Paper Figurative Prints

Levi is an etching on paper from Salvador Dalí's "Twelve Tribes of Israel." The image size is 19.62 x 14.37 inches and the framed dimensions are 34.25 x 27.75 inches. From the Englis...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Gordon Hunt Wild swim Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication o...

Fame - Original Vintage 1980 Movie Film Cinema Lobby Card Mint condition - see image Original vintage 1980 lobby card from the cult classic film FAME directed by Alan Parker FRAMING: Please note that this piece is UNFRAMED – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. See EXAMPLE images We ship regularly using Fedex Express services and shipping to all international locations. Directed by Alan Parker Written by Christopher Gore Produced by David De Silva Alan Marshall Starring : Eddie Barth Irene Cara Lee Curreri Laura Dean Antonia Franceschi Boyd Gaines Albert Hague Tresa Hughes Steve Inwood Paul McCrane...

A pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.

He’s Bold and bright and the perfect reflection of summer. 4 layer screen print with a final translucent fluorescent orange layer. Based on one of my brand new oil paintings ‘Hey Jim...

Juan Alcalde Alonso (Spain, 1918-2020) 'Ballet', ca. 2000-2010 lithograph on paper 28 x 21.3 in. (71 x 54 cm.) Edition of 225 ID: ALC1002-032-225 Hand-signed by author Excellent cond...

Guiding the Way II By Katie Edwards [2016] limited_edition Original Silkscreen Print Edition number 100 Image size: H:29 cm x W:20 cm Complete Size of Unframed Work: H:40.5 cm x W:3...

After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Ayako Rokkaku - Untitled, 2022 Date of creation: 2022 Medium: Pigment print with silkscreen varnish on paper Edition: 3591 Size: 60 x 80 cm Condition: Brand new, in mint conditions ...

Figurative abstract woodcut print titled "Serpientes Cafe" by Cecelia Sánchez Duarte. Pencil signed with "P/A" (Artist Proof), title, and signature bottom margin. Image, 31"H x 23.25"W. Sanchez Duarte is a visual artist and a cultural activist. Cecelia also teaches Art History at Escuela Profesional de Danza de Mazatlán, is the Fine Arts Coordinator at Centro Municipal de Artes, cofounder of the new Técnico en Artes Plásticas and founder of a painting workshop for children. She has had more than 300 collective exhibits internationally as well as 17 solo shows. Cecelia Sánchez Duarte lives in Mazatlán, Mexico. Cecilia Sánchez Duarte became the new director of the Art Museum of Mazatlan in 2017. Cecilia Sanchez Duarte works in printmaking at the Taller Experimental de Estampa Jose Guadalupe Posada...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Boy at the source, 1897. Algraph on strong wove paper after a drawing from 1897, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenös...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Presented here as a group are four original etchings of women in European national dress from the master printmaker Wenceslaus Hollar's series "Aula V...

A beautifully framed set of twelve rare "nature prints" produced in 1856 by Henry Bradbury. Henry Bradbury (1829-1860) is known for the innovative technique of “nature printing”, a...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Embossed serigraph in colors with foil stamping on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 41 x 30 inches. Framed size approx 46 x ...

This layered artwork titled "Unit 02" is an original artwork by Alex Eckman-Lawn made of hand-cut paper and layered to create a dimensional illusion. This piece measures 8.75"h x 8.7...

GDP Thrower By Banksy Banksy is an anonymous British street artist known for his provocative and satirical stenciled graffiti. His works often address political and social issues w...

"Reverie" Black & White Photography 20" x 16" inch Edition 1/15 by Brendan North Available sizes: Edition of 15: 20" x 16" inch Edition of 7: 30" x 24" inch Edition of 3: 50" x 40"...

Georges Lepape (French, 1887-1971) Des Ombrelles; and Il Fait Trop Chaud Hand coloured pochoir prints 1913 8.1/8 x 6 in. (20.8 x 15.2 cm.); and 6.5/8 x 5.1/2 in. (16.8 x 13.8 cm.)

