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Period: 17th Century
Joshua 10 - Old Testament Story - Etching by Giovanni Lanfranco - 1607
Located in Roma, IT
Joshua 10 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork is in good condition with some foxing.
Together Giovanni Lanfranco with Sisto Badalocchio (q.v.), he was a pupil in Parma of Agostino Carracci (1557-1602). Again with Badalocchio, he traveled to Rome in 1602, following Agostino's death, to work under Annibale Carracci (1560-1609), where the two assisted him with, among other projects, the completion of the decoration of the Galleria Farnese.
Lanfranco's return to Rome in 1612, he was for long the close rival of Domenichino (q.v.) for some of the most prestigious commissions of the day. Lanfranco's reputation was secured by his 'proto-Baroque', illusionistic fresco in the style of Correggio in the dome of S.Andrea della Valle, painted in 1625-7.
In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S. Martino (1637-8/9; see 1967,0211.2); SS Apostles (1638-46; see 1895,0915.728); and the Cappella del Tesoro in the cathedral of S. Gennaro. He returned to Rome in 1646, where his last major commission from him was his fresco decoration of the 'Glory of St Carlo Borromeo...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Genesis 32 - Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Genesis 32 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607ca.
Passpartout included 29 x 39 cm
The artwork...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Genesis 41 - Old Testament Story - Etching by Giovanni Lanfranco - 1607s
Located in Roma, IT
Genesis 41 - Old Testament Story is an Etching print realized by the artist Giovanni Lanfranco.
About The Old Testament Story, 1607 ca.
Passpartout included 29 x 39 cm
The artwork...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Soldier - Etching - 17th Century
Located in Roma, IT
Soldier is an original old master artwork realized in 17th Century.
Black and white etching.
Good conditions except for signs of time.
Category
Modern 17th Century Figurative Prints
Materials
Etching
The Young Hostess
Located in New York, NY
Cornelis Bega (active 1631/32-64), The Young Hostess, c. 1660-64, etching. Reference: Hollstein, Bartsch 33, third state (of 5). With the address of J. Covens and C Mortier bottom left - before the address was removed (in the fourth state) and the artist’s signature was added (in the fifth state). In excellent condition, printed in black/grey ink on an old laid paper, with a 3/16 inch margin outside the plate mark all around, archival matting.
Provenance: Ex collection Graff (with stamp verso, Lugt 1092a), LRV (with stamp verso, Lugt 1761), an unidentified collector’s stamp verso, and Dr. Karl Herveg (his stamp verso, Lugt 3974).
A very good impression, with the guidelines of the address strongly visible.
Dr. Karl Herweg was a noted collector of 17th Century Dutch prints...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Lithograph realized by an unknown artist of Italian School in 17th Century.
Good condition on a yellowed paper.
No signature.
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Portrait of Cardinale Retz - Etching by Stephan Picart - 1652
Located in Roma, IT
Portrait of Cardinale Retz is an original Etching, realized by Stephan Picart in 1652.
The status of preservation Good.
The artwork is depicted skillfully through confident and str...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Frontispiece for "Diversi Animali" - Etching by A. Tempesta - 17th Century
Located in Roma, IT
Diversi Animali is an original Etching realized by Antonio Tempesta in the 17th Century.
Good Conditions.
The artwork is depicted through strong strokes with perfect Hatchings.
Category
Modern 17th Century Figurative Prints
Materials
Etching
'The Smoker (Le Fumeur)' original etching by Cornelis-Pietersz Bega
Located in Milwaukee, WI
'The Smoker (Le Fumeur)' is an original etching by the celebrated Dutch painter and printmaker Cornelis-Pietersz Bega. It presents a genre scene of the type Bega was best known for: Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, gamblers and fools such as quack doctors and alchemists. In this case, he shows a man seated on a chair with his foot on a flat stool and holding a smoking pipe. For Bega, this representation was more of a caricature than it was an image of a specific person, and such genre scenes would have held allegorical and symbolic meaning for the seventeenth-century viewer. During the seventeenth century, the Dutch of all levels of society consumed tobacco and alcohol, and these were an important part of the Dutch economy and a major source of wealth. At the same time, however, moralists and ministers sought to curb intoxication: they openly described drinking and smoking as sinful, immoral, and a general threat to one’s reputation. This paradox is reflected in prints such as this, which inherently carry the national pride of the Dutch economy alongside a moral warning in a print that could be just as easily consumed and collected.
2.5 x 2.25 inches, print
12.38 x 10.38 inches, frame
Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials. Housed in a gold finish Spanish-style wood moulding.
Overall good and stable condition; margins cut to plate; some wrinkling in the corners from previous mounting; housed in a new custom frame.
