1920s Figurative Prints
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Period: 1920s
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1923.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1923
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1923.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Composition of Animals - Lithograph after Odilon Redon - 1923
By Odilon Redon
Located in Roma, IT
Composition of Animals is a lithograph realized after Odilon Redon.
They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923.
Goo...
Category
Symbolist 1920s Figurative Prints
Materials
Lithograph
Bezalel School Jerusalem, Middle Eastern Arab Man in Turban Circa 1920s Etching
Located in Surfside, FL
Genre: Realism
Subject: Portrait
Medium: Etching
Surface: Paper
Country: Israel
Dimensions with Frame: 18" x 114"
Jacob Eisenberg (1897–1965) (also Yaakov Eisenberg) was an Israeli ...
Category
Art Nouveau 1920s Figurative Prints
Materials
Etching
Käthe Kollwitz Lithograph, "Germany's Children Are Starving"
Located in Larchmont, NY
Käthe Kollwitz (German, 1867-1945)
Deutschlands Kindern Hungern (Germany's Children Are Starving), 1924
Lithograph on paper after original charcoal drawing
Sight: 17 1/2 x 12 in.
Fr...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1927.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1927.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1927.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1923.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1927.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
The Chair - Lithograph by Raoul Dufy - 1920
By Raoul Dufy
Located in Roma, IT
The Chairis a vintage lithograph realized after Raoul Dufy in 1920.
Good conditions.
Edition of 110. Not signed and not numbered, as issued.
The artwork is depicted through confid...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Beauty Enjoying Summer Fireworks
By Ito Shinsui
Located in Burbank, CA
Title: Fireworks 花火
Series: The Second Collection of Modern Beauties (Gendai bijin shū dai nishū 現代美人集第二輯)
Date: 1932
A young woman is shown enjoying the summer fireworks, her face shown in profile as she looks towards the display. She holds a summer fan on her lap, and her kimono features large blue stripes and is tied with a colorful obi that features a morning glory pattern. The summer evening sky is a soft grey rather than a deep black, perhaps reflecting the brightness of the fireworks. Numbered verso, from a limited edition of 250 prints.
Condition: Excellent impression, color and condition.
Publisher: Watanabe Shôzaburô
Literature: See “All the Woodblock Prints of Shinsui Ito...
Category
Showa 1920s Figurative Prints
Materials
Woodcut
Henri Laurens “Tete de Femme a L’eventail’
Located in San Francisco, CA
Henri Laurens: 1885-1954. Well listed French artist with Auction records in the millions of dollars and over $8000 for a print. This rare print came in a small edition of Which I believe was only 30. This is number 22 which it is pencil marked and also pencil signed by the artist. The print itself measures seven and three-quarter inches high by 5 3/8 inches wide. The paper measures approximately 12 inches high by 9 3/4 inches wide. It is housed in a fabulous vintage hand carved Munn frame...
Category
Cubist 1920s Figurative Prints
Materials
Etching
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1927.
Watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925). The manuscr...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
"Der Hirte" original woodcut
Located in Henderson, NV
Medium: original color woodcut. Catalogue reference JH 771. Published in 1919 for Genius. Image size: 9 1/2 x 7 inches (240 x 178mm), on wove paper with full margins. This print is f...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
Hopi by Lon Megargee, Original Signed Block Print ca. 1920s
Located in Phoenix, AZ
Title: Hopi ca. 1920s
Artist: Lon Megargee
Medium: Block Print
Size: 11 x 11 inches (Sight Measurement)
Creator of Stetson's hat logo "Last Drop from his Hat"
Image of Lon Megargee not included in purchase.
Lon Megargee
1883 - 1960
At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy.
Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit.
Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch.
Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953.
In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career.
Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s.
In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals.
In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art.
Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...
Category
American Impressionist 1920s Figurative Prints
Materials
Woodcut
STADTISCHES OBDACH (Urban Shelter)
Located in Santa Monica, CA
KATHE KOLLWITZ (German 1867 -1945)
STADTISCHES OBDACH (Urban Shelter) 1926 (Knesebeck 226, Klipstein 219.bB),
Lithograph from the unsigned edition for the annual edition of the Kuns...
