Wendingen. The Life-Work of the American Architect Frank Lloyd Wright.
View Similar Items
Frank Lloyd WrightWendingen. The Life-Work of the American Architect Frank Lloyd Wright. 1925-1926
1925-1926
About the Item
- Creator:Frank Lloyd Wright (1867 - 1959, American)
- Creation Year:1925-1926
- Dimensions:Height: 13.05 in (33.15 cm)Width: 13.025 in (33.09 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU29227535992
Frank Lloyd Wright
Without question the greatest architect the United States has ever produced, Frank Lloyd Wright and his philosophy of “organic architecture” — of buildings that exist in harmony with their natural surroundings — had a profound influence on the shape of modern life.
Wright gave us some of the most elegant and iconic buildings in America: residences such as Fallingwater, in rural Pennsylvania, the Robie House in Chicago, and Taliesin, Wright’s own home; and masterful institutional structures that include the Unity Temple in Oak Park, Illinois, the Johnson Wax headquarters in Racine, Wisconsin, and the Guggenheim Museum in New York. Whenever possible, Wright designed the furniture for his projects, to ensure an affinity between a building’s exterior and interior.
Wright’s wooden chairs and tables for his “Prairie Houses” of the early 1900s have sleek, attenuated forms, influenced by both the simplicity of traditional Japanese design and the work of Gustav Stickley and other designers of the Arts and Crafts movement.
For Taliesin and several residential projects, Wright designed severely geometric chairs that are marvels of reductivist design. He revisited many of these forms in the 1950s in furniture licensed to the North Carolina firm Henredon, adding a decorative frieze-like element to the edges of tables and stools. Owing to a cross-licensing agreement between Henredon and Heritage at the time, Wright's lines of the era are usually labeled Heritage-Henredon.
The works on 1stDibs also show how happily Wright embraced new forms and materials. His desks and chairs for Johnson Wax have a streamlined look and use tubular steel to the same effect as designer Warren McArthur, who collaborated with Wright in the interiors of the Arizona Biltmore Hotel. For the Price Tower (1956) in Oklahoma, Wright designed angular wooden desks as well as upholstered pedestal chairs made of chromed steel — audacious furniture for his tallest completed building project.
The beauty of Frank Lloyd Wright’s furniture designs is that while many of us wish we could live in one of his houses, his vintage sofas, storage cabinets and armchairs connect us directly to his architecture, and to the history he made.
- OlivettiBy Giovanni PintoriLocated in New York, NYPintori, Giovanni. Olivetti. 1967. 2nd printing. 1st Printing 1946. Offset Lithograph. Rare Giovanni Pintori (1912 – 1999) was an Italian graphic designer and painter. His most famous works are the advertisement posters for Olivetti typewriters...Category
1960s American Modern Abstract Prints
MaterialsOffset
- Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. KenilworthBy Alfonso IannelliLocated in New York, NYi Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. Kenilworth, Oak Park. (Published by the Chicago Heritage Committee with the Cooperation of the Unitarian Unive...Category
1960s American Modern Abstract Prints
MaterialsOffset
- Homestead Works of US Steel Munhall, PennsylvaniaLocated in New York, NYANONYMOUS. (American). Homestead Works of US Steel Munhall, Pennsylvania, Gelatin Silver print. Pouring white-hot steel for the new Carnegie Institute of Te...Category
1940s American Modern Black and White Photography
MaterialsPhotographic Paper
- (American) Oil Well Supply company.Located in New York, NYANONYMOUS. (American) Oil Well Supply company. Dallas TX, Photographer: Richie Photo. Workmen place pipes (iron tubes) in an oil well. Derrick produced by ...Category
1940s American Modern Figurative Photography
MaterialsPhotographic Paper
- UntitledBy Irene Rice PereiraLocated in New York, NYChalk on black paper 1963. (Inscribed 1963) Signed and Dated. I.Rice Pereira was an American abstract artist, poet, and philosopher who playe...Category
1960s American Modern Figurative Paintings
MaterialsChalk
- Don't Depend on the HeavensLocated in New York, NYDon't Depend on the Heavens Art Work by Xlyang County Amateur Fine Art Production Group. Published by Shanghai People's Publishing House. 1975Category
1970s Modern Landscape Prints
MaterialsLithograph
- Gee, Merrie ShoesBy Andy WarholLocated in New York, NYMedium: Hand colored offset lithograph Frame size: 16 x 15 inches Stamped on verso by The Estate of Andy Warhol and The Warhol FoundationCategory
1950s American Modern Prints and Multiples
MaterialsLithograph
Price Upon Request - Prodigal SonBy Thomas Hart BentonLocated in London, GBA fine impression with full margins published by Associated American Artists with their information label present - pictured in Art and Popular Religion in Evangelical America, 1815-...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Nebraska EveningBy Thomas Hart BentonLocated in London, GBA fine impression with good margins published by Associated American Artists.Category
1940s American Modern Landscape Prints
MaterialsLithograph
- DiscussionBy Thomas Hart BentonLocated in London, GBA fine impression with large full margins published by Associated American Artists.Category
1930s American Modern Figurative Prints
MaterialsLithograph
- Monoprint Lithograph American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
- Modernist and mid-century architecture - Schindler House, Relief PrintBy Andy BurgessLocated in London, GBANDY BURGESS Schindler House, 2019 Signed, dated, numbered (A/P) recto Relief Print 43.2 x 55.9 cm 17 x 22 in. Framed: 18 ½ x 1 ½ x 22 ½ in. Artist's Proof 6 of 20 ----- Andy Burgess is a London-born artist currently residing in Tucson, Arizona. Represented for many years by The Cynthia Corbett...Category
2010s American Modern More Prints
MaterialsLithograph