Cornelis Bega was born into prosperous circumstances. His mother, Maria Cornelis, inherited half the estate (gold, silver, paintings, drawings and prints) and all of the red chalk drawings of her father, Cornelis Cornelisz van Haarlem, a renowned Mannerist artist. Bega's father was Pieter Jansz Begijn (d 1648), a gold and silversmith.
Like other family members, Bega was probably Catholic. Houbraken's claim that Bega studied with Adriaen van Ostade is likely to be correct; this was probably before 24 April 1653, when Bega joined Vincent Laurentsz. van der Vinne in Frankfurt for a journey through Germany, Switzerland and France. Bega had returned to Haarlem by 1 September 1654, at which time he joined the Guild of St Luke; he was already a competent draughtsman, as indicated by his first extant dated work, Interior with a Nursing Mother (1652; Frankfurt am Main, Städel. Kstinst.), and by a remarkable double portrait (Amsterdam, Rijksmuseum) drawn by him and Leendert van der Cooghen in 1654.
Bega painted, drew, etched and made counterproofs in a wide variety of materials on different types of small-scale supports. He may have been the first Dutch artist to make monotypes, but this remains controversial. Approximately 160 paintings, 80 drawings and six monotypes by Bega have been catalogued, as well as around 34 etchings.
Bega's principal subjects were genre representations of taverns, domestic interiors and villages. He depicted nursing mothers, prostitutes, drunks, smokers, gamblers and fools such as quack doctors and alchemists. Less common subjects include the ridiculed or pestered woman, as in Two Figures and Mother with a Spirits Bottle (c. 1662; Gouda, Stedel, Museum Catharina Gasthuis) and The Inn (etching), as well as witty satires on traditional scenes of middle-class music-makers, such as the Music Lesson (1663; Paris, Petit Palace).
Bega's early paintings, such as the Weaver's Family (c. 1652; St Petersburg, Hermitage), are freely executed, dark and coarse, recalling the many-figured peasant subjects of van Ostade. Between c. 1660 and 1664 he began to paint genre scenes with fewer figures, which are finely articulated, colourful and psychologically expressive, for example Two Men Singing (1662; Dublin, N.G.). His exquisite, late fijnschilderen ('fine painting') manner, evident in The Alchemist (1663; Malibu, Getty Museum), compares well with that of Gerrit Dou.
As a draughtsman Bega is noted for his single-figure studies, executed mainly in black and white chalk on blue paper or red chalk on white paper. None of the studies, which were drawn naer het leven (from life), seem to relate to a painting or etching. Bega traded drawings or shared models with other artists of the Haarlem school, including van der Cooghen, Gerrit Berckheyde, Dirck Helmbreker and Cornelis Visscher. These artists drew chalk figure studies in a very similar style, characterised by regular and precise parallel shading and well-defined forms; their drawings, especially those of Bega and Berckheyde, have been frequently confused. Unlike the realistic figure studies, Bega's etchings depict interiors with figures or single figures in the manner of van Ostade; the compositions, often with masterful chiaroscuro effects, reflect most closely the paintings of the 1650s.
Bega is likely to have remained in Haarlem, where he paid dues to the Guild in 1661. He probably died from the plague; fees for his expensive funeral at St. Bavo's were paid on 30 August 1664. Among the artists he influenced were Thomas Wijck, Jan Steen, Richard Brakenburg (1650-1702) and Cornelis Dusart. Painters such as R. Oostrzaen ( fl ?1656) and Jacob Toorenvliet...
Category
Old Masters 17th Century Figurative Prints
Materials
Paper, Etching
Plates of Old Testament- Etching by Antonio Tempesta - 17th Century
Located in Roma, IT
Plates of Old Testament is a wonderful black and white set of prints realized by the Italian master Antonio Tempesta (1555-1630) in the XVII century.
The ten plates depicting scenes of the Old testament WITH Inscriprions on plates
They are mounted on a cardboard passepartout and in a gilded frame.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
Modern 17th Century Figurative Prints
Materials
Etching
The Mother Seated in an Inn
Located in New York, NY
Cornelis Bega (1631/2-1664), The Mother Seated in an Inn, etching, circa 1660-64. Reference: Hollstein 31, a later impression, second state (of 2). In good condition, trimmed outside...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
17th century etching black and white dramatic window figure scene
Located in Milwaukee, WI
"Man Looking Through a Window" is an original etching by Cornelis-Pietersz Bega. It depicts a figure leaning through a window. Publisher: Pearce #37.
3 1/8" x 3" art
14 3/4" x 13 1/...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
The Brain - From De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Brain is a original etching realized as plate no. 41 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major advance i...
