x 215 cm.) Edition of 10 R...

This work is a secondary continuation to my "Vanilla Extract" series (2002 - ongoing) which examines the practice of racial positioning in contemporary print media.

Titled: Rise n Shine Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. ...

The Dream [2022] original Acrylic, natural pigments on paper Image size: H:70 cm x W:100 cm Complete Size of Unframed Work: H:70 cm x W:100 cm x D:0.1cm Sold Unframed Please note th...

Luis Miguel Valdes (Cuba, 1949) 'Vecindario I' (Neighborhood I), 2020 woodcut and watercolor on paper 44.5 x 80.4 in. (113 x 204 cm.) Edition of 10 ID: VAL-599 Unframed Luis Miguel ...

Laura Jordan art works are available to buy online or in our contemporary art gallery in Oxfordshire. We offer Laura Jordan original artworks and limited ed...

MEDIUM: 18” x 24” Giclée on Moab Entrada Rag Paper, Metallic Gold Spray Paint Stencil and Ballistics Damage (.45 ACP / 5.56m). Hand signed lower front by Tristan Easton This is an e...

This depicts a feast style celebration scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

Yes You Can Can (Splats Edition) by Amy Gardner [2020] limited_edition Screen Print, Watercolour Edition number 40 Image size: H:50 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Only AP works left in this edition. This print is about women supporting women. 'YES YOU CAN CAN' splats edition limited edition of 40 Archival Bread & Butter bright white paper 270gsm 50x 50cms 5 screen...

This original mixed media painting is for sale from Roy Fairchild's Personal Collection. This painting will come with a certificate of authenticity from London Contemporary Gallery a...

This original mixed media painting is for sale from Roy Fairchild's Personal Collection. This painting will come with a certificate of authenticity from London Contemporary Gallery a...

Artist: Hans Bellmer, German (1902 - 1975) Title: VIII from Les Marionnettes Year: 1969 Medium: Hand-colored Drypoint Etching on Rice Paper, signed in pencil Image Size: 12 x 11 inch...

Artist: Martin Barooshian, American (1929 - ) Title: Flygirl No. 2 Year: 1996 Medium: Acrylic on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame SIze: 36.5 x 24.5 inches

This is a proof print and is unsigned. it has Jewish Hebraic motifs, a menorah with a Jewish star, a mezusah or megilla scroll by this talented Jewish woman artist. Her whole life lo...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

This depicts a wedding scene in a style of German Expressionism. hand signed and hand painted in watercolor. Ilya Shenker, Russian/American (1922 - ) As a soldier in World War II, he survived where millions perished. Upon returning to his home town of Odessa, felt abandoned and alone. He studied Art and Architecture in Odessa, but, one of a number of Russian Jewish artists allowed to emigrate, he left for America when the opportunity arose. He settled in New York City, a choice that has forever impacted his oeuvre. Many of his pictures depict New York cityscapes and lifestyle; however, they remain typically Russian. His subject matter often comes from memory and includes the life that he left behind, family, and friends. Drawing upon his Jewish heritage for inspiration, Shenker also paints historical events, such as "On the Eve of the Assault" in which he portrayed the last night before the destruction of Jerusalem. He has also illustrated a number of classics of Russian literature including Alexander Pushkin. His use of imagination also applies to the figures in his expressionist paintings—fictional characters such as the Spanish literary character Don Quixote make appearances in his work. He has also placed figures such as Rembrandt and Picasso in modern settings: in "Rembrandt Visiting our Family," Shenker sits his most favored artist at his family table, in a tribute to someone he describes as a "peoples artist." He is one in a long line of great Soviet Russian Judaica Jewish artists beginning with Yehuda Pen, who founded Russia's first art school for Jews in Vitebsk in 1897 continuing with his students, including Marc Chagall and El Lissitzky, Natan Altman, Leon Bakst and Robert Falk...

Titled: Side by side Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. ...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Biography: Sandro Chia was born in Florence in 1946. He has studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence where he graduated in 1969. After gradu...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Sabrina Pieper Lady Bantum Handfinished Limited Edition Print Edition of 100 Sheet Size: H 100cm x W 69cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicat...

ALLIER, Paul. Les Quatre Saisons. Estampes par Paul Alier. Folio. 11 x 14" Four lovely pochoir designs of the Four Seasons [Automme, L'Hiver, L...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

Hand Signed edition of 50 with blindstamp. Surprising Novel Woodblock and heliorelief with handpainting 18-1/2 x 16-1/4 inches (sheet alone without frame) Biography: Sandro Chia was...

21” x 11” Unframed Original Acrylic on Canvas Board Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’...

ORIGINAL MIXED MEDIA ON ARTBOARD 40 x 40 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Lonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: The Family, circa 1930's Technique: Original Signed Tempera on paper Image size: 90 x 71.5 cm / 35.4 x 28.2 in Additional Information: The work is hand signed "Kadar Bela...

This piece is sold with a custom wood copper finish box frame, perfect for a contemporary setting. This gorgeous artwork on paper was created initially with a screen print base of the model, then Rosie hand finishes the work with a unique splash and painted composition. Some call them Unique Prints. The base image is only used 9 times Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

This is a limited edition (21" x 29”) archival pigment print, of an original watercolor and graphite piece, with hand embellished details on print by LA based artist. Hand painted wa...

JIM DINE Singing and Printing XIII. Unique color woodblock relief print with hand coloring in oil, acrylic, and charcoal and mechanical abrasion on cream wove paper, 2001. 69 3/4 x ...