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Paul Landacre'Sultry Day' — American Modernism1935
1935
$3,000
£2,283.24
€2,614.38
CA$4,267.02
A$4,674.61
CHF 2,441.93
MX$56,198.28
NOK 30,528.32
SEK 28,793.07
DKK 19,517.60
About the Item
Paul Landacre 'Sultry Day', wood engraving, 1935. Edition 60, 1935; second edition of 150 (only 7 impressions printed); third edition 200, American Artists Group, 1937. Wien 170. Signed and dated in the block, lower left. An impression from the 1937 edition by American Artists Group; not hand-signed, as published. A brilliant, black impression, on cream, wove paper, with large, full margins (3 1/2 to 5 7/8 inches), in excellent condition. Archivally matted to museum standards.
Awards: First Honorable Mention, Philadelphia Art Alliance, 1936. Selected for exhibition at the Venice Biennale, 1938.
Literature and Exhibitions: 'Paul Landacre: Prints and Drawings,' Los Angeles County Museum of Art, 1983; 'Original Etchings, Lithographs and Woodcuts Published by the American Artists Group, Inc.,' New York, 1936. 'Figures and Forms: Selections from the Terra Foundation for the Arts,' Terra Museum of American Art, Chicago, Illinois, 2000; 'Paul Landacre: Prints and Drawings,' Los Angeles County Museum of Art, 1983; 'Pressed In Time: American Prints 1905-1950,' The Huntington Library and Art Gallery, San Marino, 2007-2008.
Impressions of this print are in the collections of the following institutions: Amon Carter Museum of American Art, Carlton College, Fine Arts Museums of San Francisco, Harvard Art Museums, Jordan Schnitzer Museum of Art, Library of Congress (Pennell Fund purchase), Los Angeles County Museum of Art, Museum of Fine Arts Boston, National Gallery of Art, Oakland University Art Gallery, Philadelphia Museum of Art, San Diego Museum of Art, Spencer Museum of Art, Syracuse University, Terra Foundation for the Arts, Yale University Art Gallery.
ABOUT THE ARTIST
Paul Landacre’s wood engravings are distinguished by their flawless craftsmanship and impeccable design. His elegant compositions, at once highly modernist and intimately personal, inspired both Rockwell Kent and Carl Zigrosser to name him the pre-eminent American wood engraver of the 20th century. His work garnered numerous printmaking awards—among them, his illustrated books of poems for Ward Ritchie and Alexander Dumas 'A Gil Blas in California', and his first solo book, 'California Hills and Other Wood Engravings', winner of the 'Fifty Books of the Year' (1931), American Institute of Graphic Arts. In 1946 he was elected to the National Academy of Design and in 1947 the Smithsonian celebrated Landacre at midcareer by giving him a solo exhibition which was curated by the influential painter, printmaker, and scholar Jacob Kainen.
Landacre's graphic work is represented in numerous public and museum collections including: Boston Museum of Fine Arts, Brooklyn Museum, Harvard Art Museums, Library of Congress, Los Angeles County Museum of Art, Los Angeles Public Library, Museum of Modern Art, Oakland Museum of California, New York Public Library, Philadelphia Museum of Art, Seattle Art Museum, Smithsonian American Art Museum, Whitney Museum of American Art.
- Creator:Paul Landacre (1893-1963, American)
- Creation Year:1935
- Dimensions:Height: 8 in (20.32 cm)Width: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1043751stDibs: LU532316775562
Paul Landacre
Paul Landacre was an illustrator who specialized in wood engravings of naturalistic images executed in a sparse, rhythmic, linear style. Born in Columbus, Ohio, he was an athlete as a youth. During his sophomore year at Ohio State University, he contracted a life-threatening illness that left him partially disabled. During this same year he also enrolled in a drawing class. After a long recuperation, Landacre moved with his family to California. In order to increase his physical strength he took long walks in the nearby rural areas, and on these walks, drew in his sketchbook. By 1918 he found a job as a commercial illustrator. In 1923 he enrolled at the Otis Art Institute, where he studied all types of media, including wood engraving. Landacre's artistic reputation began to emerge in the early 1930s with the publication of his book California Hills and other Wood Engravings and his first one-person exhibition in Los Angeles. He received many commissions for book illustrations; since he worked in a careful, deliberate manner, his large projects required years to complete. For thirty-one years the artist maintained a hand press in his home, allowing him to have total control over the printing of his designs. In 1939 he was made an associate of the National Academy of Design. The remainder of Landacre's professional career was balanced between teaching and illustrating books. Two examples from the National Gallery's permanent collection demonstrate the range of Landacre's work. His engraving, Smoke Tree, evokes the nearby desert scenery that the artist knew. The sharp, angular canyons of the mountain contrast with the delicate, small-leafed tree in the foreground. Some Ingredients is a still life composition that displays the same strength of line, forceful contrasts, and textures seen in his landscapes. [This is an excerpt from the interactive companion program to the videodisc American Art from the National Gallery of Art. Produced by the Department of Education Resources, this teaching resource is one of the Gallery's free-loan educational programs.]
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