Paper Figurative Prints

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

Elegant Amusements of Eastern Genji - Japanese Triptych Woodblock Print on Paper Dynamic woodblock print with several elegantly dressed figures by Utag...

"I Love Lucy" Lucille Ball Desi Arnaz TV Comedy Legends Emmy Awards Litho Emmys Al Hirschfeld (1903-2003) "I Love Lucy" Lucille Ball Desi Arnaz Lithograph on heavy paper, 1989 Sigh...

Gordon Hunt Into the blue Limited edition print Image size: H 60cm x W 60cm Sheet Size: H 70cm s W 70cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indicati...

Japanese Block POP ART technique with a nude Geisha Comes unframed About the Artist World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, ...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows woman ballerina dancer with skirt shaped like a tabletop with teapot an...

A large, bright, powerful image of the statue of liberty by famous American artist Peter Max. I have included a photo of this same print being offered on Artsy for significantly more money. You can read about this iconic series by visiting the website of Park West Gallery...

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Keith Haring's Free South Africa series deftly addresses the nature of South Africa's apartheid regime in Harng's unique and succinct visual language. Signed, dated, and numbered low...

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

Lucio Muñoz Martinez (Spain, 1929-1998) 'S/T', 1994 engraving on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 75 ID: MUÑ1114-004-075 Hand-signed...

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

A signed Certificate of Authority will be included with all photographs. A nude boy faces the viewer siting in front of an open window. This impression is printed on Hahnemuhle arc...

Plate #9 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Meridies; Der Mittag (Noon; The Midday)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.32" Image size: 18.13" x 14.32" Condition: Soft handling creases and folds to sheet. A few light areas of staining and scattered small areas of discoloration in margins. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Date: 1931 Medium: Color Lithograph on Paper Dimensions: 14.50" x 16.50" Signature: Signed Lower Right

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

Keith Haring Luna Luna Karussell. A Poetic Extravaganza!, 1986 (Keith haring Luna Luna): Luna Luna "was organized by Andre Heller for “A Fair with Mod...

The Good The Bad The Ugly - Original 1966 French Lobby Card Vintage 1966 French Lobby Card: A bounty hunting scam joins two men in an uneas...

After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the Uni...

Antonio Lopez Garcia (Spain, 1936) 'Mujer de Tomelloso', 1961 lithograph on paper 11.9 x 13.8 in. (30 x 35 cm.) Edition of 170 Unframed ID: LOP2001-008 Ha...

Roy Lichtenstein Real Estate (Inscribed letterhead): A rare hand-signed Roy Lichtenstein Real Estate letterhead circa 1969. Offset print...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Vespera; Der Abend (Evening; The Evening)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.5" x 16.63" Image size: 17.38" x 13.63" Condition: Soft handling creases and folds to sheet. Some scattered foxmarks in left margin. Two small tears skillfully repaired from verso in margins. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

Keith Haring Luna Luna Karussell. A Poetic Extravaganza!, 1986 (Keith haring Luna Luna): Luna Luna "was organized by Andre Heller for “A Fair with Mod...

The Godfather Part II - Original 1974 Lobby Card #9 Vintage 1974 The Godfather Part II Lobby Card: The early life and career of Vito Corleone in 192...

Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...

Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...

In continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the wor...

The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...

Justin Pollmann "A Summer Reverie" 2022 Inkjet Transfer Collage, Monotype 25"x18" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Colours Of The Night #2 and #4: This pair of figurative art prints on paper capture the essence of timeless style. A neutral, atmospheric background evokes an evening-like ambiance. ...

Too Darn Hot combines a landmark moment for Tom Sachs’ practice with his continued investigations of the past, present and future of authentication. “The thing about faith is that i...

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...

This artwork, "Woman From Paris" 1979 (State I) is an original lithograph on creme Arches paper by renowned Navajo artist Rudolph Carl (R.C.) Gorman, 1932-2005. It is signed, dated and numbered 129/150 in pencil by the artist. The sheet size is 21.75 x 29 inches. It is in excellent condition, has never been framed, the colors are fresh and bright. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Original serigraph by the well known French artist, Jean Claude Picot. Signed in pencil by the artist in lower right margin. Edition 11/250 signed in pencil lower left margin. Condi...

