1980s Figurative Prints

Eduardo Arroyo - Sphinx - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Théo Tobiasse Title: Un Homme Raconte les Matins Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

20" x 26" Unframed Limited Edition Serigraph of 125 Hand Signed by Paul Lagace 1984

Artist: Cindy Wolsfeld, American (1953 - ) Title: Boys, Boys, Boys Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 90 Image Size: 29 x 17.5 inches Size: 40 x 2...

Artist: Cindy Wolsfeld, American (1953 - ) Title: Girls, Girls, Girls Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 12 Image Size: 29 x 19 inches Size: 33...

A New York City street scene by Lester Johnson circa 1980. Artist: Lester Johnson, American (1919 - 2010) Title: Street Scene Year: circa 1980 Medium: ...

Metropolitan Opera Fine Art II Portfolio. Complete portfolio of lithographs in colors on Somerset paper. Includes works by Karel Appel, Pagliacci; Will Barnet, Peter Grimes; Sandro...

Artist: Rupert Jasen Smith, American (1953 - 1989) Title: Issey Miyake from the Homage to Andy Warhol Portfolio Year: 1989 Medium: Screenprint on...

Artist: Saint Clair Cemin, Brazilian (1951 - ) Title: Priestess (Green) Year: 1980 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 75 Image Size: 9 x 11.5 inch...

Artist: Malcolm Morley, British (1931 - 2018) Title: Stretcher Year: circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 18 x 23.5 inches Size: 22.5 in...

Artist: Malcolm Morley, British (1931 - 2018) Title: Soldier Year: Circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 22 x 18 inches Size: 30 in. x 22...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 39 x 37 inches. Image size 35.75 x 34 inches. Edition of 275. Artwork is in excellent condition. Certific...

Lithograph in colors on paper. Hand signed and numbered by the artist. Published by Circle Fine Arts Ltd., Chicago, IL. Printed by American Atelier, NY on Somerset Paper. Edition...

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: El Rebozo Blanco Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 135 Size: 30 in. x 21 in. (76.2 cm x 53...

Eduardo Arroyo - Jeanne d'Arc - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Etching and aquatint on paper. Hand signed and numbered by the artist. HC edition. Sheet size 30 x 22 inches. Image size approx 19.25 x 14.5 inches. Artwork is in overall excell...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has challenged the (male-d...

Sublime and rare portfolio including the piece Combat on the moon with the accompanying lithographs of Corneille. Fight on the moon 1987 Complete portfoli...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 32 x 42 inches. Image size 27 x 36 inches. Edition of 275. Artwork is in excellent condition. Certificate...

Mary, Mary Quite Contrary I, 1989 Paula Rego Etching with aquatint, on wove Signed and numbered from the edition of 50 From Nursery Rhymes Printed by Culford Press, London Co-publis...

Carnival. 1984. Paper, linocut, 20x34 cm imprint size 10x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction pub...

Hand signed and numbered. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Hand signed, dated and inscribed "PP Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity includ...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...

Beautiful lithograph by Corneille, from the portfolio Fight on the Moon. Lithograph on art paper 1985 38 x 28 cm Numbered 94/150 500 €

Lithograph in colors on paper. Hand signed and numbered by the artist. HC edition. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Komar and Melamid combine various photographs of Tolstoy with their own renderings, cropping and overprinting the 19th-century moralist's portrait in...

Jim Dine is a major post-war artist whose work ranges from vibrant, large-scale paintings to exquisitely-rendered, romantic drawings and bronze sculpture. Dine's debut on the New Y...

Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....

Hand Signed and Numbered by the Artist. Sheet size: 28.2" x 22.25 inches. Image size: 19.25 x 13.75 inches. Framed as pictured. Published and printed by Circle Fine Art, Chicago, Ill...