Category
17th Century Figurative Prints
Materials
Etching
The Human Body - De Humani Corporis Fabrica - by Andrea Vesalio - 1642
Located in Roma, IT
The Human Body is an original etching realized as plate no. 10 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major adva...
Category
Modern 17th Century Figurative Prints
Materials
Etching
The Human Skeleton - De Humani Corporis Fabrica by Andrea Vesalio - 1642
Located in Roma, IT
The Human Skeleton is a original etching realized as plate no. 15 of Andrea Vesalio's "De Humani Corporis Fabrica".
The "De Humani Corporis Fabrica is commonly considered a major a...
Category
17th Century Figurative Prints
Materials
Etching
City with Travellers - Etching - 17th Century
Located in Roma, IT
City with Travellers is an original and little etching of an unknown artist of 17th century.
The artwork is in good conditions with some little stains on a yellowed paper.
No signa...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Valsavia Superiore e Inferiore - Etching by V. M. Coronelli - Late 17th century
Located in Roma, IT
Valsavia Superiore e Inferiore is a beautiful historical etching on ivory-colored paper, realized by Vincenzo Maria Coronelli (1650-1718) in the late 17th century.
This interesting ...
Category
17th Century Figurative Prints
Materials
Paper, Etching
Urbino Under the Snow - Etching - 17th Century
Located in Roma, IT
Urbino con la neve is an original artwork realized by an artist of the 17th century.
Beautiful etching on ivory paper. Image Dimensions: 20...
Category
Modern 17th Century Figurative Prints
Materials
Etching
Grande Curia Palace - Original Etching by Pierre Mortier - 17th Century
Located in Roma, IT
Grande Curia Palace is an original hand-colored print realized by the Dutch artist Pierre Mortier in the second half of the XVII century.
Original etching on paper.
Signed on the p...
Category
17th Century Figurative Prints
Materials
Etching
The Buffalo - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a cream-colored cardboard passepartout, 34 x 50 cm.
An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism.
Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio.
Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli.
He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...
Category
17th Century Figurative Prints
Materials
Etching
The Horse - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
Image Dimensions: 5 x 7 / 8 x 10 c...
Category
17th Century Figurative Prints
Materials
Etching
The Fawn - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
The fawn is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Image Dimensions: 5 x 7 / 8 ...
Category
17th Century Figurative Prints
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Figurative Prints
Materials
Etching
Dog - Etching by Antonio Tempesta - 1610s
Located in Roma, IT
Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630).
Not signed.
In excellent conditions.
Including a crea...
Category
17th Century Figurative Prints
Materials
Etching
Meeting f the Pope's Sacred Council - Original Etching - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized in 17th century by an anonymous Master.
With description in French on the bottom.
Good conditions, except for some cutting and dif...
Category
17th Century Figurative Prints
Materials
Etching
Le Bouffon et les Deux Couples Amoureuses - Original Etching - 1514
Located in Roma, IT
Image dimensions: 7 x 9 cm.
Les Bouffon et les deux couples Amoureuses is an original artwork realized after Hans Sebald Beham in 1514.
Original burin on paper; late 17th century edition.
Good conditions.
The artwork is a very small yet well-balanced composition representing a genre scene.
The original artwork was realized after Hans Sebald Belham (Neuremberg, 1500 – 1550). Belham was a German painter and etcher, mainly known for his very small engravings, like this artwork itself. He spent the latest part of his career in Frankfurt. He was one of the most important so-called "Little Masters...
Category
17th Century Figurative Prints
Materials
Etching
St. Matthew - Original Etching on Paper - 17th Century
Located in Roma, IT
St. Matthew is an original etching artwork on paper realized by an anonymous artist of the XVII century.
Sheet dimension:21 x 14
Good conditions except for the trace of humidity on...
Category
17th Century Figurative Prints
Materials
Etching
17th century etching black and white indoor dramatic figures scene
Located in Milwaukee, WI
"The Meeting" is an original etching by Cornelis-Pietersz Bega. It depicts a confrontation between two groups of figures. Publisher: Pearce #48.
2 3/4" x 2 3/4" art
10 1/4" x 10 3/8...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Genova Olim Ligusticum - Etching by V. Coronelli - 1684 ca.
Located in Roma, IT
Genova olim Ligusticum is a charming antique map etched on paper, representing the "Genovesato Parte Orientale" or the Genoa area and devoted to the prince and cardinal Carpegna, rea...
Category
17th Century Figurative Prints
Materials
Etching
Palamonis et Pachomii - Etching After Raphael Sadeler - 1660 ca.
