Peter Saul

Barcelona Olympic Games : the Athletes - Original Lithograph, Handsigned & /250

1992

Charles LAPICQUE Faster, Higher, Stronger Lithograph Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, 1972 Excellen...

Atanas MIHALTCHEV Mr and Ms A Speaking Lithograph Signe din pencil Numbered / 50 ex On Johannot vellum 48 x 63 cm (c. 19 x 25 inch) Excellent condition

Peter Saul Golden Gate Bridge, 1968 Five color lithograph on German etching paper with deckled edges with collectors press chop mark Hand signed, titled and numbered "Artist Proof" lower front; also bears Collector's Press chop mark, and chop mark of master printer Tony Ko Frame Included: floated and framed in the original wood frame Provenance: from the Estate of the legendary California artist, Roy DeForest Accompanied by a copy of the publisher's documentation sheet (see image) Also accompanied by gallery issued Certificate of Guarantee This work is one of three hand signed Artist's Proofs, aside from the regular edition of 50. It is one of Peter Saul's most celebrated prints; the not so subtle at all symbolism speaks for itself, such as the gigantic dollar sign and wagging tongue (money talks loudly), set against San Francisco's iconic Golden Gate bridge. This print does not often appear on the market, as so many from this edition are already in the permanent collection of major museums and institutions. Other examples of this work were featured in the exhibitions: "Print Retrospective, 1966-2010", from September 16 – December 22, 2011 at the Carl Solway Gallery in Ohio, and "Peter Saul: Prints and Drawings, 1960 -1975", from February 26 – April 11, 2009, at The George Adams Gallery...

Color lithograph, Edition 30. Peter Saul is a renowned painter of entertaining and provocative paintings. As an ‘anti-conformist’ and a ‘bad boy’ of painting, he mingles beauty and savagery, romance and ugliness in works that disarm the viewer. “Saul wants to offend and please at the same time.” Drawing imagery from popular culture and using brash colors that add to the confusion, Saul accentuates the violent and vulgar nature of representation. He has a taste for narration and buffoonery. Peter Saul made prints for the first time at Shark’s in November 2002. He used his fine drawing skill and high-keyed color to create three lithographs, Self Portrait with Haircut, Modern Home...