Claudine Loquen is a French artist born in 1965 who lives & works in Paris, France. She depicts portraits, especially women faces as Colette for literature. About artwork : numbered...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 Unframed ID: CHO-112_1 Hand-sign...

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pa...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

Keith Haring 1987: The Yale Vernacular 1987, featuring classic cover art by Keith Haring. A rare stand-out vintage 1980s Keith Haring collectible that would look fantastic framed. Fe...

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...

Keith Haring Milan c.1989 Rare vintage Milan exhibition announcement circa late 1980’s featuring offset printed artwork by Keith Haring. Uniquely rendere...

Agent X Missy Elliott (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Ha...

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Hand signed and numbered 55/100 in graphite pencil lower front Provenance...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

This work is hand signed and numbered in the front. Sense of Security is a limited edition of 99 copie.

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Alluring two-piece edo woodblock print of Japanese actors by Toyohara Kunichika (Japanese, 1835-1900). Titled, dated and signed on verso. Presented...

Winnie the Pooh And Tiger Too - Original 1974 Lobby Card Vintage 1974 Lobby Card: Rabbit is tired of Tigger always bouncing him, so he gets Pooh and Piglet together to come up wit...

Alphonse Mucha (Czech, 1860-1939) Sarah Bernhardt "Gismonda", 1895 Original Lithograph IMPRIMERIES LEMERCIER, PARIS Paris, France color lithograph signed "Mucha" within the plate (lo...

Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...

Les Amans d'Arlequin is an artwork realized by Gino Severini in 1930. Pochoir from the Suite "Fleurs et Masques". Very good condition. Signed in plate on the lower right. Ref. Ca...

"PEGASUS" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (8.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) After ...

Original etching on archival laid paper of Claude Renoir the son of Pierre August Renoir. Pierre Auguste Renoir (French 1841-1919) "Claude Renoir Fils ...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge ("AP 1980 Kimono 11 Patricia A Pearce...

"Embrase" Black & White Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tub...

Pinchas Burstein, known as Maryan Lithograph (after the drawing). 1960 Dimensions: 12 3/8 x 9 3/8 inches (315 x 240mm). There is printed text on the back, as issued. Signed in the...

Rare deluxe issue printed on extremely fine Japanese paper (hand colored in stencil). Limited edition, numbered 235/250 in lower left corner. Signed in pencil by artist in lower rig...

Lithograph in cream and black, on Rives BFK paper, (with watermark) Edited in 1967 , signed in pencil by artist in lower right corner, numbered 25/100 published by Published by Le Pa...

Pablo Picasso ( 1881 – 1973 ) –Portrait de Famille , Six Personnages ( Ref Bloch 1031; Mourlot 385 ) lithograph on Arches paper, edited in 1962 Limited edition of 50 copies signed ...

Justin Pollmann "In Every Dreamhouse A" 2022 Inkjet Transfer Collage, Monotype 36"x34" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pa...

A mid-century, stone lithograph titled 'Anabel & Millicent' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. Accom...

"Laughing Matters" Comedy Legends-Marx Bros, Laurel, Hardy, Burns, Allen, Twain Al Hirschfeld (1903-2003) Laughing Matters Lithograph on heavy paper, 1987 Signed lower right, numbe...

After Jean-Michel Basquiat Jean-Michel Basquiat Gagosian Exhibition Poster, 2013 Exhibition poster 14 × 14 in 35.6 × 35.6 cm

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

"Then afterward Moses and Aaron went and sayde to Pharoah, "Thus sayeth the Lorde God of Israel, Let my people goe". (M.451)" from Marc Chagall's "The Story of Exodus," 1966. This is...

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...

Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...

George Cruikshank’s Table Book is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) and written by Various Authors in 1845. Published by Punch Office, London. Original First Edition. Format: in 8°. The book includes 284 pages with Twelve full page Etchings (hundred in text half page). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...