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Vintage French Engraving - Sweet Slumber

Circa 1930

Romantic black and white etching of a pair of ballet dancers performing on stage by artist Ernst Oppler (1867-1929), circa 1920. Signed lower right, numbered 88 of 100 lower left. ...

Captivating black and white etching of a crowd gathered to watch performers with hula hoops by Huchs, 1939. Titled and signed in lower margin. Original artw...

Warmly hued French lithograph of couples dancing and enjoying live music at elegant venue by artist Torrallardona, circa 1960. Signed lower right and...

Over 350 year old antique copper engraving of the female Roman goddess Bellona, the goddess of war, circa 1650. Original artwork on paper displayed on a white mat with a gold border...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.

I am a multi-disciplinary artist who has professionally shown my work in dozens of galleries and museums since the late 1990s. But while my work can take many different forms, my practice is rooted in drawing. Whether I am working on the watercolor and acrylic pieces, or fiber-based pieces, every project and every idea begins with a drawing. Through that process I lay out my ideas, ask myself questions, experiment with different options, and try to resolve all the formal and conceptual issues I will attempt in my final piece. The themes I have explored in my work from 1999 on, and even before then, have remained the same even though my style has shifted radically. I have been interested in exploring self-portraiture, personal narratives, femininity, politics, and the use of text in art. I have remained constant in my exploration of critical theory and art history, and drawn influence from artists as diverse as Joseph Beuys, Henry Darger, and Adrian Piper.

“Heresay” (FRAMED) Nude Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series T...