Paper Figurative Prints

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

We Are London Landscape by London contemporary artist Laura Jordon. 84 x 118cm – Unframed. Printed on archival paper with a hand finished overlay of pencil watercolour and collage. S...

Ben Allen Mickey Montana (Pink) (Pop Art, Street Art, Disney) 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 12.9 on...

Lithograph in colors on Arches wove paper from the Cats portfolio. Hand signed lower right by Karel Appel. Hand numbered 16/125 lower left. Artwork size: 24.75 x 32.25 inches. Fr...

"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...

Etching, numbered and signed, by the Italian artist Mino Trafeli (Volterra, Italy 1922-2018). His path is a continuous reflection on the work of art (obj...

Barbara Wagner is a printmaker who delights in the human form. This silkscreen of Dancers has its inspiration in Degas but is uniquely her own interpretation. This print is a "one of...

Hand Signed. Edition of 150 pieces.

Surrealistic figurative drawing by Polish artist Joanna Wiszniewska-Domanska. Artwork depictics a man dressed in black visible from the back. There is a giant bookshelf in front of h...

Lithograph realized in 1970s, after the original work by Toulouse-Lautrec of 1896. Limited edition of 1000. Excellent condition.

The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...

A mid-century, stone lithograph titled 'Anabel & Millicent' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accom...

"T.H.U.M.P." - 1975 Surrealist Lithograph on Paper 1975 surrealist lithograph on paper titled "T.H.U.M.P." by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, but strange creatures and biomorphic shapes. There are similarities to deep sea organisms, trees, and clouds, but they are all from the imagination of the artist. Titled, numbered, signed, and dated along the bottom edge: T.H.U.M.P. 9/75 4/9 J Crabb...

Signed lower left, 'R. Carruthers' for Roy Carruthers (American, 1938-2013), inscribed lower right, 'Presentation Proof' and created circa 1983. This is a proof apart from the editio...

This artwork, "Woman With Tulip Bowl" 1981 (State I) is an original lithograph on heavy paper by renowned Navajo artist Rudolph Carl (R.C.) Gorman, 1932-20...

Bele Bachem Sanft bis zur letzten Rasur (II. Fassung) Lithograph on Velum Year: 1968 Size: 30x25.1 inches Signed, dated and inscribed by hand Dry Stamp low...

Agent X The adventures of Dixwell Hastings (episode 200) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed...

Louise Marler Diamond Iris Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1697 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Vintage offset poster realized in 1970s in occasion of Manzù's exhibition at Galleria Marino, Rome. Limited edition of 1.000. Very good condition.

Vintage poster realized in occasion of Gian Paolo Berto's Exhibition at Galleria Marino, Rome, in 1980s. Offset print. Limited edition of 1000. Very good condition.

Agent X The adventures of Dixwell Hastings (episode 85) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed ...

Louise Marler Carnation Wormhole Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1696 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Gary John has been a street artist since 1985, originally from Seattle Washington, then moving to Venice Beach selling his art on the boardwalk for 10 years before exploding onto the...

"No Exit-ing" - 1976 Lithograph on Paper 1976 surrealist lithograph titled "No Exit-ing" by Jim Crabb (American b. 1947). Abstracted figures of black, white and grey take up the lit...

Abstract portrait of a Woman Finely Detailed Collotype on paper Finely detailed abstract collotype of a woman by Heather Speck a San Francisco. Californi...

Jason Boyd Kinsella Watts, 2024 Offset print 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 100 Please contact us for the edition number. Hand-signed by artist

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Hand signed and numbered by the artist. Artwork is in excellent condition. Image size: 32 x 24 inches. Sheet size: 35 x 27. Certificate of Authenticity is included. Of 300. All reas...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

Agent X R&S Broke Through (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed COA provided (gallery issued)...

Agent X Rock out with your... (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed COA provided (gallery iss...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts a jay standing in a wintery scene. There is church behind her and house with snow on the roof next t...

