An Emblematical Print on the South Sea Bubble

1861

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

This intriguing engraving captures the enigmatic figure of Thomas Cooke, the notorious Islington miser. The portrait showcases his unique sense of fashion, with every detail meticul...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Title: "The Economic Balancing Act: A Satirical View of 1780 Britain" This original etching and engraving, circa 1780, is a satirical commentary on the precarious state of the Briti...

Two prints on one plate. The Times contains some of Hogarth's most pessimistic imagery upon the political machinations and corruptions of the day. A Country Inn Yard is one of Hogarth's notable engravings of the 1740s. Two copper engravings on a single leaf, created by T. Cook and published in London by G.G. and J. Robinson in 1800. Top Engraving: "The Times" 1. Urban scene depicting a chaotic and tumultuous environment. 2. - **Firefighting**: Several figures are engaged in firefighting activities. They are using ladders...

A hand coloured engraving depicting the fashions of 1735. Well presented in a gilt effect frame. Signed in plate. On laid paper.

A charming engraving depicting the parable of the Prodigal Son in the Bible, found in Luke 15:11-32, after the original painting by Carington Bowles. Inscribed in plate. Presented in...