Category
Expressionist 1920s Figurative Prints
Materials
Lithograph
Dames charmante et charmante a tous egard
By Marc Chagall
Located in Fairlawn, OH
(A charming lady chatting with a lady perfect in every possible way)
Signed in the plate. No pencil signed impressions are existent.
Edition: 368 (including 50 imps on japan) includi...
Category
French School 1920s Figurative Prints
Materials
Etching
Erotic Scene - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Erotic scene is an artwork realized by Toyen in 1923.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Female Nude - Lithograph by Toyen - 1927
By Toyen
Located in Roma, IT
Female Nude is an artwork realized by Toyen in 1923.
Mixed colored watercolored lithograph.
The artwork is an illustration from the book Pybrac written by Pierre Louÿs (1870-1925)...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
The Automobilist, from: My Life - Russian French Berlin Autobiography Surrealism
By Marc Chagall
Located in London, GB
This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin.
It is also hand numbered in pencil from the edition of 110, at t...
Category
Surrealist 1920s Figurative Prints
Materials
Drypoint, Etching
Au Japon
Located in Fairlawn, OH
Au Japon
Pochoir (Stencil Print), 1925
Signed by the artist in pencil lower right (see photo)
Signed in the image lower left (see photo)
Stamped verso: Made in France
Note: The artist won a gold medal in Paris in 1925 for his porchoirs
Condition: excellent
Image size: 11 1/2 x 13 inches
Sheet size: 20 x 25 3/4 inches
The artist is Italian, Vittorio Accornero de Testa, working in Paris.
The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's.
Condition: Excellent, never matted or framed
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...
Category
Art Deco 1920s Figurative Prints
Materials
Screen
En Espagne
Located in Fairlawn, OH
En Espagne
Pochoir (silk screen) printed in colors
Signed by the artist in pencil lower right
The artist won a gold medal in Paris in 1925 for his pochoirs
Condition: Excellent
Image size: 11-1/2 x 13"
Sheet size: 19 1/2 x 24 3/4";
The artist won a gold medal in Paris in 1925 for his porchoirs
The artist is Italian, Vittorio Accornero de Testa, working in Paris.
The image combines Art Deco and Japonism, two of the most famous styles of the period of the 1920's.
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...
Category
Art Deco 1920s Figurative Prints
Materials
Screen
L'Enfant Et Le Maître Décole (The Child and the School Teacher)
By Marc Chagall
Located in Fairlawn, OH
L'Enfant Et Le Maître Décole (The Child and the School Teacher
Etching with hand coloring by Chagall, 1927-1930
Signed in the plate lower right (see photo)
From La Fontaine Les Fable...
Category
French School 1920s Figurative Prints
Materials
Etching
Art Nouveau Poster "Marmorhouse (Der Teufel und Die Circe) by Josef Fenneker
Located in Chicago, IL
The painter, graphic artist, production and set designer, Josef Fenneker, is one of the most important representatives of artistic film posters of the 1910s and 1920s. He was commissioned primarily by Berlin’s Marmorhaus cinema, which was located on Kurfürstendamm and known for its first releases, as well as by Berlin film production...
Category
Expressionist 1920s Figurative Prints
Materials
Lithograph
French Vintage Modern Art Deco Nitrolian Fast Drying Paint Promotional Poster
Located in Houston, TX
Modern art deco promotional poster by artist and illustrator Leonetto Cappiello. The work features a man using Nitrolian paint to paint a set of stairs as a woman walks down. The pa...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Akt mit Fächer
By Marc Chagall
Located in New York, NY
A superb, richly-inked impression of this extremely scarce, early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in penc...
Category
Expressionist 1920s Figurative Prints
Materials
Drypoint, Etching
Phili ou Par le Bien et le Mal
Located in Wilton, CT
Hermant's “moralistic tale” is interpreted and illuminated by Brunelleschi's radically modern designs, which are found throughout the volume, both as 12 full-page plates and smaller ...
Category
Art Deco 1920s Figurative Prints
Materials
Gouache
"Landschaft mit Frauen" original woodcut
By Aloys Wach
Located in Henderson, NV
Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, publi...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...
