2010s Figurative Prints

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

"Vietnam, Ana (Series 1)" mixed media artwork by artist Raphael Mazzucco.

Series : Dirty Side of Glamour Chromogenic Print on Kodak Endura Luster Paper Available sizes: 15" x 20" 22.5" x 30" 45" x 60" 54" x 72" 63" x 84" 30" x 40" Editions of 3 Tyler Sh...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Ar...

The Lost Ball' is a handmade linocut print by artist Colin Moore, featuring his signature graphic use of line and sophisticated colour palette. This handmade print uses layered tones...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist...

Stephen Powers Invest in Love, 2019 5 Color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 9/50 by Stephen Powers with his distinctive hat logo on the front 14 × ...

"Coda" by artist Raphael Mazzucco. Archival print of nude woman floating in water with oil paint and mixed media encased in beautifully aged resin in...

"Untitled (Love)" mixed media work by artist Raphael Mazzucco. A feather on twine floats floats loose and can dangle below the frame.

"Madagascar" by artist Raphael Mazzucco. Diamond-dusted archival print of a nude woman underwater with mixed media encased in resin.

"Tribal 2" by Raphael Mazzucco. Archival print and mixed media encased in resin. Includes signed Certificate of Authentication on back.

"Hidden Lake" by Raphael Mazzucco. Diamond-dusted archival print of bird and woman with mixed media encased in resin.

"Land of the Sun" by artist Raphael Mazzucco. Archival print with mixed media, including a dreamcatcher, encased in beautifully aged resin. Depicts a nude female model with butterfl...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 45" x 60" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shi...

"Dust" by artist Raphael Mazzucco. Archival print of a nude woman at White Sands, New Mexico, with oil paint and mixed media encased in resin.

"Catrinel Ultima Estate" archival print and mixed media encased in resin by artist Raphael Mazzucco.

Lee Wells End of the World Party #13 2023 Archival pigment print Edition of 5 Caption: Vivid Vale Valediction: In a secluded vale where nature’s tapestry...

Stephen Powers Everything is Shit Except You Love, ca. 2012 Three color screenprint on 335 GSM Coventry rag paper Hand signed and numbered 16/100 by the artist on the front 12 × 12 i...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

KERRY JAMES MARSHALL Set of Six (Six) Scout Series Embroidered Patches, 2017 Rayon thread on poly twill backed embroidered patches, set of six. Brand new in original packaging. Large...

Artist proof for "Serena with Red Cap" archival mixed media print. Hand signed Carole A. Feuerman, dated 2012 and numbered AP 3/10. Printed on paper with texture that mimics the rub...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Series: Gunslinger Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Art...

Limited Edition Print of Chrysler Building New York City NYC by Contemporary British Artist, Angela Wakefield. This is a striking, colourful and vibrant depiction of the Chrysler Bui...

JONAS WOOD Interiors and Landscapes Offset lithograph poster (hand signed and inscribed) 24 × 18 inches Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...

Artist proof for "Serena with Yellow Cap" archival mixed media print. Hand signed Carole A. Feuerman, dated 2012 and numbered AP 3/10. Printed on tex...

Romero Britto "Golden Moment Ice Skater". Screenprint on paper Signed lower left R. Britto & numbered 19/100. Approx: 16" x 19" in. Condition: In excellent condition Romero Britt...

Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive h...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Arti...

Series: Flowers Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyler Shields is ph...

lithograph in 2 colours on Somerset 300 gsm paper Hand-signed by the artist, Titled lower left, signed, dated, and numbered lower right in pencil by Emin. Edition 64 of 100 Tracey E...

Louise Bourgeois Be Calm Butter or Trinket Dish, 2017 Screenprint on Ceramic 6 × 4 × 1 inches Unframed Stamped by artist's estate, bears printed copyright and name stamp of The Easto...

Boy at the mountains Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His wo...

Series: Match Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Ty...

This print features a reproduction of The Sunflower (c. 1906–07) by Gustav Klimt. It’s mounted and laminated for protection from dust and UV rays, and floated in a hand-stained, natu...

Limited Edition Print of Westminster from Trafalgar Square with Big Ben, London, by leading British urban landscape artist, Angela Wakefield. Print measures 12.5 x 10.5 inches Pape...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 15" 30" x 22.5" 40" x 30" 60" x 45" 72" x 56" 84" x 63" Editions of 3 + 2 A...

Series: Flowers Chromogenic Print on Kodak Endura Luster Paper Available Sizes: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proof Tyler Shields is pho...

Pot Heads (Humans) is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 214/275 (there were ...

M019, 2019 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, (Unframed) edition of 150 His work has been shown in Reina Sofía Museum o...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30'' 63" x 84" Editions of 3 + 2 AP Tyler Shields is a photographer, film d...

Series: Submerged Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 40" x 60" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields is a p...

Limited Edition Print of Brooklyn Bridge New York City NYC Skyline United States of America. This painting captures the New York Skyline with ...

Series: Paint Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyle...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 45" x 60" 63" x 84" Editions of 3 + 2 AP Tyler Shields is a p...

Series: Paint Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyler Shields ...

Series: Paint Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyle...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 56" x 72" 64" x 84" Editions of 3 + 2 Artist Proofs Tyler Shi...

This print features a reproduction of Hibiscus with Plumeria (1939) by Georgia O'Keeffe. It’s mounted and laminated for protection from dust and UV rays, and floated in a hand-staine...

Signed, titled and numbered linocut. 24 x 18 inches. This print has been featured in the netflix series Lincoln Lawyer, second season. William Acedo has lived and worked in downtow...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proof...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 63" x 84" Editions of 3 + 2 Artist Proofs Tyler Shields is a ...

Herbert Bayer Things to Come tray, 2018 Porcelain dish with metallic gold edge and silkscreened image Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out. Measurements: Box: 5.5 x 5.5 inches Tray: 5 x 5 inches Provenance: Originally distributed by the Museum of Modern Art, before it sold out Manufacturer: Galison Publishing LLC and The Museum of Modern Art Herbert Bayer biography: Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions. He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages. In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career. -Courtesy of MOMA More about Herbert Bayer: Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee. In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories. Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...

Giclée print on Moab Entrada 290gsm Cotton Rag paper with a custom silver embossed stamp. Hand signed and numbered by the artist. From the edition of 292. Artwork is in excellent ...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 70" x 70" Editions of 3 + 2 Artist Proofs Tyler Shi...

Getting My Ass in Gear III is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 168/275 (there were also 100 Roman an...

Series: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs Tyler Shields...