By Raphael Sadeler the Elder
Located in Roma, IT
Palamonis et Pachomii is a beautiful hand-watercolor etching realized by the Flemish artist Raphael Sadeler (Anvers, Antwerpen 1560 - Munich between 1628 and 1632), after a drawing b...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Place di Porta a Boulogne - Original Etching by G.B. Falda
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Figurative Prints
Materials
Etching
Chiesa di Sant'Athanagio e Collegio della Natione de Greci - Original Etching
Located in Roma, IT
Original etching by G.B. Falda.
Very good conditions.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who...
Category
17th Century Figurative Prints
Materials
Etching
The Kermesse - Original Etching by Cornelis Dusart - 1686
Located in Roma, IT
Signed and dated on the left lower margin of the plate: “Corn. Dusart fe. 1685”. On Netherlandish watermarked paper. Very good conditions.
Bartsch n.16. Beautiful etching describes a scene of ordinary peasant’s life.
Passepartout included : 47.5 x 56 cm
Cornelis Dusart (Haarlem, 1660 - 1704), Netherlandish painter and engraver, apprentice of Adriaen van Ostade, he was accepted by the Corporation of Saint Luca...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
17th century etching black and white mother and child figures scene
Located in Milwaukee, WI
"Mother & Child" is an original etching by Cornelis-Pietersz Bega. It depicts a mother and her child. Publisher: Pearce #51.
3" x 3" art
13 3/4" x 11 3/4" frame
Cornelis Pietersz B...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Beggar Seated on a Bank by Rembrandt Van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Beggar Seated on a Bank
Etching on paper
New Hollstein's first state of two
Signed and dated in plate "RHL 1630" (lower center)
This remarkable...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching, Paper
Theodoor Galle Martin de Vos 17th Century Engraving Jesus Faces the Sanhedrin
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 17th Century Figurative Prints
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century engraving The Widow's Mite (Offering)
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Figurative Prints
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century Engraving Jesus Nailed to the Cross
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603)
Jesus is Nailed to the Cross
46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23.
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
17.5x22cm
From the Gospel of Luke, chapter 3 "When they came to the place called the Skull, they crucified him there."
Theodoor Galle was the son of Philip Galle...
Category
Realist 17th Century Figurative Prints
Materials
Engraving
Theodoor Galle 17th Century Engraving Suffer the Little Children Martin de Vos
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle (1571 – 1633), Iacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603)
29. Sinite paruulos, et nolite eos prohibere ad me venire : talium est enim reguum coelorum 19.
Engraving
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
16.5x21.8cm
Hand-finished black wooden frame available
From the Gospel of Matthew, chapter 19 "Suffer the little children...
Category
Realist 17th Century Figurative Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Samaritan Woman at the Well
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 17th Century Figurative Prints
Materials
Engraving
Maerten De Vos, Baptista Vrints, Christ Baptism, Engraving, Old Master
By Maerten De Vos
Located in Greven, DE
Maerten de Vos after
J Baptista Vrints
Baptism Scene
Engraving
Category
Renaissance 17th Century Figurative Prints
Materials
Engraving
Nemesis - Original Etching by Philips Galle - 1605
By Philips Galle
Located in Roma, IT
Nemesis is an original burin by the old master Galle Philips (Haarlem, 1537-Antwerp, 1612), the plate n. 20 from the series "De deis gentium imagines iconical, aeneis tabulis for Philipp.Galle exaratae; et variis distichis ab Hug. Illustrated fable", Antwerp, 1581.
Our specimen is printed on laid paper, glued on secondary support, trimmed within the impression.
Inscriptions: in the lower margin "NEMESIS / Trux Nemesis ut iacto cites lightning flamma / Mortalesq docet reddere cuiq fuum."
Bibliography:
F.W.H. Hollstein, Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700 [volume VII] Fouceel – Gole (Amsterdam 1953), p.79, nos. 352–380 (for the entire series); Belgica typographica 1541–1600 (Nieuwkoop 1994), IV, p.538 no. 1206; Fortune: "all is but fortune", catalog for an exhibition held at the Folger Shakespeare Library, 18 January – 10 June 2000 (Washington, DC & Seattle 2000), p.36 (for Nemesis); Manfred Sellink and Marjolein Leesberg, The new Hollstein Dutch & Flemish etchings, engravings and woodcuts 1450–1700. Philips Galle...
Category
17th Century Figurative Prints
Materials
Etching
Price Upon Request
La circoncision dans l'étable - Original Etching by Rembrandt - 1654
Located in Roma, IT
Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654
Etching on watermarked paper.
Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Les Grandes Miseres de la Guerre
Located in New York, NY
Jacques Callot (1592-1635), Les Grandes Miseres de la Guerre, etchings, 1633, the complete set of 18. Lieure 1339-56, the frontispiece third state (of 3), th...
Category
Old Masters 17th Century Figurative Prints
Materials
Etching
Price Upon Request
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