21st Century and Contemporary Figurative Prints

"Squeeze The Day-Tuesday" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Mount, Jerusalem, Israel From a 2014 portfolio of...

"It's the Hat That Makes the Dude" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of ...

Louise Bourgeois I Have Been to Hell and Back Handkerchief (Blue), 2009 Embroidery on 100% cotton handkerchief Signed in plate, hand numbered 319/1000, with the artist's silkscreened...

"Ten Ways to Drive an SUV" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the fina...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Jerusalem, Temple mount, Dome of the Rock From a 2014 por...

"Very Cool Dog Lips in Brentwood" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of t...

This is an original Murakami print. Sold unframed. Brand new. Handsigned and numbered out of 300 editions. Buyer protection by both 1stdibs and gallery. Last one from our inventory....

Love Sick is a lithograph on paper, 4.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 111/275 (there were also 100 Roman and 20 AP). Frame...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown...

Yoshitomo Nara Slight Fever, 2021 Offset lithograph 47 1/5 × 43 3/10 in 120 × 110 cm

"Tea At Bel Air-3:00" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Eve...

FAILE (Brooklyn-based art collective in the form of Patrick Miller and Patrick McNeill) Modern Living, 2018 Hand-painted acrylic and silkscreen ink on heavyweight archival deckled pa...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Breastplate and European Cathedral From a 2014 por...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches With a Torah and Menorah From a 2014 portfolio of archi...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Arbeit Macht Frei, Auschwitz Holocaust imagery with Torah ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Temple Menora and Hanukkah Chanukah Menorah From a 2014 ...

"Jane Fonda Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. Jane Fonda was ...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with Roman antique bronze or gold coins From a 2014 portf...

"To Remember" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ed...

Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno (b/w)', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) Unframed ID: ANG-107 Hand-signed by author

Medium: Etching and Aquatint Year: 2024 Edition: 25 Image Size: 12 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of a male nude juggler performing a fire breathing act. From the artist's Circus cycle of prints. Werger has received over 250 awards in national and international exhibitions. In 2015 he recieved the Guanlan International Printmaking Prize at the Guanlan Biennial in China, followed by the Grand Prize at the Ekaterinburg mezzotint festival in Russia. In 2012 he received the Award of the Rector at the International Print Triennial in Krakow, Poland and the Prize for Full Correspondence between technique and Imagery at the First International Mezzotint Festival in Ekaterinburg, Russia. He currently teaches printmaking at Ohio University, in Athens Ohio. Previously he served at the Chairman of the fine Arts division, and as professor of Art, at Wesleyan College in Macon...

Raul Anguiano (Mexico, 1915-2006) 'Salomé (b/w)', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) Unframed ID: ANG-108 Hand-signed by author

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with a Torah pointer, feather quill and spice box crown or...

Wang Guangyi, No Time Contemporary, 21st Century, Lithograph, Chinese, Chinese Culture Lithograph on Velin BFK Rives 300 gr Accompanied by poem by Fernando Arrabal Edition of 165 p...

"1-800 My Hair is Pulled too Tight" is a limited edition hand pulled original lithograph on museum quality paper, numbered and hand signed by Tom Everhart. This is one of the final E...

Jose Luis Cuevas (Mexico, 1934-2017) 'Fantasmas del Centro Histórico V', 2005 woodcut on paper Guarro Biblos 250g. 20.9 x 16 in. (53 x 40.5 cm.) Edition of 60 Unframed ID: CUE-108 Ha...

Created by Robert Cottingham in 2002, Roxy is an original color lithograph on paper. Hand-signed, titled, dated, and numbered in pencil from the edition of 30, the artwork measures 4...

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Egyptian Orientalist image with Snake From a 2014 portfol...

Boy at the mountains Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His wo...

Medium: Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker...

"Hollywood Diet?" Photography 18" x 18" inch Edition of 15 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 40" x 40" inch Edition of 7: 30" x 30" inch...

Right there, the breadth of the human heart 2013 by Takashi Murakami Offset print, cold stamp and high gloss varnishing signed, numbered and stamped by the Artist 27 7/8 in diameter...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches Ritual Judaica spice box ...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 105/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

Medium: Serigraph Image Size: 38 x 26 inches Year: 2012 Edition: 140 Signed and numbered by the artist from the edition of 140. This print was featured in “Dreamland”, the first so...

Medium: Color mezzotint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic mezzotint of the tattooed back of a circus per...

Richard Serra (American, b. 1939) Abu Ghraib, 2004 Medium: Lithograph with pencil inscription Dimensions: 50.80 x 36.83 cm (20 x 14 1/2 in) Edition of 250: Hand-signed and numbered C...

Artist: Steve Kaufman Title: Woodstock Ticket Medium: Screenprint on Canvas Size: 17 x 14 inches Edition: 32 of 50 Year: 2000-2010 Notes: Hand Sign...

Cecily Brown (British, born 1969) All the Nightmares Came Today, 2012/2019 Medium: Digital archival print Dimensions: 50.8 x 61 cm (20 x 24 in) Edition of 100: Hand-signed and number...

Screen print in colors on paper. Hand signed and numbered by the artist. From the edition on 70. Published by Galerie Zink, Waldkirchen, Germany. Artwork is in excellent conditio...

Contemporary etching print by Polish artist Marian Bocianowski. The print depicts cat and a dog sitting on a bench. They are looking towards the landscape in the background. There is...

Flowers for Algernon 2009 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diameter 71 cm d...

Peter Doig (born 1959 in Edinburgh) Two Students, 2008 Medium: Giclée Print on wove paper Dimensions: 73 x 57 cm Edition of 500: Hand-signed and numbered in pencil Condition: Very good

Man With Guitar By Billy Childish Billy Childish is a British artist, musician, poet, and writer known for his raw, uncompromising creativity across various mediums, emerging from...

Artist: Ringo Title: 'See My Potato Sack (Marilyn)' Medium: Screenprint on Canvas Size: 16 x 12 Inches Edition: R-52 Year: 2000-2010 Notes: Hand Signed and Numbered by the artist on Verso. Stretched, Ready to Hang! "See My Potato Sack (Marilyn)" is a hand-pulled silkscreen and mixed media painting on canvas by Ringo (Daniel Funes) - protege of Andy Warhol's apprentice, Steve Kaufman. This piece is hand signed by the artist and Includes Certificate of Authenticity. This piece comes from the Andy Warhol Legacy Series. Daniel Funes (known professionally as "Ringo") is an American Artist, Photographer, Musician and protege to the late Steve Kaufman (Former Assistant of Andy Warhol ). At an early age, Ringo was part of charity founded by Steve Kaufman (Give Kids A Break), which was established to help troubled inner city kids...

"Creating Oneself" Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Analía Amaya García (Cuba, 1979) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-221 Hand-signed by author

"Tweet Tweet" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ed...

"Best in Show" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart e...

"Boom Shaka Laka Laka" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Ev...

"Pop Star" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editi...

"Wait Watchers" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ...

"Hitched" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

"Chillin" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

"Blow Dry" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editi...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Edition of 250 David Shrigley is an artist known for his distinctive and darkly humo...