Paul McCarthy

2020 Paul McCarthy 'Boy Boy Toy' hand signed

2020

This exhibition poster features Ohad Meromi’s compelling sculpture The Boy from South Tel Aviv, originally presented as part of Real Time: Art in Israel 1998–2008 at the Israel Museu...

This print, titled "80 Jahre Joseph Beuys," is by the artist Jörg Immendorff. It is signed and numbered out of 275 in pencil by the artist. The artwork features Immendorff's characte...

Jim Dine's "Pinocchio" artwork, as featured in this poster for the Lincoln Center, embodies a profound metaphor for art, according to the artist himself. Dine described the concept o...

"The idea of a talking stick becoming a boy [is] like a metaphor for art, and it’s the ultimate alchemical transformation," said Jim Dine of his Pinocchio art. Seven color silkscreen...

Paul McCarthy A&E Blue Book Softcover, 64 pages, 64 illustrations Limited edition 137 of 250 Signed to back cover With original drawing on back cover Published by Hauser and Wirth, 2...

TECHNICAL INFORMATION Ron English Combrat Boy 2015 3D Lenticular archival inks on PETG Plastic 36 x 24 in. Edition of 10 Signed and numbered on verso Accompanied with COA by G...

'Boy' 2003 by American artist, Kim McCarty. Watercolor on paper, 29.75 x 22.25 in. (framed). This work on paper expresses the fragile vulnerability of adolescence. By using a “wet into wet” watercolor medium, the artist conveys the transitory and emergent state. The figures heads become too large for their small, narrow bodies, their hands too large for their arms. The translucent watercolor expresses both the flaws and perfection. Kim McCarty is known for her nubile and waif-like figurative watercolors in muted hues, which she likens to “blurry afterimages drifting past closed eyelids.” McCarty began working with the medium in 1993, after a fire destroyed her studio and she could no longer find a space with proper ventilation for working with oil paint and became quickly intrigued with watercolor’s transparency, immediacy, and “unforgiving qualities.” She works in a wet-on-wet technique, in which watercolor is applied to a moistened sheet of paper—a technique that allows for very little control over the final image because of the pigment’s tendency to spread. For McCarty, this style corresponds to the longing, loss, and vulnerability embodied in her subjects. A graduate of UCLA (MFA) and the Art Center College of Design, Pasadena (BFA), McCarty has had many solo exhibitions include Morgan Lehman Gallery, New York and David Klein Gallery...

Acrylic and spray paint