1980s Figurative Prints

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 17.5 x 29.25 inches. Image size: 11.75 x 23.75 inches. Edition of 250. Artwork is in excellent condition. ...

Jim Jonson, American (1928 - 1999) - Tennis Match, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 28 in. x 21 in. (71.12 cm x 53.34 ...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Plate 5 from Ludo portfolio. Lithograph in colors on arches paper. Hand signed and dated on front by Keith Haring. Hand numbered 39/90 on front (there are also 15 artist proofs). ...

Etching, aquatint, drypoint & roulette in colors on arches paper. Hand signed lower right by Henry Moore. Hand numbered 38/50 lower left (there were also 15 artist's proofs). Shee...

The Pied Piper from Hamlin, Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Size: 32 in. x 37 in. (81...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 250, Hommage à Aimé et Marguerit...

A unique monotype print by New York based artist, Helen Oji. The print is signed and dated in pencil. Image size 22.75 x 30.5 inches.

"Astaire and Rogers" original etching by Al Hirschfeld. Caricature portraits of Fred Astaire and Ginger Rogers Edition 37 from the Delux...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 13.5 x 16...

Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 58cm x 81cm, 53cmx 73cm . Excellent condition, no defects. Work number II second state 93/94; artist Signature ‘88 Renzo Vesp...

Michel DELACROIX Paris : Moulin Rouge Lithograph Printed signature in the plate On wove paper 63 x 74 cm Lithographic poster for the artist personal exhibition at Lublin Gallery. Th...

Keith Haring Memorial 1990: Original announcement to Keith Haring’s memorial exhibition, ‘Keith Haring Early Works on Paper,’ at Tony Shafrazi Gallery, 1990. The exhibition was held from May 4th to June 2nd, 1990. Printed on heavy stock textured paper; measures 7.25 x 7.25 inches. Very good condition. A classic, vintage Keith Haring collectible. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring snakes. Keith Haring posters. Keith Haring and Tony Shafrazi. Keith Haring pyramid...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: Hombres con Barca II Year: 1984 Medium: Lithograph, signed, numbered and dated in pencil Edition: 40 Size: 24.5 in. x 34.5 in....

Hand signed & numbered by the artist. Edition of 250. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

Serigraph in colors on paper. Hand signed and numbered by the artist. Artist Proof (AP) edition of 45. Sheet size 23 x 27.5 inches. Image size 18 x 22.5 inches. Custom framed as ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Original Bal du Moulin Rouge “Festival” Vintage Cabaret Poster. Linen-backed in excellent condition, ready to frame. Turn your wall into a Paris night. René Gruau’s electric silh...

Lowell Nesbitt Red Rose, 1985 Silkscreen on wove paper Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front 24 × 24 inches Unframed Hand signed, dated, and numbered AP ...

Serigraph in colors on paper. Hand signed, titled and numbered by the artist. From the edition of 275. Sheet size 32 x 22 inches. Image size approx 29 x 19.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Jane Bazinet...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985 Hand-Signed Conditions: excellent Edition: 71/100 Support: Arches paper. Dimensions: Pape...

Hand signed & numbered by the artist. Sheet size: 30.5 x 24.5 in. Image size: 27.25 x 23 in. Edition of 300. Artwork is in excellent condition. Certificate of authenticity include...

Hand signed, numbered, and dated by Keith Haring. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Littmann p. ...

Screenprint in colors on Essex Offset Kid Finish paper. Hand signed and numbered by the artist in pencil. Published by Dr. Frank Braun, Düsseldorf. From the edition of 61/250 (aside...

Yvon TAILLANDIER Four Seasons 1988 Original screen print Handsigned in pencil Justified e.a (artist's proof) On vellum 29 x 36.5 cm (c. 11.4 x 14.3 in) Excellent condition

Harry McCormick, American (1942 - ) - Young Boy, Year: circa 1980, Medium: Etching and Aquatint on BFK Rives, signed and numbered in pencil, Edition: AP, Image Size: 4 x 5.25 inc...

Lithographyon Magnani-Pescia paper. Paper size 50cmx70cm, work size 41cmx62cm. Excellent condition, no defects. Artist's note on the print "retouché à la main" . OSSI CZINNER - Cen...

