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Ernst, Composition, Cahiers d'Art (after)1949
1949
$716
$1,09534% Off
£549.86
£840.9134% Off
€630.13
€963.6834% Off
CA$1,007.95
CA$1,541.4934% Off
A$1,129.13
A$1,726.8134% Off
CHF 588.38
CHF 899.8234% Off
MX$13,773.03
MX$21,063.5134% Off
NOK 7,476.94
NOK 11,434.7134% Off
SEK 7,050.22
SEK 10,782.1234% Off
DKK 4,703.11
DKK 7,192.6134% Off
About the Item
Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, Cahiers d'Art, vol. 24, no. 2, 1949. Published by Christian Zervos, Paris, 1939.
MAX ERNST (1891-1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, and this experience left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable foreigner" while living in France. Ernst was in the milieu of Picasso, Dali, and Miro.
- Creation Year:1949
- Dimensions:Height: 13.375 in (33.98 cm)Width: 9.5 in (24.13 cm)
- Medium:
- Movement & Style:
- After:Max Ernst (1891-1976, American, German, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465214024162
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