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Art Subject: Tree
'Lakeside Shower, Matsue' — Showa-era Woodblock Print
Located in Myrtle Beach, SC
Kawase Hasui, 'Chihan no Ame, Matsue' (Lakeside Shower, Matsue), color woodblock print, 1932. A fine, atmospheric impression, with fresh colors; the full sheet, from a postwar editio...
Category

1930s Showa Figurative Prints

Materials

Woodcut

de Vlaminck, Chataigneraie à Chatou, Fauves, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Himmelstrasse, Austria
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category

Early 20th Century Realist Figurative Prints

Materials

Etching

Wyeth, New Leaves, The Four Seasons (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...
Category

1960s American Realist Figurative Prints

Materials

Lithograph

Winter Landscape
Located in San Francisco, CA
Artist: Hans Figura (Austrian, 1898-1978) Title: Winter Landscape Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark (Image) size: 17.25 x 13.75 inches Framed size: 23 x 19.5 inches Signature: Hand signed in pencil by the artist Condition: very good Frame: Custom framed in a silver and gold frame About the artist. Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes. Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt) As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather. From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich. Select Exhibitions: 1924- Exhibitions in Italy and the United States. Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria. 1926- "Secession...
Category

Mid-20th Century Realist Landscape Prints

Materials

Etching

FRAME # 94: Original Animation Frame from Gold Rush
Located in Signal Mountain, TN
Many of the depicted scenes were inspired by moments where Fahnestock was astonished by something that was equal parts mesmerizing and distressing. “Seeing my first wildfire in person, or the images of San Francisco covered in an orange haze, all the while recognizing that these things were in fact terrible. They signified disasters and ecological shifts. The increase in wildfire events is due in part to the encroachment of larger, developed communities onto lands that were previously maintained for fire season by natural means or by the Forest Service...
Category

2010s Contemporary Black and White Photography

Materials

Archival Paper, Glitter, Black and White

Follow (73/100), mezzotint of New York sidewalk by Art Werger
Located in Palm Springs, CA
Mezzotint, from the edition of 100. Signed, titled and numbered by the artist. Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passi...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Mezzotint

You Captured My Heart
Located in Greenwich, CT
You Captured My Heart is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 15/275 (there were also 100 Roman and 20 AP...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Opposite of sentimental... . Limited edition print, Surreal, Established artist
Located in Warsaw, PL
Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Kyoka-Tokaido - Woodcut after Utagawa Hiroshige -1925
Located in Roma, IT
Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut print Chuban Yokoe Format. Signed...
Category

1920s Modern Figurative Prints

Materials

Woodcut

Low Country (South Carolina)
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

Morning Dawn - Handmade Landscape Linocut, Print Unique Number 8/8
Located in Salzburg, AT
The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Linocut

Liberty & Freedom II (Limited Edition Of Only 30 Prints On Canvas)
Located in LOS ANGELES, CA
**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **This is a Limited Edition Print On CANVAS - It will come rolled inside a tube**. The print will look like the PRIMARY and first pictures. All others are of the original framed piece. Highly labored wing piece made with real feathers covered with several layers of clear varnish. Bring this stunning and peaceful art...
Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Canvas

Adam & Eve. Limited edition print, Surreal, Established Polish artist
Located in Warsaw, PL
Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Original Palm Springs American Airlines Golf Travel mid century poster
Located in Spokane, WA
Original Palm Springs American Airlines vintage travel poster. This mid-century travel poster is archival linen backed in A- condition. This vintage travel poster is by an anonymous artist who did not place a date on the poster. The poster is in A- condition with a small professionally repaired tear on the bottom and one on the right side. There aren’t any other document copies of this poster that we have been able to locate, so you will receive a unique original vintage poster. Airlines poster. Featuring a stunning mid-century modern design, this artwork perfectly captures the glamour and allure of Palm Springs—known for its sunny skies, striking desert landscapes and luxurious leisure lifestyle. Whether you're drawn to its retro-inspired fonts, vibrant colors, or the nostalgic nod to the heyday of American air travel, this poster is a perfect homage to the golden age of exploration. The poster's eye-catching design prominently displays the iconic American Airlines logo and stylized renderings of Palm Springs’s mid-century modern architecture and lush palm trees against a vibrant blue sky. The retro typography and color palette instantly transports viewers back to the poster's imagined era of the 1950s or 1960s. This vintage American Airlines...
Category