This original lithograph in colours is signed in the stone at the lower right corner. It is from the edition of 70, unsigned and unnumbered impressions. This composition is the four...

George & Ira Gershwin Songwriters Tony Emmy Oscar Grammy Awards Broadway Musical Al Hirschfeld (1903-2003) George & Ira Gershwin Lithograph on heavy paper, 1981 Sheet: 15-1/4 h x 2...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Beautiful offset lithography by Jacques Monory. Numbered and signed by the artist in pencil. Issue 31/79 Size of the work 52 x 80 cm Size with white margin: 73 x 100 cm Perfect cond...

Revolutions is a vintage offset Poster print. Fair Conditions with some folding and consumed margins. The poster is realized for the exhibition in Galleria Marino in collaboration ...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Richard Mock, American (1944 - 2006) - Donkey on Empire State Building, Year: 1983, Medium: Linocut, signed and numbered in pencil, Edition: AP, Image Size: 12 x 12 inches, Size:...

black and white etching on paper unframed #14/30 image size 12 x 14.5 signed, titled & numbered by the artist under the image on the front. COHOE, Grey 1944-1991 PERSONAL: Born 1944, in Tocito, NM; died November 2, 1991. Education: Attended Institute of American Indian Arts, 1966-67, College of Santa Fe, 1967, Fort Lewis College, 1968, and Haystack Mountain...

You have to hand it to the bull. Not just taking Europa with his unassailable power (he is Zeus in disguise, after all) he brings along a retinue for his seduction of the beautiful P...

Mary Frank Rosh Hashanah 5741, 1980 Lithograph on arches paper with deckled edges Hand signed and numbered 9 from the limited edition of 71 by the artist on the front 15 × 18 inches ...

Hand signed and numbered by the artist. From the edition of 250. Screenprint in colors on paper. Commissioned to commemorate the opening of The Severin Wunderman Foundation in Ir...

Hasidic Neighborhood David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.5 x 25.5 inches Size: 26 x 32.5 in. (66....

Original Paul Klee 1981 exhibition poster for the Florence, Italy in the Orsanmichele Museum. (The Orsanmichele is known as the kitchen garden of St. Michael.) The church - mus...

Lithograph in colors on paper. Hand signed and dated on front by Keith Haring. Hand numbered 497/1000 on front. Artwork size 11 x 8.5 inches. Frame size approx 16.5 x 13.5 inches...

The Japanese film poster for Star Wars Return of the Jedi, featuring very cool artwork by acclaimed Tokyo born illustrator Kazuhiko Sano. Actual poster size is 20 1/4 x 28 3/4 inch...

Michael Schmidt-Stein Landscape Alphabet Color Lithograph 1986 Size: 11.02 x 9.44 inches (28 x 24 cm) Edition: 100 Signed, numbered and dated in pencil COA provided *Condition: Min...

At the Theatre: Golden Calf by Erté, Russian (1892–1990) Date: 1983 Screenprint on Arches, signed and numbered in pencil Edition of AP Image Size: 21.5 x 16.75 inches Size: 26.5 x 20...

Vintage David Hockney poster for the XIV 1984 Olympic Games in Sarajevo published as part of the official 1984 Olympic Fine Art Posters Series. The Olympic Committee commissioned 15 ...

Original vintage French poster: Christian Dior Homage. (Homage à Christian Dior) Artist: Rene Gruau. Mint condition Original. Size: 15.75" x 24" Very fine condition; read...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

This is a very rare litograph made by Salvador Aulestia. Only 15 were printed and signed by the artist. Particularly unique is a second partial signature on the upper side of the pap...

Hand signed & numbered by the artist. Sheet size: 31 x 27 inches. Image size: 24 x 24 inches. Edition of 275. Artwork is in excellent condition. Certificate of authenticity includ...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Will Barnet Ariadne - 1980 Print - Silkscreen on Heavy Paper 31 ¼'' x 23 ½' inches Edition: Signed, Titled, and Marked  in Roman numeral XXX ( from the edition to 50 - L) unframed ex...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/3...

Leonor Fini - Friends - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckvel...