Contemporary Figurative Prints

Medium: Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker...

Serigraph in colors on paper. Hand signed, titled and numbered by the artist. From the edition of 375. Sheet size 22 x 16 inches. Image size approx 19 x 13.5 inches. Artwork is ...

"Pig Out" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

Raul Anguiano (Mexico, 1915-2006) 'Salomé (b/w)', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) Unframed ID: ANG-108 Hand-signed by author

"1-800 My Hair is Pulled too Tight" is a limited edition hand pulled original lithograph on museum quality paper, numbered and hand signed by Tom Everhart. This is one of the final E...

"Synchronize My Boogie-Evening" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the...

"Hollywood Hound Dog" is a limited edition hand pulled original lithograph on museum quality paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

Shepard Fairey Joe Strummer – Know Your Rights Screen print on thick cream Speckletone paper Year: 2023 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provide...

"Synchronize My Boogie-Morning" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the...

"Very Cool Dog Lips in Brentwood" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of t...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Escena de campo', 1993 linocut on paper Canson 320 g. 16.8 x 23 in. (42.5 x 58.3 cm.) Edition of 14 ID: CHO-307 Unframed

Shepard Fairey Tear Flame (Mother Earth, Rebellious, Defiant, Guilt, When you dis your mother, you dis yourself) Screen print on thick cream White Speckletone paper Year: 2024 Size: ...

"Synchronize My Boogie - Afternoon" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of...

"To Remember" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ed...

'Wading and Wondering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually...

Lee Wells End of the World Party #2 2023 Archival pigment print Edition of 3 of 5 Caption: Time-travelers’ Tea Party: In a serene garden oasis, three eclectic souls, donned in retro...

Artist: Dan May (American, 1955-) Title: "Waiting" *Signed and numbered by May in pencil lower left Year: 1986 Medium: Original Screenprint on unbranded soft-c...

DaVinci Tee Threesome is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson(1919-2010). DaVinci Tee Threesome was printed using hand lithogr...

"Hollywood Diet?" Photography 18" x 18" inch Edition of 15 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 40" x 40" inch Edition of 7: 30" x 30" inch...

"Woman with Book" lithograph by artist Branko Bahunek of a woman with a book sitting next to a fireplace beneath a portrait of a nude woman on a couc...

Catching Z's is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 77/275 (there were also 100 Roman and 20 AP). Fra...

"Pop Star" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editi...

"Tweet Tweet" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ed...

"Best in Show" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart e...

"Boom Shaka Laka Laka" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Ev...

"Blow Dry" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editi...

"Hitched" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

"Wait Watchers" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart ...

"Chillin" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Everhart editio...

Judy Chicago Almost Born, 1983 Lithograph on Rives tan BFK paper (accompanied by original documentation sheet - also hand signed by Judy Chicago) Signed, titled, dated and numbered 6...

Bag of Tricks II is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 237/275 (there were also 100 Roman and 20 AP...

"Squeeze The Days - Monday, Tuesday Wednesday, Thursday and Friday" is a Matched Suite of Five limited edition hand pulled original lithographs on mus...

"Why I Like Big Hair" is a limited edition hand pulled original lithograph on museum quality deckle-edge paper, numbered and hand signed by Tom Everhart. This is one of the final Eve...

Shepard Fairey Target Exceptions Offset lithograph on paper Year: 2020-2024 Signed and dated by hand Size: 33.7 × 22.2 on 35.7 × 23.8 inches COA provided *publication year might di...

Wise Ass is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 245/275 (there were also 100 Roman and 20 AP). Framed i...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 39 x 26.5 inches. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity is...

"Creating Oneself" Photography 31" x 31" inch Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

The Hot Seat is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 AP). Fr...

Jack Vettriano (1951-) is renowned for his film noir oil paintings and 1930s glam style. Uniquely Vettriano, ‘Young Hearts’ is set by the seaside inviting narratives about the figures in his work: relationships, anticipation, power and suggestion. Vettriano grew up by the Fife Scottish coast. He began painting beach scenes as a young adult, later developing his particular recognizable style and thematic imagery. His work was embraced by celebrities such as Madonna and Jack Nicholson and he has become hugely successful. His most famous painting, ‘The Singing Butler...

