Tree Figurative Prints

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Artist: Hans Figura (Austrian, 1898-1978) Title: Winter Landscape Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark (Image) size: 17.25 x 13.75 inches Framed size: 23 x 19.5 inches Signature: Hand signed in pencil by the artist Condition: very good Frame: Custom framed in a silver and gold frame About the artist. Hans Figura (Austrian, 1898-1978) was a noted painter and etcher, who was well known for his aquatint etchings on paper or satin of European and American landscape and cityscape scenes, as well as paintings of landscape and cityscape scenes, Tyrolean Alp scenes of villages and chalets, street scenes, harbor and marine scenes. Hans Figura was born January 22, 1898, in the small town of Nagy-Kikinda near the Austro-Hungarian border, to Austrian parents. His father was a railway official and he spent his childhood in various small villages along the railway line between Vienna and Hungary. He graduated from the highschool in Vienna and also studied at the Higher Graphical Federal Education and Research Institute, a vocational school there (Höhere Graphische Bundes-Lehr und Versuchsanstalt) As a young man, he served as an officer in the Austrian Army during WWI from 1916-18 on the Russian and Italian fronts. After the war he attended medical school at the University of Vienna for several years beginning in 1918, and seven semesters later, he passed his first state exam, but eventually decided that he preferred the arts to medicine. He also studied at the Academy of Fine Arts in Vienna (Akademie der bildenden Künste Wien) and by 1922 he had devoted himself to painting and etching, while also working in other artistic printing mediums, batik, illustration, bookbinding and working with leather. From 1923-28, Figura made numerous art study trips throughout Europe including; Germany, Italy, France, Belgium, Holland, England, Czechoslovakia and Hungary. His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States. In 1929, he visited the United States and in 1930, he traveled back to France, Holland and also Switzerland. During this time, Figura maintained studios in both New York City and Vienna, Austria. Throughout the course of his career, he exhibited his paintings and prints in many of the large cities throughout Europe and the United States and many of his etchings and paintings were acquired by museums and galleries, including The Kulturamt, Vienna, Austria; the Landesmuseum of Lower Austria; as well as The Society of Art Lovers, Berlin and Munich. Select Exhibitions: 1924- Exhibitions in Italy and the United States. Circa Mid 1920's-1939- All the exhibitions at the Kunstlerhaus, Vienna, Austria. 1926- "Secession...

Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...

Mezzotint, from the edition of 100. Signed, titled and numbered by the artist. Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passi...

Original Palm Springs American Airlines vintage travel poster. This mid-century travel poster is archival linen backed in A- condition. This vintage travel poster is by an anonymous artist who did not place a date on the poster. The poster is in A- condition with a small professionally repaired tear on the bottom and one on the right side. There aren’t any other document copies of this poster that we have been able to locate, so you will receive a unique original vintage poster. Airlines poster. Featuring a stunning mid-century modern design, this artwork perfectly captures the glamour and allure of Palm Springs—known for its sunny skies, striking desert landscapes and luxurious leisure lifestyle. Whether you're drawn to its retro-inspired fonts, vibrant colors, or the nostalgic nod to the heyday of American air travel, this poster is a perfect homage to the golden age of exploration. The poster's eye-catching design prominently displays the iconic American Airlines logo and stylized renderings of Palm Springs’s mid-century modern architecture and lush palm trees against a vibrant blue sky. The retro typography and color palette instantly transports viewers back to the poster's imagined era of the 1950s or 1960s. This vintage American Airlines...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut print Chuban Yokoe Format. Signed...

This artwork titled "Hidelberg Terrace, Germany" c.1930 is an original color etching on watermarked Kasimir Vienna wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist's estate at the lower center. The image (plate mark) size is 8.5 x 11.5 inches, sheet size is is 15 x 19 inches. It is in excellent condition, has never been framed About the artist: Tanna Kasimir...

You Captured My Heart is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 15/275 (there were also 100 Roman and 20 AP...

Coloured engraving with mixed technique of etching and aquatint, on copper plate, on Magnani-Pescia paper. Paper size 50cm x70cm Enrico Benaglia was born in 1938 in Rome, where he l...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.69 x 11.77 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.64 x 10.12 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.81 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Sole Tree is an original lithography artwork on cardboard realized by Emilio Conciatori artist of the 20th Century. Hand-signed on the lower right. Numbered, edition of IX/X prints...

Soft ground aquatint and chine-collé print by artist Leiko Ikemura. Edition number 13 of 20. Framed under glass in black frame. Framed dimensions: 26 x 22 1/4 inches. Image dimension...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **This is a Limited Edition Print On CANVAS - It will come rolled inside a tube**. The print will look like the PRIMARY and first pictures. All others are of the original framed piece. Highly labored wing piece made with real feathers covered with several layers of clear varnish. Bring this stunning and peaceful art...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

This artwork titled " The Purple Mountain's Majestic" 1973 is a color lithograph after artist Hall Drake Diteman, 1925-2009. It is hand signed at the l...

Susan Davidoff Regiones Botanicas de la Tierra: Antilles No. 1 (Antilles, Botanical Art, Botanical Exploration) Year: 2001 Medium: 5 Color Lithograph with hand applied pigment and co...

HAROLD L. DOOLITTLE (1883 – 1974) CALIFORNIA VISTA, 1923 Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...

Imao Keinen, 'Japanese Flowering Cherry and Mugimaki Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban diptych, 1882. A fine impression, with fresh colors, on cream Japan paper, in excellent condition. Archivally sleeved, unmatted. Image size: diptych 12 5/8 x 17 7/8 inches (321 x 452 mm). ABOUT THE ARTIST Born in Kyoto, Imao Keinen (1845-1924) studied painting and calligraphy with Umegata Tokyo and Suzuki Hyakunen. He taught at the Kyoto Prefecture School of Painting and exhibited in shows in Japan and Paris. One of the most well-known Japanese painters of his time, Keinen was honored by his country with the title of 'Artist of the Japanese Empire...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 10.75 x 15 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...

A Bolt From the Blue is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 130/275 (there were also 100 Roman and 20 ...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...

Pablo PICASSO (1881-1973) Diurnes, The Guy in a Tree, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) ...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Signed with initials in the plate lower right. Ref. F.H. Bool, J.R. Kist, J.L. Locher and F. Wierda...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...

Phototype and Stencil on wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diurnes Découpages et Photographies, 1962. Published by Berggruen, Par...

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...