Category
Vienna Secession 1920s Figurative Prints
Materials
Paper
'Der Gartner' (The Gardener) — 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine 'Das Plakat...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
Wiener Werkstatte Woodblock Diagram
Located in Wilton, CT
Woodcut print by Dagobert Pesch. Peche was instrumental in leading the Wiener Werkstätte movement. He was known for his glass, ceramic and textile design.
Category
1920s Figurative Prints
Materials
Woodcut
Le Masque de la Mort Rouge - Lithograph after Odilon Redon - 1923
By Odilon Redon
Located in Roma, IT
Le Masque de la Mort Rouge is a phototype reproduction realized after Odilon Redon.
They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felu...
Category
Symbolist 1920s Figurative Prints
Materials
Lithograph
"Yanagibashi in Snow, " Color Woodcut Portrait with Umbrella
Located in Milwaukee, WI
"Yanagibashi in Snow" is an original color woodcut by Utagawa Kunisada. This woodblock print depicts a woman walking in the snow near the Motoyanagi canal, which was located in Tokyo...
Category
1920s Figurative Prints
Materials
Woodcut
'Viel Gluck 1923' (Good Luck Wishes) — 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht der Graphikverlag, J.G. Holzwarth/Bad Rothenfelde', woodcut, 1922, edition 20. Signed and numbered op. 135d and 20/20 in pencil. Signed in the image, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil. A fine, richly-inked impression, on heavy, cream Japan paper, with full margins (5/8 to 1 1/8 inches), in good condition. With the artist’s blind stamp in the top left margin. Printed by the artist. Matted to museum standards, unframed.
New Year's Greeting - "1923, Good Luck Wishes from the Graphic Press, J.G. Holzwarth/Bad Rothfelde."
Image size 5 x 3 1/2 inches (127 x 89 mm); sheet size 6 5/8 x 5 7/8 inches (168 x 149 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints.
Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
The Dancers by Orovida Pissarro, 1927 - Etching Print
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
SOLD UNFRAMED
The Dancers by Orovida Pissarro (1893 - 1968)
Etching
19 x 24 cm (7 ¹/₂ x 9 ¹/₂ inches)
Signed an...
Category
1920s Figurative Prints
Materials
Etching
"Aus dem Composanto" original woodcut
Located in Henderson, NV
Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
'Mehr Sonne fur 1924' (More Sun for 1924)— 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed.
New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife."
Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
'Tanks #1' — 1920s American Precisionism
Located in Myrtle Beach, SC
Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards.
Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm).
Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008.
Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...
Category
American Modern 1920s Figurative Prints
Materials
Lithograph
Original "Mercurey Kina" art deco vintage poster lithograph
Located in Spokane, WA
Original “Mercurey Kina” vintage lithographic poster.
Linen backed in B condition but ready to frame.
Artist: Paul Mohr. Printer: Edia Paris. Signatur...
Category
Art Deco 1920s Figurative Prints
Materials
Lithograph
Cover for Ecce Homo - Lithograph and Offset by George Grosz - 1923
By George Grosz
Located in Roma, IT
Cover for Ecce Homo is an artwork realized by George Grosz in 1923. Cover for the Suite "Ecce Homo".
Lithograph and Offset.
26 x 26 cm, no frame.
Good condtions.
Reference: Wieland Herzfelde (introduction), Der Malik-Verlag, 1916-1947, exhib. cat. Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie,
30th issue, July 1968, p. 1ff, no. 38; Rosamunde Neugebauer, Georges Grosz, Macht und Ohnmacht satirischer Kunst. Die Graphikfolgen "Gott mit uns...
Category
Expressionist 1920s Figurative Prints
Materials
Lithograph, Offset
Untitled (Figures and City Buildings)
Located in Chicago, IL
A Modernist lithograph by Modernist Boris Israelevich Anisfeld, depicting figures and buildings.
Boris Israelevich Anisfeld was born in Bieltsy, Russia in 1878. In 1911, Diaghilev,...
Category
Modern 1920s Figurative Prints
Materials
Lithograph
Nude with a Fan | Nu à l’eventail
By Marc Chagall
Located in London, GB
This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner.
