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Robert A. BirmelinThe Tower
$600
£463.60
€535.97
CA$847.84
A$950.91
CHF 497.98
MX$11,554.52
NOK 6,323.49
SEK 5,995.11
DKK 4,000.74
About the Item
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of nature.
He earned his BA in 1956 and his MFA in 1960 from Yale School of Art and Architecture and also studied at Cooper Union and the Skowhegan School of Painting and Sculpture. In 1960, he earned a Fulbright Scholarship, which took him to the Slade School of Art in London.
His work has been acquired by 40 public collections including New York’s Metropolitan Museum of Art and The Museum of Modern Art and Washington’s Hirshorn Museum. Among the various art magazines and journals where articles on Mr. Birmelin’s work have appeared are Art In America, American Artists, and Art Forum. Additionally, he has received numerous grants and awards from such organizations as The American Academy in Rome, The National Endowment for the Arts, The American Institute of Arts and Letters, and the Joan Mitchell Foundation.
From the 1970s to the mid-1990s, Mr. Birmelin found his principal inspiration in the streets of New York where he was fascinated by the energy and diversity of city life. His large paintings evoke movement, using focus and depth manipulations to suggest a close spatial and psychological relationship between the viewer and the world Birmelin has depicted. Hands often play an important role in these works, as exemplified by “The Twenty Dollars Bill.”
From 1993 to 2000, he became absorbed by memory, its unreliability and contradictions. These paintings are of states of mind, structured as a series of “reversible compositions,” which initially present a credible depiction of a place, and then after a moment, reveal insoluble contradictions created by contrasting opposing images of equal visual weight.
A new series of images of the life of the urban crowd was begun in 2001 and continues to the present. Many of these paintings have a sweeping sense of the choreography of masses of people in motion and reflect the tensions of contemporary urban reality.
Selected Grants and Scholarships
1960-61 U.S. Government Grant (Fulbright) for study in the United Kingdom
1961-64 The American Academy in Rome
1955 National Institute of Arts and Letters
1973 Louis Comfort Tiffany Foundation
1976, 1982, 1990 National Endowment for the Arts
2005 The Joan Mitchell Foundation
1980, 1988, 1998, 2006 The New Jersey State Council on the Arts
Selected Public Collections
Boston Museum of Fine Art, Boston, MA
Brooklyn Museum, Brooklyn, NY
Hirschorn Museum, Washington, DC
Hood Art Museum, Dartmouth College, Hanover, NH
Library of Congress, Washington, DC
The Metropolitan Museum, New York, NY
The Museum of the City of New York
The Museum of Contemporary Art, Nagoaka, Japan
The Museum of Modern Art, New York, NY
National Academy of Design, New York, NY
New York Historical Society, New York, NY
New York Public Library, New York, NY
San Francisco Museum of Modern Art, San Francisco, CA
Smithsonian American Art Museum, Washington, DC
Whitney Museum of American Art, New York, NY
- Creator:Robert A. Birmelin (1933-2003, American)
- Dimensions:Height: 16.5 in (41.91 cm)Width: 13.38 in (33.99 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210570232
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Reisinger was born in Kanjiža, Serbia, into a family of painters and decorators active in Austria-Hungary and the Balkans. Most family members died in the Holocaust, including his father. As a teenager, he became active in the Partisan Pioneer Brigade and, with his mother and stepfather, immigrated to Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. In 1950 at age 16, he was accepted as a student—its youngest up to the time—at the Bezalel Academy of Art and Design in Jerusalem, there to 1954.
During mandatory service in the Israeli Air Force from 1954, he was the art director of its books and other publications. While there, he attended a class on postage-stamp design taught by Abram Games, who became his mentor and friend. Subsequently, he traveled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, 1964–66, studied stage and three-dimensional design at the Central School of Art and Design, designed posters for Britain's Royal Mail, and worked for other clients while making intermittent visits to Israel. Then in 1966, he returned permanently to Israel and established a studio in Tel Aviv and today in Giv'atayim.
His work has been included in numerous international group and one-person exhibitions. A large number of social-, political-, and cultural-theme posters and other graphic design, such as calendars, packaging, and more than 150 logos are superior to much of his fine art. He designed a new logo for El Al airlines (1972), and the 50-meter-long aluminum-cast relief (1978) of a biblical quotation in Hebrew on the exterior of the Yad Vashem, Israel's official museum/memorial to Holocaust victims, in Jerusalem. He has also designed logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima Theater (הבימה - התיאטרון הלאומי) and the symbol and posters of the 9th-15th Maccabiah Games (מַכַּבִּיָּה).
