1930s Figurative Prints

Africa - The Elephant is an original artwork realized by Emmanuel Gondouin (Versailles, 1883 - Parigi, 1934) in 1930s. Original Lithograph, part of a collection entitled "Africa". ...

Conversation is a splendid etching engraved by Anonymous Artist in 1930 ca. The state of preservation of the artwork is good. Not signed.

Venice is an original modern artwork realized in the 1939 in Italy by the italian artist Giovanni Korompay (Venice, 1904 – Rovereto, 1988). Original Etching on paper. Sigled in pencil by the artist on the lower right corner. Numbered, titled and dated in pencil by the artist on the lower left corner: "Venice" 1938 98/100. Edition of 100 prints. Image Dimensions: 25 x 19.5 cm Excellent conditions. Giovanni Korompay (Venice, 1904 - Rovereto, 1988) was an Italian painter. After being a pupil of Ettore Tito at the Academy of Fine Arts in Venice, in 1922 he joined Futurism by creating works of pure abstract rhythms (see "Rumore di locomotiva", 1922). After the war he tried, together with a few others, to reorganize the Futurist movement by organizing the "International Exhibition of Futurist Painting and Sculpture" which was held in Bologna in 1951. Korompay was also a sculptor: among others, his bronze monument...

Drunk is an original xilograph on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is very good. Monogrammed L...

(after) Diego Rivera "National Palace, Mexico City (Juarez and the Reform Laws) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

Oriental Feast - Fireworks is an original etching realized by Rene Cottet in 1937. Hand-signed and dated on the lower right. Good conditions except for some stains. Thje artwork ...

Drunk is an original woodcut print on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is excellent. Monogramm...

The Funnel is an original modern artwork realized in 1930s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original colored Lithograph on paper. Hand-signed in penci...

The Hand-Cart is an original modern artwork realized in the 1930s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original colored Lithograph on paper. Hand-signed i...

After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV K...

Ex Libris - Ernest Monteux is an original etching artwork realized by Michel Fingesten in the 1930s Hand-signed on the lower center. Good conditions. Includes passepartout: 30 x 2...

Composition is an exceptional etching made by Marcel Stobbaerts, in excellent conditions of preservation. The important Belgian artist was an engraver, painter and illustrator. His ...

Image dimensions: 24.5 x 31.7 cm. La strada d’Ancona ("The Road to Ancona") is an original artwork realized by Luigi Bartolini in 1931. Original etching applied. Plate dimensions:...

Image dimensions: 6.5 x 11 - 8.5 x 10 cm. Scarabei Tropicali (Tropical Beetles) is an original artwork realized by the great Italian engraver and poet Luigi Bartolini in 1930. V...

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

Image dimensions: 21 x 16.5 cm. Model is a beautiful black and white lithograph on paper, realized by the Italian artist, Alberto Salietti (Ravenna 1882 - Chiavari 1961) and publish...

Image dimensions: 30 x 22 cm Hand signed lower right, from the edition of 15 prints. A very rare etching by Theodore Stravinsky. Théodore Strawinsky (St. Petersburg, 1907 – Genève,...

Andrews, Sybil (English/Canadian, 1898-1992), C. SA26. "SLEDGEHAMMERS", Color Linocut, 1933, ed. 60 plus 4 trial proofs, Ref. C. SA 26, 10-1/4 x 12-1/2, signed, titled and numbered 6...

Figures is an original artwork realized by Emile Deschler. Lithograph on paper. Signed on the lower right margin. Perfect conditions. Fresh and colored lithograph representing tw...

Wonderful black and white lithograph on tissue paper, signed on plate. Excellent conditions, including cardboard passe-partout (cm 49.5 x 35). Luc-Albert Moreau (Paris, 1882-1948) The French painter, engraver and illustrator, was a member of the group “Bande Noire”, and after of the Section d'Or. He attended the Académie Julian in Paris, and he painted at the Jean-Paul Laurens’studio, where he became a friend of Jean-Louis Boussingault and André Dunoyer de Segonzac. For a brief period he attended the Charles Guérin, Georges-Pierre Olivier Desvalliéres and Pierre Laprade...

Monogram of the artist on plate. Pierre Bonnard was a French painter and printamaker, one of the most famous exponents of the Post-Impressionism. His first exhibition was at the Gale...

Simkhovich, Simka. CIRCUS PERFORMERS. Lithograph, C. 1933. Edition size not known. Unsigned. 11 x 8 1/4 inches, 278 x 209 mm. Framed to 16 x 12 inches...

Hand signed, dated and titled. Edition of 100 prints.

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

Albert Abramovitz (1879-1963), Wuxtry! [Extra?!], linocut in colors, c. 1936, signed in pencil lower right and titled lower center [also initialed in the plate]. In very good conditi...