1950s American Modern Landscape Prints

Materials

Offset

A Last Look Back, American Western Art Lithograph by Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Last Look Back, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 25 inches, S...
Category

1970s American Realist Figurative Prints

Materials

Lithograph

A Bolt from the Blue
Located in Greenwich, CT
A Bolt From the Blue is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 130/275 (there were also 100 Roman and 20 ...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884. Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category

Late 19th Century French School Landscape Prints

Materials

Laid Paper, Engraving, Aquatint

Sunday, Central Park
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...
Category

Late 20th Century American Impressionist Landscape Prints

Materials

Lithograph

Beside The Lake - Screen Print by Rolandi - 1980s
Located in Roma, IT
Beside The Lake is a modern artwork realized by the Artist Rolandi (Maurizio Coccia), in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on t...
Category

1980s Contemporary Figurative Prints

Materials

Screen

Regiones Botanicas de la Tierra: Antilles No. 1 (Antilles, Botanical Art, ~40% O
Located in Kansas City, MO
Susan Davidoff Regiones Botanicas de la Tierra: Antilles No. 1 (Antilles, Botanical Art, Botanical Exploration) Year: 2001 Medium: 5 Color Lithograph with hand applied pigment and co...
Category

Early 2000s Contemporary Figurative Prints

Materials

Lithograph

Renoir, Le Chemin tournant, Seize Aquarelles et Sanguines de Renoir (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 10.75 x 15 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...
Category

1940s Impressionist Landscape Prints

Materials

Lithograph

Rosemary - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

1870s Modern Figurative Prints

Materials

Lithograph

Diurnes: The Guy in a Tree - Original Collotype and Stencil (Cramer #115)
Located in Paris, IDF
Pablo PICASSO (1881-1973) Diurnes, The Guy in a Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) ...
Category

Mid-20th Century Modern Figurative Prints

Materials

Stencil

Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Landscape with Trees
Located in San Francisco, CA
This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...
Category

Late 20th Century American Modern Landscape Prints

Materials

Lithograph

The Coconut - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...
Category

1870s Modern Figurative Prints

Materials

Lithograph

The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category

Late 19th Century English School Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

"Chestnut Tree" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...
Category

1910s Symbolist Figurative Prints

Materials

Paper

'Search' — Australian Romanticism
Located in Myrtle Beach, SC
Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...
Category

1910s Romantic Figurative Prints

Materials

Monotype

Urban Landscape - Vintage Offset Poster by Franco Fontana - 1980s
Located in Roma, IT
Urban Landscape is a mixed-colored offset by the Sicilian artist Franco Fontana. Sheet dimension: 80 x 60 cm. Good conditions.
Category

1980s Contemporary Figurative Prints

Materials

Offset

CALIFORNIA VISTA
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 – 1974) CALIFORNIA VISTA, 1923 Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...
Category

1920s American Realist Figurative Prints

Materials

Aquatint

Klimt, Obstbäume, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

1910s Symbolist Figurative Prints

Materials

Lithograph

Vuillard, Les Sapins, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Flowering Red Maple
Located in San Francisco, CA
This artwork titled " Flowering Red Maple" c.1980 is an original color lithograph with embossing on wove paper by noted British artist Tessa Beaver, 1932-201...
Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

Island - Original Screen Print by Maurilio Catalano - 1970s
Located in Roma, IT
Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...
Category

1970s Contemporary Figurative Prints

Materials

Paper, Screen

Oiso, Tora ga ame - Woodcut by Utagawa Hiroshige - 1832
Located in Roma, IT
Oiso, Tora ga ame is a woodcut print realized by Utagawa Hiroshige in 1832.  It is part of the suite The Fifty-three Stations of the Tokaido - Oiso. Very good condition.
Category