Ernest Stephen Lumsden RE, RSA Ernest Stephen Lumsden RE, RSA (1883 – 1948) Buddha Frame Size: 40.7cm x 52.5cm Image: 21cm x 34 cm Lumsden reference: 254 Edition 33/50 Whatman w...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

David Hockney Spilt Ink with Tests, 2019 signed in pencil and dated ‘19 art edition (1-100): 11-colour inkjet print on cotton-fiber archival paper book: hardcover, 2 volumes in a cla...

Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil). Limited edition, numbered 235/250 in lower left corner. Signed in pencil by artist in lower rig...

René Magritte - LE DOMAINE D'ARNHEIM, 1962 (THE DOMAIN OF ARNHEIM) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition number: 155/275 Size: 60 x 45 cm Condition: Ne...

Dawn rowers at Putney by Robyn Forbes [2023] Additional information: Screen print on Paper Edition of 12 40 H x 40 W x 1 D cm (15.75 x 15.75 x 0.39 in) Sold unframed Image size: H...

"Surface" Photography print Edition of 25 (24x36 inch) by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo pap...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Lithograph in colors on wove paper. Hand signed, dated and numbered by Keith Haring. Published by Nicole Fauché, Paris. Littmann 115. Edition 4/50. Certificate of authenticity issu...

To reach. Flamenco dancer. 2006. 3/10. Paper, lithography, 72x54.5 cm Dancing woman figure

Double Portrait at the Easel (M.835) is lithograph on paper, signed 'Marc Chagall' lower right and numbered XI/XV lower left, from the edition of 69 (there were also 50 Arabic and 4 ...

After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original painting (1910-1916) in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AF...

"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph Lithograph titled "The Smoker," after the character ...

A Method of Riding as Practised by the Rustics of Japan. One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earlies...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Frame size appro...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Ex libris Olav Tähe Paper, woodcut, 11x7cm

Clare Halifax Penzance Harbour Limited Edition Silkscreen Print Edition of 75 Image Size: H 26cm x W 99cm Sheet Size: H 39cm x W 108cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Edition of Clare Halifax's limited edition screen print called 'Penzance Harbour' is in an edition of 75 and is sold unframed. Penzance Harbour is located in Penzance, Cornwall; Penzance town is filled with busy life, character and colour which is portrayed in Clare Halifax's contemporary screen print. Clare Halifax, artist, joins Wychwood Art selling art...

Etching and aquatint on paper. Hand signed and titled lower front by Roy Fairchild-Woodard. Hand numbered 126/385 lower left. Artwork size 29 x 22 inches. Artwork is in excellent...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper w...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Together with "Les Musiciennes" one of the largest and most sought after lithographs by Le Corbusier – a purist still-life –, printed by Mourlot on Arches after a collage by LC. Pr...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Shore Break by Rod Nelson [2021] limited_edition and hand signed by the artist Woodcut Print on on Somerset Satin 300gsm acid free paper Edition number of ...

A Womans Strength by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 23 Image size: H:42 cm x W:59.4 cm Complete Size of Unframed Work: H:42 cm x W:59.4 cm...

Clare Halifax K is for Kingfisher Limited Edition 3 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that ...

Signed lower left, 'Pras Lewchalermwong A.P.' and dated, lower right, November 1976.

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Pas de Deux V (Red Grooms and Liz Ross) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 75/150. From the edition of 173 (ther...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Pencil signed and numbered 74/100 in black crayon in lower margin. Printed by Taller de Gráfica Mexicana, Mexico City. A very good impression with vibrant colors. The current prin...

Serigraph on paper. From Paris Nights Suite. Hand signed and numbered by the artist. Image size 18.5 x 15 inches. Artwork is in excellent condition. Certificate of Authenticity is...