A wartorn composition of a soldier on the left, a Jewish blacksmith in the middle and a little shepherd on the right. This is a lithograph pastel and colored pencil on paper. Saul Rabino (1892-1969)Best known for his paintings and drawings of Jewish culture, Saul Rabino was a Russian-bornartist who spent most of his life in Los Angeles. Born Saul Rabinowitz in 1892 in Odessa, Russia,Rabino studied art at the Russian Imperial Art School. During a brief stay in Paris, he continued hiseducation at the École des Arts Decoratifs. After mastering techniques in painting, sculpture, andlithography, Rabino moved to Los Angeles, where he worked as a WPA printmaker during the1930s. He stayed in Los Angeles for the rest of his life, making work about political turmoil and theJewish community. During the 1940s, he drew allegorical images of war and the plight of Jewsin Eastern Europe. These political works, usually drawings or prints, are dramatic, symbolic, andemotionally rousing. He also made art portraying the scholars and religious leaders of the Jewishcommunity, including portraits that are more delicate than his political pieces and express anobvious admiration for the leaders of his community. Before he died in 1969, Rabino exhibitedat the World’s Fair New York in 1939, the Los Angeles Museum Historical Society of Art, and theLaguna Beach Art Society. His work is in the collection of the Los Angeles Public...

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: Masked Figures and Bird Woman, from: The Suite Vollard Personnages masqués et f...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Meishing, Jin ca. 1935 Color lithograph. [Advertisement for tobacco.] (woman holding a pekinese Dog) Most of the posters were printed in Shanghai during the first three decades ...

Initialed in pencil, l.r. Engraving on paper (State II) 12.5 x 9.5 inches (31.8 x 24.1 cm), sheet 8 x 6 inches (20.32 x 15.24 cm), plate Literature: Alfonso Panzetta, Jared French...

Boxing subject original stone lithograph by Robert Riggs (1896-1970) Pencil titled lower left “Trial Horse” Pencil signed lower right “Robert Riggs” Image measures 13 1/2" H x 17 1/2...

Initialed in pencil, l.r. Engraving on paper (Unique) (State II) 12.5 x 9.5 inches (31.8 x 24.1 cm), sheet 8 x 6 inches (20.32 x 15.24 cm), plate Literature: Alfonso Panzetta, Jared French...

artist: Adrien Barrere (1877-1931) title: Passing the Bar medium: Lithograph paper size: 19.75 x 25.50 image size: 18 x 24.25 French caricaturist...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Citron, Minna (American, 1896-1991). SUBWAY TECHNIQUE. Lithograph, 1933. Edition of 20, numbered 10/20, titled, and signed in pencil. A few spots of foxing in the margins, away from ...

Lithograph, 1930 Edition: 20; this print numbered 9/20 Printed by Meister Schulz, Berlin Excellent condition Signed, numbered and titled in pencil Provenance: Estate of the Artist Cr...

Signed and dated in pencil, inscribed " Ed 100 I." In excellent condition, except for tape remains at upper margin corners on verso. Also called South Portal of The Collegiate Church...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Border for The Canterbury Tales...

Isaiah's Prayer Etching, c. 1931-1939 Signed in the plate (see photo) Plate No. 99 From: La Bible. L'Ancien Testament (105 plates) Edition of 275 unsigned (there were an additional 2...

Artist: Henri Matisse (after) Medium: Lithograph Title: La Danse Year: 1938 Edition: Unnumbered Framed Size: 20 1/2 x 27 inches Sheet Size: 14 x 21 inches Ref...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Canterbury Tales...

Jean Cocteau - Olé - Original Lithograph 1934 Signed and dated in the plate Numbered in pencil Edition : /200 Dimensions: 50 x 33 cm Provenance : Succession Dermit, Cocteau's heir

Nude Woman Crowning Herself with Flowers (Femme nue se couronnant de fleurs) from the Vollard Suite (Suite Vollard) - published by A. Vollard, Paris - printed by Lacourière, Paris - ...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Water Polo from "Joies du Sport." Original pochoir print from a limited edition of 750 copies. Paris, 1932. Sheet size: 16 3/4 x 12 1/2 in.

According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...

Marc Chagall (1887-1958) Bible : Lot and his daughters (Loth et ses filles), 1939 Original etching Not signed On Montval vellum, 44 x 33.5 cm (c. 17.3 x 13.1 inch) INFORMATION: Pub...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

Hannah Frank, well listed Scottish artist and sculptor. Born 1908 died 2008. Known for her unique style. This same pencil signed lithograph sold last mont...

"Chanson d'Amour" is an original lithograph poster by Georges Dola. The artist signed the image on the left of Franz Schubert. This poster, published by Club of America, was used to ...

Captivating black and white etching of a crowd gathered to watch performers with hula hoops by Huchs, 1939. Titled and signed in lower margin. Original artw...

After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN ...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

The Little Puppy is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” b...

Nude is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fontain...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...