Early 19th Century Figurative Prints
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Period: Early 19th Century
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Located in Soquel, CA
The Courtesan Kashiwagi and the Kamuro Wakano - Japanese Woodblock Print
Original Toyokuni III/Kunisada (Japanese, 1786 - 1864) Japanese Woodblock Print
"The Courtesan Kashiwagi and...
Category
Realist Early 19th Century Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185)
Tokyo c. 1830
Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art.
The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category
Edo Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Woodcut
Birth of Telefon, on a Bas-Relief - Original Etching by A. Campanella
By Angelo Campanella
Located in Roma, IT
“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth.
In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Angelo Campanella (Rome, 1748 – 1815)
Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...
Category
Modern Early 19th Century Figurative Prints
Materials
Etching
Testa Quasi Colossale di Marco Aurelio - Etching by P. Fontana
Located in Roma, IT
“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard.
In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David).
«Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate.
Pietro Fontana (Bassano Romano,1762 – Rome, 1837)
The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Nuova Raccolta di Cinquanta Costumi - Suite of Original Etchings by B. Pinelli
Located in Roma, IT
Complete Title: Nuova Raccolta di Cinquanta Costumi Pittoreschi Incisi all'Acquaforte".
Suite of original colored etching realized by the italian engraver Bartolomeo Pinelli in 1815-...
Category
Realist Early 19th Century Figurative Prints
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting two fishermen in a boat with a seated nymph from an Apulian bell-krater. Naples, Museo Nazionale 1142...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Ancient Etruscan Greek vase painting. Early 19th century engraving, 1808
Located in Melbourne, Victoria
Etruscan Vase-painting
Copper-line engraving with later hand-colouring. 1808. From Millin's 'Peintures de Vases Antiques' published in Paris in 1808.
Depicts scene from an ancient ...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Edo Early 19th Century Figurative Prints
Materials
Paper, Ink, Woodcut
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting two women and two youths from an unidentified vase.
Technique : Copper-line engraving with original hand-colouring
Background inf...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo Early 19th Century Figurative Prints
Materials
Ink, Rice Paper, Woodcut
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic Early 19th Century Figurative Prints
Materials
Lithograph
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category
Modern Early 19th Century Figurative Prints
Materials
Etching
'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London.
'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Engraving, Etching
Don-Key – English School, 19th century
Located in Middletown, NY
A rare, extensively hand-colored impression of this charming British satirical image.
London: 1830.
Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Lithograph
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category
English School Early 19th Century Figurative Prints
Materials
Handmade Paper, Watercolor, Etching
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Figurative Prints
Materials
Ink, Rice Paper, Woodcut
Portrait of Clemency - Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Clemency is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
American sketches: A Negro congregation at Washington
Located in Middletown, NY
A poignant and highly affecting 19th century image of an African American church congregation in Washington DC after the emancipation of slaves, published in London.
London: The Ill...
Category
English School Early 19th Century Figurative Prints
Materials
Etching, Aquatint
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a departure scene with a young warrior between two women.
Technique : Copper-line engraving with original hand-colouring
Back...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Testa Colossale Creduta Rappresentare la Spagna - Etching by F. Cecchini
Located in Roma, IT
"Testa colossale creduta rappresentare la Spagna" (Kolossal head commonly belived to represent Spain) is a wonderful black and white etching on paper, realized by the Italian artist Francesco Cecchini (1790 - 1820 ca), after Agostino Tofanelli (Lucca 1770 - Rome 1834) , as the inscriptions on plates on lower margins report “Agostino Tofanelli delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher margin: “Tom II /Tav XX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio () date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
This old master’s original prints representing a precious piece of the Borghese collection is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time (some little wormholes on the left margin beyond the marginal line of the matrix and a thinning of the paper along the margins) but with fresh impression.
Illustrazioni de' Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern Early 19th Century Figurative Prints
Materials
Etching
Sarah Whitehead; The Bank Nun, or the Lady in Black – English School, 19th Cent.
Located in Middletown, NY
A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street.
Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Lithograph
The Cat's Paw
By John Doyle
Located in Middletown, NY
An iconic image satirizing the Prime Minister at the 1832 London Conference.
The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...
Category
English School Early 19th Century Figurative Prints
Materials
Handmade Paper, Lithograph
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it.
The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints.
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Walking Sticks and Round-A-Bouts. For the Year 1801
Located in Middletown, NY
An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique.
Rowlandson, Thomas (after George Murgatroyd W...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Engraving, Etching
College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Lithograph
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
English School Early 19th Century Figurative Prints
Materials
Handmade Paper, Engraving, Aquatint
Kabuki Actor in Water Lily Robe with Samurai Sword - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor in Water Lily Robe with Samurai Sword- Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor ("Master Haranyuki Sawamura") is standing on stage with mountainous backdrop, wearing a robe in a water lily pattern. He is wearing a samurai sword.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 9"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Edo Early 19th Century Figurative Prints
Materials
Ink, Rice Paper, Woodcut
To Calais – after an illustration by Captain Frederick Marryat
Located in Middletown, NY
London: Thomas McLean, 1835.
Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...
Category
English School Early 19th Century Figurative Prints
Materials
Handmade Paper, Etching, Watercolor
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum.
