Art Deco Figurative Prints

Robin Morris, American (1953 - ) - Maestro, Medium: Screenprint on Arches, signed and numbered in pencil, artist blind stamp lower right, Edition: 13/100, Image Size: 35 x 25 inches,...

Ermine Brocade is an expertly crafted, embossed serigraph on black paper with foil stamping and an image size of 27 x 25 inches. From the edition of 580, the art is numbered 24/300 a...

Embossed serigraph in colors with foil stamping on paper. Hand signed and numbered on front by Erte. From the edition of 300. Artwork size 41 x 30 inches. Framed size approx 46 x ...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an artwork realized in 1929. Original colored pochoir on cardboard. Perfect conditions. Le Bonheur du Jour is...

This serigraph was created by Italian artist Giancarlo Impiglia. Impiglia's colorful Art Deco prints are easily identifiable, vibrant paintings and their dynamic compositions are simply aesthetically pleasing. This print in his typical style is signed and numbered in pencil and comes from an edition of 300 and 40 APs. Artist: Giancarlo Impiglia Title: Traveling Salesman...

A mid-century, stone lithograph titled 'Sylvia' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stam...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Robin Morris, American (1953 - ) - Courthouse, Medium: Screenprint on Arches, signed and numbered in Crayon, artist blind stamp lower right, Edition: 160/200, Image Size: 28 x 39.75 ...

PARIS RAGE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. PARIS RAGE depicts a colorful, fun portrait of three young women in Paris...

Signed center left, 'Nura' for Nura Woodson Ulreich (American, 1899–1950) and created circa 1935; additionally stamped, verso, with certification of authenticity. An early twentieth...

BREKER (Arno). Postdam, publisher of Eduard Stichnote - Berlin, printing stick by Sauer et consort, see folio in sheets in a publishing box with 10 prints of nude sketches, all signe...

Edward Henry Gordon Craig (British, 1872-1966) La Procession Nocturne (state 1) Woodcut Inscribed `State 1 only 8 copies’ (lower left under mount) 5.1/8 ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Alcyon Cycles-Moto is an original lithographic poster by George Farve in very good condition and published Affiches Gaillard-Paris-Amiens. The type under the image reads Nos Bicyclet...

This glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs, which capture the art deco period in which he ...

GANGSTERS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free....

This glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs which capture the art deco period in which he w...

Original lithograph, produced as part of a portfolio of images by Reynaldo Luza for the Parisian fur house, Revillon Freres. Paris, Draeger for Revill...

Hat and Chain is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 14.25 x 11 inches. From the edition of 650, the art is numbered CCXXXIV/CCC ...

Artist: Giancarlo Impiglia Title: Talking Heads Year: 1989 Medium: Screenprint, signed and numbered in pencil Edition: 225 Paper Size: 26 x 47 inches Fr...

This glamorous screenprint was created by Russian-born French artist Erte. Erte is perhaps most famous for his elegant fashion designs which capture the art deco period in which he w...

Homage Giancarlo Impiglia, Italian/American (1940) Date: 1984 Screenprint, signed and numbered in pencil Edition of 161/250 Size: 31.5 x 21.5 in. (80.01 x 54.61 cm) Frame Size: 40 x ...

GAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...

Hand signed and numbered by the artist. Image size 25 x 18 inches. Sheet size 32 x 24 inches. Framed as pictured. Artwork is in excellent condition. Certificate of authenticity inclu...

Erte (Romain de Tirtoff) (Russian, 1892 – 1990) Elegant, 1990 Lithograph Signed ‘Erte’ in pencil (lower right) 27.1/2 x 22.1/4 in. (70 x 56.5 cm.) (sheet size)

Artist: Erte, Russian (1892 - 1989) Title: The Letter 'D' from the Alphabet Suite Year: 1976 Medium: Serigraph, signed and numbered in pencil Edition: X...

"Bonal" is an original lithograph poster by Adolphe Mouron Cassandre. It features an abstracted figure drinking Bonal Gentiane Quina, a cocktail or aperitif, which, consumed before a...

Artist: Giancarlo Impiglia Title: Harlequin Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 30 x 22 inches

With its tobacco product discreetly located on the lower left, this early 20th-century Shanghai poster for Hatamen cigarettes uses a dramatically rende...

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Raemakers, Louis. Blom & van der AA. Ca 1920s. Color lithograph Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...