His widely published self-produced “Again?” poster (1993) features a Nazi swastika (which Reisinger incorrectly made to face left) breaks apart to 5 pointed red Star of soviet union in reference to the possible dreaded repeat of the Holocaust. The influences on his work—itself more widely focused than solely on social and political issues—have come from colorists, Minimalists, Constructivists, and humorists. He claims one of his more significant contributions has been to stretch the visual and communicative possibilities of Hebrew letters through his symbols and logos. Reisinger is one of Israel's most-accomplished graphic designers; the others include Franz Kraus...
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Located in Surfside, FL
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher.
Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts.
He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960).
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His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin.
In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover...
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A Matter of Aesthetics
Located in Surfside, FL
Lithograph with Roman portrait bust.
Will Petersen, a painter, master printer and a poet, was born in
Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at
the Lakeside Studio.
The LITHOGRAPH PRINT is from a limited edition THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED
BY THE ARTIST in pencil EXCELLENT condition.
Will's formal art education began with classes at the Chicago Academy
of Fine Arts. As a student at the city's Steinmetz High School,
Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS
newspaper cartoonist, the Steinmetz Star. During this time, Petersen
recovered from polio.
In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While
there, he painted with oils for the first time. Two years later he
enrolled at Michigan State University where he developed a strong
interest in literature and writing and began printmaking. By 1951 he
had begun to exhibit paintings and prints nationally. A year later he
completed his master's degree.
Petersen served in the United States Army from 1952-54, spending one
year as an education specialist in Japan. This encounter with the
Japanese culture affected his entire life. He became interested in
calligraphy and Noh, classical Japanese Buddhist performance that
combines elements of drama, music and poetry. Upon completion of his
military service in Japan in 1955, Will Petersen settled in Oakland,
California, where he met some of the most active poets of the Beat
Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen,
Mike McClure and others. Petersen was attracted to the group by their
intelligence and belief in Zen Buddhism.
In 1956 in his small studio in Oakland, he printed the poems of Jack
Kerouac. He attended for the first time, the reading of Ginsberg's
Howl at Six Gallery. His relationship with Gary Snyder had begun when
both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken.
Petersen returned to Japan in 1957, pursuing painting, printmaking and
writing for eight years while living in Kyoto. In 1965 he accepted a
faculty appointment at Ohio State University, teaching drawing,
painting and printmaking. Four years later Petersen took his teaching
skills to West Virginia University in Morgantown, where he
concentrated on printmaking. He taught there until 1977 when he began
publishing Plucked Chicken, a journal of art and poetry. In 1978 in
Morgantown, Petersen and his wife, Cynthia Archer, established Plucked
Chicken Press, which they later moved to Chicago and then Evanston.
Petersen operated the Press until his death on April 1, 1994.
1956 In storefront studio in Oakland, California, creates serigraphs
and lithographs. Prints poems of Jack Kerouac.
1961 Back in Japan, acquires a lithography press and stones and
resumes printing lithographs. Exhibits regularly with Kyoto
Printmakers.
1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan.
Prints for the first time Richard Hunt lithographs.
1978 Establishes Plucked Chicken Press in Morgantown, West Virginia.
Resident lithographer at Lakeside Studio in Michigan.
1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by
Don Crouch and Art Kleinman.
1982 Publishes Blossom, a lithograph/collage by Tom Nakashima.
1983 Series I of Plucked Chicken Press is published with work by
Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl,
Miller, Nakashima and Petersen.
1984 Plucked Chicken Press moves to Evanston. Series II of Plucked
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Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock.
1985 Series III of Plucked Chicken Press is published with works by
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Archer, Ho and Petersen. Prints Suite I, Northern Illinois University
Collectors Series, with lithographs by Renie Adams, David Bower, David
Driesbach, Carl Hayano and Ben Mahmoud, all faculty members of the art
department at Northern Illinois University.
1986 Publishes Richard Hunt s Over Wisdom Bridge.
1987 Series IV of Plucked Chicken Press is published with works by
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1990 Series V of Plucked Chicken Press is published with four floral
lithographs by Winifred Godfrey...
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