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Rembrandt van RijnThe Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 16411641
1641
$13,893.78
$17,367.2320% Off
£10,296.06
£12,870.0720% Off
€11,600
€14,50020% Off
CA$18,967.65
CA$23,709.5620% Off
A$21,100.74
A$26,375.9220% Off
CHF 11,061.27
CHF 13,826.5920% Off
MX$257,845.84
MX$322,307.3020% Off
NOK 140,851.48
NOK 176,064.3520% Off
SEK 132,592.18
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DKK 88,321.38
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About the Item
The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the bottom left.
Signed and dated in the plate.
Provenance: Paul Proute Gallery, Paris, 1981; A. J. Hachette (Lugt L.132)
On verso: Unidentified "h" mark; signed in ink L. Rabier (?); A. J. Hachette collector's mark.
Certificate by Paul Prouté.
The state of preservation is good. No margin but complete. Partially glued onto another paper support with a paper tape. Foxings due to the time.
Rembrandt was a Dutch Golden Age painter, printmaker, and draughtsman. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings and several hundred drawings. Rembrandt produced etchings for most of his career, from 1626 to 1660, when he was forced to sell his printing-press and practically abandoned etching. In the mature works of the 1650s, Rembrandt was more ready to improvise on the plate and large prints typically survive in several states, up to eleven, often radically changed.
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1641
- Dimensions:Height: 4.18 in (10.6 cm)Width: 6.11 in (15.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:1640-1649
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1551191stDibs: LU650316457692
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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