Artist: Lawrence Fodor – American (1951- ) Title: Passing Shaman 17 Year: 1989 Medium: Monotype Image size: 18 x 12 inches Sheet size: 30 x 22 inches Framed size: 32.5 x 24.5 inches Signature: Signed, dated lower right by the artist Condition: Excellent Frame: Floating. Framed in modern wood frame. Frame in good condition. This haunting monotype is by the well-known artist Lawrence Fodor (1951-). It is in excellent condition, archivally mounted and floating in a modern wood frame. The maple frame is in good condition with a few very light scratches. Lawrence Fodor began the pursuit of painting when he was 10. He studied at Orange Coast College and received a BFA from Otis Art Institute in Los Angeles, California where he also did graduate work towards his MFA in printmaking and painting. He has studied, traveled and lived in Europe, Asia, Central and South America. His work is exhibited and collected extensively in private and public collections including the Lannan Foundation in Santa Fe, New Mexico and recently by the Modern Art Museum of Forth Worth, Texas, among others. In addition to a studio art career as a painter and printmaker he has done curating and fine art consulting, residential design and construction, graphic design, gallery management, set design and production for live theater. He has worked and had studios in Los Angeles, Long Beach and Santa Barbara, California, Kathmandu, Nepal, Tucson, Arizona and Santa Fe, New Mexico. He currently lives and works in Los Angeles, California and Santa Fe, New Mexico. Maintaining studios in both locations, his work includes painting using oil, alkyd resin and cold wax on canvas, panels, and wood boxes, monotypes, watercolors, other works on paper and photography. Source: Artist's website C UR R I C U L U M V I T A E BORN 1951, Los Angeles, CA. EDUCATION 1974 – 1976 Graduate Work toward MFA, Otis Art Institute • Los Angeles, CA 1973 Bachelor of Fine Arts, Drawing/Printmaking Major • Otis Art Institute • Los Angeles, CA 1971 Associate of Arts Degree, Fine Arts Major • Orange Coast College • Costa Mesa, CA TRAVEL 2015 – 2016 Independent study & research in Baja del Sur, Mexico 2013 Independent study & research in Key West & surrounding Keys & Islands including Dry Tortugas National Park 2009 – 2010 Independent study & research in Costa Rica, Argentina & Patagonia 1985 – 2008 Independent study & research in England, France, Germany, Italy, Spain, Mexico & Costa Rica 1974 – 1975 Independent study in Katmandu, Nepal 1974 Independent study & research in England, France, Germany, Holland, Italy & Switzerland S E L ECTED EXHIBITIONS 2019 “…a tireless hand.” • Friesen Gallery • Sun Valley, ID 2017 Eclipse: obscured memories • Friesen Gallery • Sun Valley, ID Amended Mythologies • Solo Exhibition • SCAPE • Corona del Mar, CA Purple Haze • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2016 EMERGENCE • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2014 Without Gravity • Solo Exhibition • Chiaroscuro @ Gebert Contemporary • Santa Fe, NM 2013 Friends and Family • Three-Person Exhibition with Florence Pierce & Mala Breuer • Charlotte Jackson Fine Art • Santa Fe, NM Again: Repetition, Obsession and Meditation • Group Exhibition with Agnes Martin, Sol Lewitt, Olafur Eliasson, Uta Barth, Chuck Close, Susan York & others • Lannan Foundation • Santa Fe, NM 2012 Infinite Sequence 2 • Two-Person Exhibition with Chris Richter • Friesen Gallery • Sun Valley, ID Holding Light 4: 315 paintings • Site-specific installation • ALCOVE 12.6: New Mexico Museum of Art • Santa Fe, NM Holding Light 02: 81 paintings • Installation • Laguna Art Museum • Laguna Beach CA Infinite Sequence • Two-Person Exhibition with Chris Richter • SCAPE • Corona del Mar, CA 2010 Ligatures and Kōan Boxes • Solo Exhibition • Friesen Gallery • Seattle, WA Considered • Group Exhibition • Friesen Gallery • Sun Valley, ID Speak for the Trees • Group Exhibition • Friesen Gallery • Sun Valley, ID & Seattle, WA 2009 Kōan Boxes • Solo Exhibition • Lannan Foundation • Santa Fe, NM Ligatures & Kōan Boxes • Solo Exhibition • Friesen Gallery • Sun Valley, ID Ligatures & Kōan Boxes • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2008 Ligatures • Solo Exhibition • SCAPE • Corona del Mar, CA Gold • Group Exhibition • Linda Durham Contemporary Art Stochastic II • Solo Exhibition • R Duane Reed