An original color lithograph poster with drawings of Charlie Chaplin, Buster Keaton, Laurel and Hardy, Andy Clyde, and Billy Bevan. 62" x 47 1/4" art 66 1/2" x 51 5/8" framed Les P...

This color pochoir was done in 1925 on Arches paper No. 738/750. It depicts a mother and her child underneath a tree with doves flying around them. Archivally framed with 23k gold; ...

This color pochoir by Kees Van Dongen was done on arches paper No. 738/750. Two nude women outlined by purple cover their faces with a white sheet. Archivally framed with 12k white...

Les Vins de Bourgogne. printed by Devambez, Paris, signed in the plate. 1916. Color lithograph. On Linen Guy Arnoux is an artist , illustrator and graphic designer French. He ...

JOSEP RENAU MONTORO (1907-1982) CAMPESINO / MINISTERIO DE AGRICULTURA. 1936. 60x41 3/4 inches, 152 1/2x104 cm. Graficas Valencia, Valencia. Ref: Guerra Civ...

Filix Lochard. Kinalys -Aperatif -Ideal Les Fiils Severac - Bordeaux (monopole). Ca 1930. Color lithograph. On Linen. Advertisement for a Bordeaux Aperatif.

Signed, dated, and editioned in pencil by the artist Edition:30, plus trial proofs; this print numbered 23/30 Printed by Edmond Desjobert, Paris Provenance: Estate of the artist The image is loosely based on the tragic love story of Frankie and Johnny, memorialized in Jazz, Blue, Country, Rock a Billy and Motown. At least 256 recordings of "Frankie and Johnny" have been made since the early 20th century. Inspired by a traditional song first recorded by The Leighton Brothers in 1912. Among the artist who have recorded the varying versions of the song are Gene Autrey (1929), Jimmie Rodgers (1929), Lead Belly (1939), Lena Horne (1946), Les Paul and Mary Ford (1952), Sammy Davis Jr. (1956), Pete Seeger...

This 1930s advertisement poster from Shanghai melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Larg...

This calendar advertisement poster for White Horse cigarettes was produced by Hu Boxiang, a famous commercial advertising artist in Shanghai during th...

The first of Poiret's two deluxe fashion albums featuring 10 full page (2 fold-out) pochoir illustrations by Paul Iribe. Poiret's syles indicate the new freedom in women's fashions ...

Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen. Blazer was a Graphic Designer who designed posters for the PKZ Dept. store in Swit...

This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...

This color pochoir was done in 1925 on Arches paper No. 738/750 and depicts two nude lovers. Archivally framed with 12k white gold; white gold fillet, silk mat, and museum glass. ...

The famous commercial advertising artist Hu Boxiang created this advertisement calendar poster for the British American Tobacco Company in 1931. Unlike other poster artists, Hu was k...

"Cherry Kobler" is an original color lithograph poster by Pierre marrast. This artwork features a red-haired woman playing the piano. She is in...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...

- Lithographic poster for the International Exhibition of Decorative Arts, 1925. - Printed by Edmond Bernard, Paris. Dimensions H : 121,2 cm L : 80,4 cm/H: 47.72 in W: 31.65 in

ALLIER, Paul. Les Quatre Saisons. Estampes par Paul Alier. Folio. 11 x 14" Four lovely pochoir designs of the Four Seasons [Automme, L'Hiver, L...

Perot, Roger. Cycles Peugeot, 1931. Color lithograph Linen backed. Peugeot was a major advertiser in France between the wars, commissioning innumerab...

Printed by Moullot Fils Aine, Marseille Original vintage advertising poster for a drink, Mantalo. Raissac et Cie Revel Hte-Gne. Printed in Paris, France in the 1920s. Great Art Deco ...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. It advertises an opera called "Rays of Silk" and depicts a woman with a long ...

Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

Piaz, Teddy. Serge Lifar. Ca 1928. Exhibition poster for Russian Ballet. Original Offset. 63 x 47" unlined. Condition: Several images show imperfections. ...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Color lithograph. ca. 1925 On Linen. Fred Taylor was one of Britain's foremost poster artists from 1908 to the 1940s. Able to turn his hand to most subjects, Taylor was best k...

Chas Laborde (1886-1941), Tendres Stocks: The Complete Etchings, c. 1924, etching, engraving, colored etching proofs before publication of the book. A suite of 13 impressions in black and white, and 13 in color; 26 in all; impressions printed before the book edition of Tendres Stocks by Paul Morand...