Technique : Copper-line engraving with original han...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a woman and a bust of Athena from a white glazed lekythos, now in the British Museum.
Technique : Copper-line engraving with ori...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Arashi Rikan II in an Osaka Kabuki Scene
Located in Fairlawn, OH
Arashi Rikan II in an Osaka Kabuki Scene
Color woodcut, c. 1827
Signed middle left (see photo)
Titled upper left (see photo)
Format: oban
Publisher: Honsei
The actor, in character, d...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Woodcut
Fritillaria Imperialis
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Fritillaria Imperialis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category
Naturalistic Early 19th Century Figurative Prints
Materials
Handmade Paper, Engraving
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
English School Early 19th Century Figurative Prints
Materials
Handmade Paper, Engraving, Watercolor
La Place de la Pucelle.
By Samuel Prout
Located in Middletown, NY
A market scene; the spot on which the execution of Joan of Arc took place.
London: R. Bower, 1825.
Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...
Category
English School Early 19th Century Figurative Prints
Materials
Watercolor, Handmade Paper, Aquatint
Ancient Egyptian tomb paintings, Thebes. Early 19th century engraving, 1820
Located in Melbourne, Victoria
Egyptian tomb paintings, Thebes.
Elephant folio engraving, by Allais after Andre Dutertre, from 'Description de l'Egypte', published after Napoleon's e...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression.
[Delteil 61.1]
______
At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school. He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life. In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault. His first exhibited work was Dante and Virgil...
Category
Barbizon School Early 19th Century Figurative Prints
Materials
Handmade Paper, Lithograph
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater.
Technique : Copper-line engraving with original hand-colourin...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Realist Early 19th Century Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Kabuki Theatre Scene - Original Woodblock print by Utagawa Toyokuni II - 1810 ca
Located in Roma, IT
Kabuki Theatre Scene is a color woodblock print on paper, realized by Utagawa Toyokuni II around 1810 ca.
This lovely ukiyo-e print depicts a kneeling actress, more precisely a geis...
Category
Early 19th Century Figurative Prints
Materials
Paper
Book 1, line 192: Satan on the Burning Lake
By John Martin
Located in Fairlawn, OH
Book 1, line 192: Satan on the Burning Lake
Mezzotint, 1825
Engraved signature below the image (see photo)
From John Milton's "Paradise Lost"
Published by Septimus Prowett
Printed by...
Category
Romantic Early 19th Century Figurative Prints
Materials
Mezzotint
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting dionysiac groups.
Technique : Copper-line engraving with original hand-colouring
Background information : From the scarce Florence...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting satyrs and maenads.
Technique : Copper-line engraving with original hand-colouring
Background information : From the scarce Floren...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
Hand-colored 1834 Joseph Paxton Botanical Engraving of Yellow Trumpet Flowers
By Joseph Paxton
Located in Alamo, CA
This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...
Category
Academic Early 19th Century Figurative Prints
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Paris seated, turns toward Helen, who leans on a pillar. Left : Pan and hind. Right : satyr. Above : Aphrodite and Eros.
Technique : ...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
"A Great Man on The Turf": A 19th Century James Gillray Hand-colored Etching
Located in Alamo, CA
This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...
Category
Early 19th Century Figurative Prints
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a warrior, seated young man, and young woman.
Technique : Copper-line engraving with original hand-colouring
Background informatio...
Category
Other Art Style Early 19th Century Figurative Prints
Materials
Engraving
'Jeune Femme des Iles Sandwich dansant', Hawaii, antique lithograph print
Located in Melbourne, Victoria
'Jeune Femme des Iles Sandwich dansant'
(Young woman of the Sandwich Islands dancing)
Shows a tattooed and bare-breasted young woman, seated on the ground among her skirts. Her cur...
Category
Naturalistic Early 19th Century Figurative Prints
Materials
Lithograph
The Goatherd in Tivoli - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Il Capraro di Tivoli is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom, inside the matrix, and just below the image. On the left, “Pinel...
Category
Realist Early 19th Century Figurative Prints
Materials
Etching
One Can't Tell Why - Proof from the Disasters of War
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Drypoint, Etching, Aquatint
Animals Muzzles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - Animals Muzzles is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Ancient View of Cyprus - Lithograph - Mid-19th Century
Located in Roma, IT
Ancient View of Cyprus is an original modern artwork realized in the mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower margin in Capital Letters: ...
Category
Early 19th Century Figurative Prints
Materials
Lithograph, Paper
The Physiognomy - The Insects - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Insects is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category
Modern Early 19th Century Figurative Prints
Materials
Etching
The Sacrifice - Original Etching by F. Cecchini After A. Tofanelli - 1821
Located in Roma, IT
“Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 177...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
Old Masters Early 19th Century Figurative Prints
Materials
Etching
Ancient View of the Pyramid of Papantla - Original Lithograph - Early 1800
Located in Roma, IT
Ancient View of the Pyramid of Papantla is an original modern artwork realized in France in the first half of the 19th Century.
Original Lithograp...
Category
Modern Early 19th Century Figurative Prints
Materials
Lithograph
The Physiognomy - The Eyes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Eyes is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Figurative Prints
Materials
Etching