Gallery • St. Louis, MO 2007 Stochastic • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2006 Summer Moon • Solo Exhibition • SCAPE • Corona del Mar, CA 2005 Moment of Inertia • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM Winter Group Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2004 Sustained Resonance • Two-Person Exhibition • SCAPE • Corona del Mar, CA Beneath the Surface • Solo Exhibition • Friesen Gallery • Sun Valley, ID Beneath the Surface • Two-Person Exhibition • Friesen Gallery • Seattle, WA Greek Contributions to Mankind • An Exhibition of Contemporary American Art • Group Exhibition, catalog • United States Embassy • Athens, Greece • Curator: Virginia Shore 2003 A Given Moment – Part 2 • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Jeannie Denholm • The Shed • Newport Beach, CA Outside Within • Group Exhibition • Friesen Gallery • Seattle, WA 2002 The Art Collection • Embassy of the United States of America • Dar Es Salaam, Tanzania 2002 A Given Moment • Solo Exhibition • Friesen Gallery • Sun Valley, ID Group Exhibition • Peyton Wright Gallery • Santa Fe, NM 2001 Stream from the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group Exhibition • Friesen Gallery • Seattle, WA 2000 Group exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Friesen Gallery • Seattle, WA 1999 Vestiges II • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1998 Into the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM The Romantic Landscape • Group Exhibition • Turner Carroll Gallery • Santa Fe, NM Vestiges • Solo Exhibition • Friesen Gallery • Seattle, WA 1997 The Dialogue Within • Solo Exhibition • Friesen Gallery • Sun Valley, ID Setting Prayers on Fire • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1996 Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM Two-Person Exhibition with Lucy Brown • Diane Nelson Fine Art • Laguna Beach, CA • Curator: Jeannie Denholm 1995 Setting Prayers on Fire • Solo Exhibition • Zenith • Denver, CO • Curator: Kyle Belding 1994 Two-Person Exhibition with Peter Joseph • Peyton Wright Gallery • Santa Fe, NM Solo Exhibition • Jan Maiden Contemporary Art • Columbus, OH 1993 Two-Person Exhibition with Holly Roberts • Jeannie Denholm Fine Art • Newport Beach, CA Solo Exhibition • Canyon Contemporary Art • Columbus, OH 1992 Perigrinari • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1991 Ex Arcanum Locus • Solo Exhibition • Friesen Gallery • Seattle, WA A Sense of Place • Group Exhibition• Peyton Wright Gallery • Santa Fe, NM 1990 In Lucem Proferre • Solo Exhibition • Friesen Gallery • Sun Valley, ID Monotypes from Black Mesa Workshop • Group Exhibition • Lone Pine Gallery • Irvine, CA Ritual Images/Ritual Objects • Two-Person Exhibition with Ann Mallory • Lone Pine Gallery • Irvine, CA 1989 Solo Exhibition • Friesen Gallery • Sun Valley, ID 1983 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA 1981 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA PUBL ICATIONS 2017 The Beauty in Painting A Time After Time. Sun Valley Property News, article by Courtney Lauck. 30 July 2017. “Chaco Issue,” Pasatiempo, Santa Fe New Mexican. Multiple photographs illustrating various articles about Chaco Culture National Historical Park. 21 April 2017. 2015 Chaco Canyon: Wandering the Past in the Present. Photographs & essay by the artist of Chaco Culture National Historic Park. Publisher: Andrews Art Books, Santa Fe, NM. 2015 Apparatus: in a Painter’s Studio. Photographs of vignettes in the studio of Lawrence Fodor by the artist, essay by Aline Branduaer. Publisher: Andrews Art Books, Santa Fe, NM. 2012 Holding Light, a catalogue documenting the work for an installation of paintings at the Laguna Art Museum, essay by Cyndi Conn. Publisher: Andrews Art Books, Santa Fe, NM 2009 Speak for the Trees, Composed by Andria Friesen, publisher Marquand Books, Inc., Seattle, WA. Illus.: In Lucem Proferre VIII, 1989-90, oil on canvas. Sarah S. King, Lawrence Fodor – Linda Durham Contemporary Art, Art in America, National Reviews, October 2009. Illus.: Ligature 12 Green/Blue-Green/Violet, oil/wax/alkyd on canvas. Kōan Boxes, catalogue to accompany Lannan Foundation Exhibition, essay Timothy Rodgers Ph. D., Chief Curator, New Mexico Museum of Art. Publisher: Lannan Foundation, Design Twin Palms Press, 2009. 2007 Hollis Walker “Larry Fodor...