It is also hand numbered in pencil from the edition of 100, at t...
Category
1920s Figurative Prints
Materials
Etching
'Fruit Piece' — 1920's American Modernism
Located in Myrtle Beach, SC
Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...
Category
American Modern 1920s Figurative Prints
Materials
Lithograph
"Kopf" original woodcut
Located in Henderson, NV
Medium: original woodcut. This bold and striking Expressionist woodcut was printed in 1920 for Genius. Image size: 9 1/2 x 7 inches (240 x 180 mm). This original Rouveyre print is fr...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
Fred Nagler, (Sheep under a Tree)
By Fred Nagler
Located in New York, NY
The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil.
It's in an usually spare drawing style but one that Na...
Category
Ashcan School 1920s Figurative Prints
Materials
Etching
Fred Nagler, (Road to Calvary)
By Fred Nagler
Located in New York, NY
The etching (Road to Calvary) is signed in pencil.
It's in an usually spare drawing style but one that Nagler did use occasionally. Here it emphasizes the meagerness of the scene. T...
Category
Ashcan School 1920s Figurative Prints
Materials
Etching
GEFALLEN (Killed in Action)
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states)
Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...
Category
Expressionist 1920s Figurative Prints
Materials
Lithograph
Fred Nagler, Harlem River (New York City)
By Fred Nagler
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...
Category
Ashcan School 1920s Figurative Prints
Materials
Etching
Original "Next Monday" vintage 1929 Mather Work Incentive poster
Located in Spokane, WA
Original “Next Monday” Vintage 1929 Work Incentive Poster The original “Next Monday” (also known as the "Futurist Monday") vintage 1929 Work Incentive poster is a reminder of a bygone era. This aesthetically magnificent lithograph by artist Willard Frederick Elmes created is a scarce print from the 1920s. It is striking for its intricacy and its size; the poster is linen backed and has a huge image, measuring approximately 28” x 20”.
The poster displays...
Category
American Modern 1920s Figurative Prints
Materials
Lithograph
Fred Nagler, (Crucifixion)
By Fred Nagler
Located in New York, NY
The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left.
It's in an usually spare drawing style but one that Nagl...
Category
Ashcan School 1920s Figurative Prints
Materials
Etching
"The Parade -La Garconne Series, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir was done in 1925 on Arches paper No. 738/750 depicting a parade with animals and balloons.
Archivally framed with 23k gold; 23k gold fillet, silk mat, and museum...
Category
Art Deco 1920s Figurative Prints
Materials
Other Medium
Original 'Balsam Aperitif au Quinquina' stone lithograph vintage poster 1923
Located in Spokane, WA
Original Balsam, Aperitif au Quinaquina vintage stone lithograph printed in 1923. The great artist Jean d’Ylen created this poster after assuming the head of Vercasson after Leone...
Category
American Modern 1920s Figurative Prints
Materials
Lithograph
Kevin B. O'Callahan, (Exotic Temple)
Located in New York, NY
This (Exotic Temple) is monogrammed in the plate at the lower right.
A Rochester, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is k...
Category
Aesthetic Movement 1920s Figurative Prints
Materials
Intaglio
"In the Cafe -La Garconne Series, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...
Category
Art Deco 1920s Figurative Prints
Materials
Other Medium
"Mother & Child -La Garconne Series, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir was done in 1925 on Arches paper No. 738/750. It depicts a mother and her child underneath a tree with doves flying around them.
Archivally framed with 23k gold; ...
Category
Art Deco 1920s Figurative Prints
Materials
Other Medium
KOPF (Head)
By Max Kaus
Located in Santa Monica, CA
MAX KAUS (German 1891-1977)
KOPF (Head( (Rifkind 1387)
Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...
Category
Expressionist 1920s Figurative Prints
Materials
Woodcut
"Two Women -La Garconne Series -Deux Femmes, " a Color Pochoir
Located in Milwaukee, WI
This color pochoir by Kees Van Dongen was done on arches paper No. 738/750. Two nude women outlined by purple cover their faces with a white sheet.
Archivally framed with 12k white...
Category
Art Deco 1920s Figurative Prints
Materials
Other Medium
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