1980s Figurative Prints

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

See-saw, Margery Daw, 1994 Paula Rego Etching with aquatint and hand-colouring, on velin Arches Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford P...

"Paddock" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (110/200) in the lower left. This piece depic...

"Untitled" is a 3-color lithograph on arches paper created by Charles Dwyer. It depicts an abstracted human figure in purple. The faceted portrait hearkens back to cubist aesthetics ...

César Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...

Hand signed and numbered by the artist. Lithograph in colors. Edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

"Un Parisienne a Longchamp" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (126/200) in the lower left...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Théo Tobiasse Title: C'est un train portant un parfum d'odalisque Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : E...

"Jacomo Monte-Carlo Open" is an original lithograph poster by Pierre Fix-Masseau. The artist signed the piece in the image lower right. This poster advertises a tennis competition fr...

"Adam Eats Eve in the Evening" is an original black and white lithograph by Stephane Astrinsky. This surreal lithograph evokes a biblical story as well as elements of horror. 9 1/4...

"Untitled" is an original color lithograph by Angelika Thusius. This is an artist proof and a completely unique impression. Unsigned. This piece depicts a woman with a basket of grapes...

"Jeune Fille en Rose" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (39/200) in the lower left. This ...

"Untitled" collotype of abstract figures by artist Werner Berges from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money ...

Hand signed & numbered by the artist. Sheet size: 30.75 x 19.5 inches. Image size: Approx 23.5 x 14.25 inches. Edition of 130. Artwork is in excellent condition. Certificate of au...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. Published by Hanson Art Galleries., San Francisco, CA and printed by Karl & Gail., NY. Edition of 300. Art...

"Untitled" screenprint by artist Georgy Litichevsky (Georgij Litischewskij) from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families ...

Troxler, Niklaus. A tribute to the music of Thelonios Munk, Willisau 1986. Poster. P 166. Offset lithograph. 50 3/8 x 35 5/8" Niklaus Troxler's jazz poster, 'A Tribute to the Music of Thelonious Monk' elegantly combines typography and color to create a portrait of the great jazz pianist and his music. The typography outlines the recognizable silhouette of Monk's head in text of blue, red, and yellow, the colors of of his home state North Carolina. The rhythm that is created by the changing color of the words as they pulse around the profile evokes the tempo of his playing, while the deep blue background suggests the roots of his music. Niklaus Troxler is an internationally renowned Swiss graphic designer who specializes in poster design, corporate design, illustration and architectural murals...

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...

Leonor Fini - Toads - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Eduardo Arroyo - Resistance in the Snow - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Leonor Fini - Nimphs - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm

Merce Cunningham Dance Company "Merce Cunningham Dance Company" (Photograph by Terry Stevenson) City Center, New York, 1981 Poster 37 x 24 inches Sign...

Théo Tobiasse Title: Le Sacrifice d'Abraham Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Leonor Fini - Fearless - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckve...

Guillaume Corneille 1948 Aquatinte/ eau forte Proof of artist Signed, dated and noted PA (artist’s proof) from the artist’s hand to the crayoN Print run 125 copy Laid paper with wate...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 36.75 x 29.75 inches. Image size 29.75 x 23.5 inches. Edition of 275. Artwork is in excellent condition. C...

Eduardo Arroyo - Homage to Braque - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Water Drops, from The Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, 1988. Silkscreen in colors on paper. Hand signed, dated and numbered by the artist. Image size 3...

Hand signed & numbered by the artist. Edition of 250. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Eduardo Arroyo - Awaken Heart - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Leonor Fini - Servants - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckve...

Television Baroque II by Rainer Gross, German (1951) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP 5 Size: 26 in. x 36.5 in. (66.04 cm x 92.71 cm)

Eduardo Arroyo - Sphinx - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Portrait of Ariane Lancell Signed and numbered Lithograph 24 x 18 inches Edition 127 of 297

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Eduardo Arroyo - Greek Homage - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel.

Sublime and rare portfolio including the piece Combat on the moon with the accompanying lithographs of Corneille. Fight on the moon 1987 Complete portfoli...

The piece is eligibly signed, numbered, and dated 1988. This whimsical 1988 lithograph captures a surreal kitchen scene, filled with unexpected and lighthearted elements. A happy d...

Hand Signed, Titled and Numbered in Pencil. Artwork in Excellent Condition. Additional images are available upon request. Certificate of Authenticity Included. Please do not hesitate...

"Carousel" is a colorful and playful print by Chae Tong Yull, Korean (1951). The Screenprint is signed and numbered in pencil Edition of 250 Size: 35 x 26 in. (88.9 x 66.04 cm)

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Yellow Rose Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: 200 Image Si...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Mary, Mary Quite Contrary I, 1989 Paula Rego Etching with aquatint, on wove Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford Press, London Co-publis...

Eduardo Arroyo - Can You Play Piano ? - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Smoking Blonde Year: 1990 Medium: Serigraph, signed and numbered in pencil Edition: 65 Size: 37...

Jack and Jill, 1989 Paula Rego Etching with aquatint, on Velin Arches wove Signed and inscribed ‘A/P’ One of fourteen artist’s proofs aside from the number...

Hand signed & numbered by the artist. Sheet size: 26 x 25 inches. Image size: 22.5 x 22.5 inches. Edition of 150. Artwork is in excellent condition. Certificate of authenticity inc...

Artist: Jose Luis Cuevas Title: Justine y el Marquez de Sade from the Intolerance Portfolio Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 50 Paper...

Tower and Horseman Malcolm Morley, British (1931–2018) Date: circa 1980 Etching, signed and numbered in pencil Edition of 100 Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

The Camra Man Malcolm Morley, British (1931–2018) Date: circa 1980 Etching, signed and numbered in pencil Edition of 100 Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

Head, Heart, and Hand of a Flyer Whirligig (No One “A”) John Russell Clift, American (1925–1999) Date: 1980 Screenprint, signed and numbered in pencil Edition of 260 Image Size: 23 x...

Upper Torso for a Flyer Whirligig (No One B) John Russell Clift, American (1925–1999) Date: 1980 Screenprint, signed and numbered in pencil Edition of 260 Image Size: 33 x 21.5 inche...