Keith Haring Against all Odds 1990 Four works from the Against All Odds, 20 Drawings series, 1990 Lithographs Ed of 500 28 x 24 in with frame 8 x 10 1...

"Variations" is a very large nude mezzotint listed in the catalogue raisonne as HAN #105. It was issued in an edition of 90. Born in Yokohama in 1954, Watanabe graduated from Ecole...

Shepard Fairey AK-47 Lotus (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inch...

Marina Abramović A Visual Biography (Hand signed by BOTH Marina Abramovic and Katya Tylevich), 2023 Large hardback monograph with no dust jacket as issued Hand signed by BOTH Marina...

Rodeo Queen 1981 Luis Jimenez Stone Lithograph 42 1/2 x 28 1/2 in. (107.95 x 72.39 cm.), Edition of 50 Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Bats in the Belfry is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 135/275 (there were also 100 Roman and 20 A...

Sleeping With the Fishes is a lithograph on paper, 9.25 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 171/275 (there were also 100 Roman a...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. Viola Burley Leak, American (1944 - ) Viola Leak was born in Nashville, Tennessee, she received a B.A. in Art from Fisk University, a B.F.A. in Fashion Design from Pratt Institute, Brooklyn, an M.A. from Hunter College, NY and an M.F.A. in Media from Howard University, Washington, DC. Leak was an art consultant for both the New York State Board of Education and the Metropolitan Museum of Art's Print Department, in addition to working for the Experimental Gallery of Art at the Smithsonian Institute. Her mixed media work often references religious motifs and those of her African-American experience and heritage. She is a multimedia artist, her works include printmaking, textile designing, soft sculpture, appliqué tapestries, doll making, and multi-media. Viola has studied with many renowned artists such as Aaron Douglas, Romare Bearden, Robert Blackburn, and Charles White. Her works can be found in the collections of World Federation of United Nations, New York State Office Building, Manufacturers of Hanover Trust Company, Atlanta Life Insurance Company and many more organizations. Viola's exhibition experience is extensive - more than 100 showings over a decade, national and international. Her quilts exude a miraculous and magical presence. They have traveled in two international shows and three national quilt projects in the past three years. A proud moment for her was being featured in the December 20, 2000 of the Smithsonian magazine; the article praised her mural "Afro Dance Scan" as one of the outstanding artworks in the "When the Spirit Moves: African American Dance...

The Golden Goose is a lithograph on paper, 9.75 x 5.5 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 218/275 (there were also 100 Roman and 20 A...

Lee Wells Twilight Revelry (EOW L13) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Twilight Revelry: Amids...

Fork U is a lithograph on paper, 9.5 x 4.5 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered XII/C (there were also 275 Arabic and 20 AP). Framed ...

James Bettison Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges. Hand signed. Numbered 38/50. Dated. Printer's and Publisher's Blind Stamp. 20...

Nick Cave Soundsuit #6 Year: 2010 Archival Pigment Print on Premium Rag Size: 17 x 12 in. Edition: 200 Signed by hand on label COA provided Ref.: 924802-2069 Tags: #NickCave #Missou...

Shooting Stars is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered LXXV/C (there were also 275 Arabic and 20 AP). ...

Medium: Serigraph Year: 2006 Image Size: 32 x 42 inches Edition Size: 40 Signed and numbered by the artist. This is one of four versions of the same image, each done with different ...

Fowl Play is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 113/275 (there were also 100 Roman and 20 AP). Frame...

Mickalene Thomas "Untitled" (Black is Beautiful) USA, 2017 Inkjet print Signed and numbered by the artist From an edition of 100 14"H 11"W (work) Framed Approx: 22"H x 17"W Excellent...

Tempest in a Teapot is a lithograph on paper, 9.5 x 7.25 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 162/275 (there were also 100 Roman and ...

Tina Barney Players (Signed and dated by Tina Barney), 2010 Hardback monograph with dust jacket (Hand signed and dated by Tina Barney) Signed and dated 3/9/2011 by Tina Barney 9 × 12...