Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Paul Gauguin
LA ORANA MARIA (HAIL MARY)

1894

$5,000
£3,839.78
€4,400.35
CA$7,038.77
A$7,884.97
CHF 4,108.79
MX$96,180.39
NOK 52,213.29
SEK 49,233.41
DKK 32,842.98

About the Item

PAUL GAUGUIN (French 1848 - 1903) LA ORANA MARIA (HAIL MARY) 1894/5 (Mongan/Kornfield 27B:Guerin 51) Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper an imitation Japanese vellum). Image 10 1/8 x 7 in. sheet 14 ¾” x 11”, This is one of the edition of 200 printed in dark blue on 'papier vélin' that was published in number 33 of 'L'Epreuve - Album d'Art' no.4 (March 1895). Provenance: The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA BETTER THAN PHOTOS - SHOT IN OBLIQUE LIGHT
  • Creator:
    Paul Gauguin (1848-1903, French)
  • Creation Year:
    1894
  • Dimensions:
    Height: 10.125 in (25.72 cm)Width: 7 in (17.78 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Santa Monica, CA
  • Reference Number:
    1stDibs: LU411311293952

More From This Seller

View All
DEAUX FEMMES MAORIES ACCROUPIES
By Paul Gauguin
Located in Santa Monica, CA
PAUL GAUGUIN (French 1848 - 1903) DEAUX FEMMES MAORIES ACCROUPIES. 1894-5 (Kornfield 26: Guerin 87 ) Zincograph (Lithograph) on smooth, cream imitation Japan paper, edition 200. Pu...
Category

1890s French School Figurative Prints

Materials

Lithograph

SCARCE EARLY OROZCO - CABEZA DE MUJER -
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1883 – 1949) CABEZA DE MUJER, ( Woman's Head: Mexican Woman) 1929 (Orozco 9) Lithograph, signed and numbered 23/50. in pencil. Pri...
Category

1920s Realist Figurative Prints

Materials

Lithograph

Miracle
By Marino Marini
Located in Santa Monica, CA
MARINO MARINI (1901-1980) MIRACLE - Etching, Signed and numbered 70 / 75 in pencil. Image 15 ½ x 10 ½ inches,. Full sheet 22 3/8 x 15 inches with deckle edges. Plate IV of the serie...
Category

1970s Abstract Impressionist Abstract Prints

Materials

Etching

GEFALLEN (Killed in Action)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945) GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states) Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...
Category

1920s Expressionist Prints and Multiples

Materials

Lithograph

LA SORCIERE - (The Witch)
By Kurt Seligmann
Located in Santa Monica, CA
KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...
Category

1930s Surrealist Figurative Prints

Materials

Etching, Aquatint

LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959) LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category

1920s Expressionist Figurative Prints

Materials

Woodcut

You May Also Like

Te Arii Vahine - Opoi / La femme aux mangos - Fatigué
By Paul Gauguin
Located in London, GB
Paul Gauguin Te Arii Vahine - Opoi La femme aux mangos - Fatigué 1898 Woodcut, Edition of 30 Paper size 18.5 x 28.2 cms (7 1/4 x 11 ins) Image size 16 x 28.2 cms (6 1/4 x 11 ins) Co...
Category

1890s Figurative Prints

Materials

Woodcut

Miseres Humaines, souvenir de Bretagne
By (after) Paul Gauguin
Located in Henderson, NV
This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 7 3/4 x 11 3/...
Category

1940s Post-Impressionist Prints and Multiples

Materials

Lithograph

She is Haunted by a Spirit (Manu Tupapau)
By Paul Gauguin
Located in Roma, IT
Second edition signed in 1921 by the Artist's son Pola Gauguin: lower left “Paul Gauguin fait”, lower left “Pola Gauguin imp”. Superb copy in perfect conditions printed on China pa...
Category

1890s Modern Figurative Prints

Materials

Woodcut

Gauguin, The God (Te atua), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-19...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut

Gauguin, The God (Te atua), Gauguin (after)
$716 Sale Price
20% Off
Free Shipping
“La Femme aux Figues”
By Paul Gauguin
Located in Southampton, NY
Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...
Category

1970s Academic Figurative Prints

Materials

Archival Paper, Etching

Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Southampton, NY
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category

1940s Post-Impressionist Figurative Prints

Materials

Woodcut