Leon Kossoff Head of Father 1 1982 Etching, Edition of 25 46.3 x 37.5 cms (18 1/4 x 14 3/4 ins) (paper size) 26.5 x 20.6 (10 7/16 x 8 1/8 ins) (plate size)

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph on paper. Hand signed, numbered and dated by the artist. Image size 12 x 16 inches. Sheet size 16 x 20 inches. From the edition of 100. Artwork is in excellent conditi...

Michael Snow (1929-2023) was one of the most remarkable multi-disciplinary Canadian artists. He is renowned for a diverse body of work that ranges from experimental films and jazz re...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

Leon Kossoff The Table by the Window 1982 Etching, Edition of 25 52.5 x 65.4 cms (20 11/16 x 25 3/4 ins) (paper size) 27.8 x 38 cms (10 15/16 x 14 15/16 ins) (plate size)

Portrait of Ariane Lancell Signed and numbered Lithograph 24 x 18 inches Edition 127 of 297

Serigraph on paper.. Hand signed and numbered by the artist. Image size 25.75 x 16 inches. Sheet size 30.5 x 19.5 inches. Frame size approx 37 x 26 inches. From the main edition of...

Girl with Little Man and Dog, 1987 Paula Rego Etching with hand shaken aquatint printed in black, on Velin Arches wove Signed, dated and numbered from the edition of 50 Printed by C...

Hand signed and numbered by the artist. Image size 25 x 18 inches. Sheet size 32 x 24 inches. Framed as pictured. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand-colour Polo Player print by Lloyd Kelly (b.1946-) Limited Edition #25/50 in custom gilt frame by Haley & Steele of Newbury Street, Boston Art Sz: 9"H...

Lithograph on paper. Hand signed and numbered by the artist. . Artwork size 12.5 x 26 in. Frame size approx. 30 x 43.75 in. Certificate of authenticity included. Edition of 75. Artwo...

Hand signed & numbered by the artist. Sheet size: 22 x 19 inches. Image size: 13 x 11 inches. Edition of 295. Artwork is in excellent condition. Certificate of authenticity includ...

Screen print with Diamond Dust on Lenox Museum Board. Hand signed and numbered by Andy Warhol. Printed by Rupert Jasen Smith, New York and published by Kennedy for President Committee, Washington D.C. Hand numbered 72/300 (there were also 25 AP's, 3 PP's, 10 HC's, 15 TP's, 1 TPPP's). Frame size approx 44 x 36 inches. The artwork is in excellent condition. All reasonable offers will be considered. Edward Kennedy...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Johannes Heisig (*1953 Leipzig), "My treasure, my sanctuary" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with watermark, 53 x 39.5...

original and certificated by gallery

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Screen print in colors on paper. Hand signed and numbered by Ronnie Cutrone. From the edition of 150. Certificate of Authenticity included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Ronnie Cutrone (American, b.1948) is a Pop artist renowned for his vibrant, satirical paintings...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...

Leon Kossoff The Window 1984 Etching with aquatint. Edition of 40 57.2 x 63.5 cms (22 1/2 x 25 ins) (paper size) 28.5 x 38.2 cms (11 1/4 x 15 ins) (plate s...

58.42 x 66.04 cms (23 x 26 ins) Edition of 40 Published by Bernard Jacobson Gallery

Coscolina Con Muerto (Flirt With Death) 1986 Stone Lithograph Edition 35/50 Size: 26.75 x 21 inches Frame size: 44.75 x 39 Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern...

Screenprint on paper. Hand signed and numbered by the artist. From the main edition of 300. Image size 30.5 x 23 inches. Artwork is in excellent condition. Certificate of Authenti...

Etching and aquatint, 1980, on BFK Rives, signed and titled in pencil, numbered 18/26. Published by Brooke Alexander, with full margins. Artwork is in excellent condition. Certificat...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

How Many Miles to Babylon, 1989 Paula Rego Etching with aquatint, on velin Arches Signed and inscribed ‘A/P’, apart from the edition of 50 From Nursery Rhym...