1830s Modern Figurative Prints

Materials

Woodcut

Klimt, Obstbäume am Attersee, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.64 x 10.12 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

1910s Symbolist Figurative Prints

Materials

Lithograph

Klimt, Die hohe Pappel, Das Werk von Gustav Klimt (after)
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...
Category

1910s Symbolist Figurative Prints

Materials

Lithograph

"Tilted Tree, Mendocino, California" (2000) By Kate Breakey, Original Print
Located in Denver, CO
"Tilted Tree, Mendocino, California" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey...
Category

2010s Realist Still-life Prints

Materials

Pastel, Pencil, Archival Pigment

A Long Rifle Awaits, American Western Art Lithograph by Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...
Category

1970s American Realist Figurative Prints

Materials

Lithograph

A dinner - Surrealist print, Limited edition, Established Polish artist
Located in Warsaw, PL
The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Conventional sentiment. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...
Category

2010s Surrealist Figurative Prints

Materials

Paper, Color

Landscape - Etching on Paper by Francesco Vitalini - 1904
Located in Roma, IT
Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...
Category

Early 1900s Figurative Prints

Materials

Etching

The Turkish Grasslands, Limited Edition Offset print by Aya Takano signed
Located in Hong Kong, HK
The Turkish Grasslands (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist 23 ¹/₃₂ x 19 ¹³/₃₂ in 58.5 x 49.3 cm Edition 81/300
Category

Early 2000s Pop Art Figurative Prints

Materials

Offset

Vuillard, Les Communs Au Chateau Des Clayes, Douze pastels (after)
Located in Auburn Hills, MI
Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph, Stencil

Dog: realist expressive black and white portrait drawing of pet dog in the sun
Located in New York, NY
This tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...
Category

1980s Contemporary Animal Prints

Materials

Lithograph

In The Forest - Screen Print by Rolandi - 1980s
Located in Roma, IT
In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...
Category

1980s Contemporary Figurative Prints

Materials

Screen

Tempête à Nice - PhotoLithograph after Henri Matisse - 1920
Located in Roma, IT
Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.
Category

1920s Modern Figurative Prints

Materials

Lithograph

Meishoe - Woodcut by Utagawa Hiroshige II - 1860s
Located in Roma, IT
Meishoe is an artwork realized in the 1865 by Utagawa Sadahide (1807 – c. 1878–1879). Woodcut Print Oban Format. From the series "Suehiro gojusan ts...
Category

1860s Modern Figurative Prints

Materials

Woodcut

Tim Southall, A Game of Chess, Contemporary Art, Affordable Art, Art Online
Located in Deddington, GB
Tim Southall A Game of Chess Limited Edition Screen print Edition of 75 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece m...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Screen

The Poison Tree - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

1870s Modern Figurative Prints

Materials

Lithograph

Tree of Life - Vintage Poster By Gino Marotta - 1981
Located in Roma, IT
Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.
Category

1980s Contemporary Figurative Prints

Materials

Offset

Signac, St-Paul-de-Vence, Signac Dessins (after)
Located in Fairfield, CT
Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

Marquet, Composition, Présence de Marquet (after)
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category

1960s Post-Impressionist Landscape Prints

Materials

Lithograph

In The Forest - Original Screen Print by Rolandi - 1980s
Located in Roma, IT
In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...
Category

1980s Contemporary Figurative Prints

Materials

Screen

Figure and Tree - Offset Print by Franco Gentilini - 1970s
Located in Roma, IT
Figure and Tree is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork...
Category

1970s Modern Figurative Prints

Materials

Paper, Offset

Western Cashew - Lithograph by Vincenzo Tenore - 1870s
Located in Roma, IT
Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...
Category

1870s Modern Figurative Prints

Materials

Lithograph

Composition, Arbres et Voiles, Édouard Pignon
Located in Auburn Hills, MI
Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...
Category

1950s Modern Landscape Prints

Materials

Lithograph, Stencil

Squirrel - Woodcut by Maurits Cornelis Escher - 1931
Located in Roma, IT
Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....
Category

1930s Modern Figurative Prints

Materials

Woodcut

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