Rembrandt van Rijn

Der Zee-Vaert Lof (ORIGINAL ETCHING BY REMBRANDT)

1634

Original pochoir process print (hand-colored stencil). Paris, ca. 1925. Displayed in a custom silver giltwood frame.

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revillo...

Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.

Original color printed engraving, embellished by hand from "Anatomical Plates of the Human Body." Edinburgh: 1822-27. John Lizars was a professor of surgery at the Royal College of ...

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...

Water Polo from "Joies du Sport." Original pochoir print from a limited edition of 750 copies. Paris, 1932. Sheet size: 16 3/4 x 12 1/2 in.

Niccolò Schiavonetti (1771 Bassano del Grappa, Italien - 1813 London) after Guercino: Giovanni Francesco Barbieri (1591 Cento/Ferrara - 1666 Bologna), Jacob beholds Joseph's bloody r...

The Martyrdom of Saint Agatha after the painting by his father, Giovanni Battista Tiepolo (see photo) Etching, c. 1780 Signature: unsigned Watermark: Let...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Signed and numbered from the edition of 30. This is one of four prints in a series of prints based on the sixteenth century engraver Hendrick Goltzius' "The Four Disgracers". The tex...

The original design for the top half was formally attributed to William Hogarth, according to the Met Museum, and published by John Bowles in 1728. The edition here has a second half...

Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...