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Takashi Murakami
Takashi Murakami Time Bokan Black and Moss Green (Murakami prints)

2006

$1,595

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Takashi Murakami, 'Black and Moss Green' 2006 (Takashi Murakami Time Bokan): Offset lithograph with black, silver and gloss varnish. 19.7 x 19.7 inches (50 x 50 cm). Stored flat. Very good to excellent condition. Hand-signed & numbered on the lower right from an Edition 300. Published by: Kaikai Kiki Co. 2006. Catalogue Raisonne Takashi Murakami Prints (pub. Kaikai Kiki Gallery) Further Background "A key image in Murakami’s oeuvre, the skull-shaped mushroom cloud in Time Bokan is borrowed from the eponymous Japanese anime TV series from the 1970s. The cloud symbolized the villains’ demise at the end of each episode, although they would unfailingly reappear in the next, to the delight of their young audience. Although the creators of the anime series could not have intended to send a positive message about the atomic bombing of Japan, let alone a safe return from it, the invincible villains became great favorites with children. By reviving this powerful image of Manichean paradox as a form of vanitas in relation to self-portraiture, Murakami provides a bold interpretation of a classical genre within a wholly new iconography." (source: Gagsoian Gallery) Related Categories Pop Art. Street Art. Damien Hirst. KAWS. Banksy. Japanese artists. Skull art.

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About Takashi Murakami (Artist)

Japanese contemporary artist Takashi Murakami (b. 1962) may be famous among collectors for his psychedelic flowers and chaotic cartoons, but artists likely know him as the theorist behind the contemporary art movement he calls “Superflat.”


Partially inspired by the Pop art of Andy Warhol, in which celebrity culture and mundane mass-produced items became the focus of bright and colorful works that both celebrated and criticized consumerism, Murakami’s Superflat encompasses painting, sculpture, digital design and more to present a subversive look at consumerism but is also an effort to blend fine art and lowbrow culture. A multifaceted and remarkably influential artist, Murakami has collaborated with brands such as Louis Vuitton, while one of his most famous Superflat works is the teddy bear on the cover of the Graduation album by American rapper Kanye West.


In 1993 Murakami earned his Ph.D. from Tokyo University of the Arts, where he was trained in nihonga, a style of painting that originated in the late 19th century by artists who worked to preserve and promote the conventions and processes associated with traditional Japanese art. While practicing nihonga, Murakami began to realize that his beliefs didn’t align with the tradition, so his art subsequently took on a satirical feel that embodied a critique of the movement. Before long, his style took a drastic turn, embracing otaku, a rising postwar cultural phenomenon among Japan’s younger crowd who loved anime and manga. (Otaku is also integral to Superflat.)


This is when Murakami’s most well-known character, Mr. DOB, was born. This anime-inspired icon, which Americans might interpret as a cross between Walt Disney’s Mickey Mouse and Lewis Carroll’s Cheshire Cat given its pronounced ears and broad and menacing grin, was part of the artist’s endeavor to elevate the otaku subculture but also to target mass consumerism. While Murakami conceived of Mr. DOB years ahead of his 2000-era Superflat theory, there is much common ground between the two. Not unlike his other creations, Murakami’s Mr. DOB is equal parts erotic, disturbing and cartoonish — an incisive mockery of the mingling of commerce and fine art so prevalent in Japanese popular culture.


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