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Nude from the Back- Etching - 1968

1968

About the Item

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches paper, not signed nor numbered, as issued. Ref. Michler-Lopsinger, no. 260. Image dimension: 14.8x10.5 cm. Prov. Private Collection Southern France.
  • Attributed to:
    Salvador Dalí­ (1904 - 1989, Spanish)
  • Creation Year:
    1968
  • Dimensions:
    Height: 15.75 in (40 cm)Width: 11.82 in (30 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1507001stDibs: LU650315160162

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Nude - Etching - 1968
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Located in Roma, IT
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L'Aigle Mademoiselle - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes passepartout. Hans Bellmer wa...
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By Salvador Dalí­
Located in Roma, IT
Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 sp...
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Construction d'un Temple en Ruine - Plate n. 10 - Etching by Paul Delvaux - 1973
By Paul Delvaux
Located in Roma, IT
Construction d’un temple – Plate n. 10  is a  b/w   original etching  realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Constr...
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Construction d'un Temple en Ruine - Plate n.3 - Etching by Paul Delvaux - 1973
By Paul Delvaux
Located in Roma, IT
Construction d’un temple – Plate n. 3  is a b/w original etching realized in 1973 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this wonderful original print   came into being from the collaboration of four years between the French author and a member of the Nouveau-Roman , Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux .  Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women realized like ancient Greek marble...
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