Anne Storno A limited edition, hand printed screen print, made in England. As we heard a lot in medias about Mars or trip that could be organised soon in space, I was thinking “what ...

Chevalier à Genou (Kneeling Knight) is an artwork realized in 1968/69, from the Series "Faust" (La Nuit de Walpurgis). Etching, Drypoint, Watercolor a...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Contemporary figurative limited edition linocut print on paper by Polish artist Marta Garbaczewska. Artwork depicts aloe on an abstract background. MARTA GARBACZEWSKA (born 1987) -...

Signed lower left, 'Pras Lewchalermwong A.P.' (Thai, 20th century) and dated, lower right, November 1976.

James Bond Thunderball - Original 1965 Lobby Card Vintage 1965 Thunderball Lobby Card - James Bond heads to the Bahamas to recover two nuclear ...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a wanderer with a lantern going down the road. On the left there is a mysthical crea...

François-Xavier Lalanne (1927-2008) and Claude Lalanne (1925-1919), Sphinx, 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François Xavier Lalanne, i...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Femme sur le Dos - Lassitude is a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45, matted.  Monogrammed on plate. Good conditions. This specimen belo...

Contemporary figurative black and white drypoint and copperplate print by Polish artist Ewa Kutylak. This surrealistic print depicts a man watering a river, there are fish in the wat...

Title : Antalia Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collages an...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

Jason Boyd Kinsella Carlos, 2023 Archival Pigment Print with matte varnish overlay on Somerset Photo Satin 300gsm paper, with cut edges 31 1/2 × 27 in 80 ×...

Agent X Brittany Brooks Year: 2019 Medium: Offset Lithograph Signed Edition: 125 30 x 30 inches 76 x 76 cm Agent X has created a bright and brilliant mash-up of iconic Pop Art aesth...

In the Cage is a print realized in the early 20th century by an anonymous artist. Woodcut print on paper. Good conditions. The artwork is a well-balanced composition.

Vintage offset poster realized in 1970s in occasion of Manzù's exhibition at Galleria Marino, Rome. Limited edition of 1.000. Very good condition.

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Star Wars 1983 Original Vintage Lobby Card #7 Size: 10×14″ inches / 25 x 35 cm Return of the Jedi (also known as Star Wars: Episode VI – Return of the Jedi) is a 1983 American epic...

Brittany Noriega Magnolia Laser Transfer on Handmade Paper Year: 2021 Size: 6 x 4 inches Edition: 10 Signed by hand COA provided Ref.: 924802-1044 Tags: floral, print, drawing, pap...

Abstract Screen print (Serigraph) composition of Japanese fishing boats in two parts by an unknown artist (20th Century). Signed (possibly "Myketo") a...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #8 Original Star Wars lobby card of Han Solo and C3P0 Framing options available: Black, brown, white and perspex Condit...

Louise Marler KoniRapid-S Archival Pigment Print on premium luster 2022 Size: 16x20in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1417 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” film photography, film camera, film is not dead, film community, old camera...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...