Reiner Zeeman

Naval Battle - Etching by R. Zeeman - 1940s

1940's

Ships is a beautiful etching realized by Jean Bondal (b. 1914). Hand-signed and numbered in pencil on the lower margin by the artist. This original print representing a marine lan...

The Ocean is an etching realized by Pierre Quentin Chedel in 1755. Good conditions. The artwork is depicted through confident strokes. The etching was realized for the anatomy stu...

Une Barque a Maree Basse is a black and White etching realized by Adolphe Hervier in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized ...

France Maritime is an original print on paper realized by Camille Roqueplan in the mid-19th Century. Signed on the plate and titled.  engraving. Good conditions, with foxing.

Pierre-Emile BERTHELEMY (1818 - 1894) Rescue at Sea during the Storm Original etching Printed signature in the plate On linen vellum 24 x 33 cm (c. 10 x 13 in) Excellent condition

Antique print titled 'Der ungluckliche Zufall der beeden Frazösischen Kriegs (..) - Etat malheureux de Quebeck et de la Surveillante (..)'. An engraving of a painting by Richard Paton of the three and a half hour long naval battle of 6 October 1779 which was fought off Ushant between HMS Quebec, under the command of Captain George Farmer, and the Surveillante, under the command of Captain Couédic de Kergoaler. The Quebec caught fire and exploded, and the British crew were rescued by the French. Captain George Farmer (b.1732) died in the battle. American War of Independence...

Combat Naval dans le Golfe de Venise – Rare Optical Print of the Venetian Victory over the Turks, circa 1770 This rare and vividly hand-colored 18th-century 'vue d’optique' titled 'Combat naval dans le Golfe de Venise gagné par les Vénitiens sur les Turcs le 29 may 1749' portrays the dramatic naval engagement between Venetian and Ottoman forces in the Gulf of Venice. Published anonymously around 1770 and engraved with both French and contemporary Dutch captions, this optical print commemorates the final large-scale clashes between two former Mediterranean naval superpowers. The scene is packed with explosive detail. On the left, Venetian galleons fly red flags and dominate the composition, their cannon smoke billowing across the water. Soldiers and sailors tumble into the sea or scramble into longboats, while others engage in intense shipboard combat. To the right, the Ottoman fleet, also with full sails and ornate sterns, exchanges fire from a line of vessels that extends toward the hazy horizon. The turbulent sea, streaked with swimmers, debris, and gunfire, draws the viewer's eye toward the vanishing point, a classic technique in *vues d’optique* designed to create depth when viewed through a zograscope. The perspective is exaggerated and theatrical, heightening the tension of the moment. The hand coloring, still strong and fresh, adds to the dramatic impact—especially the reds, blues, and blacks used to signify uniforms, flames, and flags. Above the scene, a reversed French title along the top border is a hallmark of optical prints, meant to appear legible when viewed through mirrored optical devices. The lower margin features a printed French description and a carefully penned Dutch caption in brown ink, adding provenance and local historical context for a Dutch-speaking audience. These types of naval battle scenes are among the most collectable of optical prints, especially when they depict rare or less frequently recorded events such as this Turkish-Venetian engagement, which helped mark the waning of Ottoman influence in the Adriatic. Keywords: Venetian naval battle print, Ottoman fleet, vue d’optique maritime, 18th-century naval...

PERELLE Family (17th Century) Building a Ship Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the father, an...