Lithograph Interior Prints

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Transparent), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50...

Joan Miró, The Singing Fish Lithograph print 52 x 64 cm This lithograph is framed in a sustainably sourced black box frame with a gallery acrylic glazing. 'The Singing Fish' b...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Corset Tesant un Livre". The original painting was completed in 1918. In the 1970's...

Andy Warhol, Elvis 2 Times, 1963/2022 Paper size 127 × 107 cm Image size 108 × 94 cm Matt 250gsm conservation digital paper In 1963, Andy Warhol created his iconic series of Elvi...

Guy Gee, Lebanon (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reima...

Uses and Customs - Burial Chamber is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

Vintage poster for the 1982 Summer Festival season of the San Francisco Opera. David Hockney designed the whimsical sets and costumes for the San Francisco Opera's production of Igor...

Jean-Michel Basquiat, Mecca, 1982 (Framed) Monte Carlo 300gsm watercolour paper. This premium paper is made on a traditional cylinder mould machine by St Cuthbert's Mill in Somerset where they have been making fine papers on the same site since the 1700's. They are the only commercial paper mill in England to still use this paper-making process Paper size: 99 x 100cm Framed size: 103 x 104cm During the 1980s, New York was a central hub for underground artists, hence Jean-Michel Basquiat's depiction of the Empire State Building in his version of 'Mecca'. Basquiat also situated his personal motif, the three point crown, directly above the word 'Empire', representing his sudden rise to fame as his artwork was propelled from the streets of downtown New York to high end art...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by the African American master artist Romare Bearden is from Bearden's Mecklenburg series of images depicting recollections from his childhood in rural Mecklenburg County, NC. A colorful, intimate interior scene showing a black woman and young man tending to a multicolor quilt. Bearden's well known visual motif - the quilt, refers back to a time when the African American quilting tradition was employed by enslaved black people who worked coded messages into their handmade quilts to pass on information about the Underground Railroad...

Andy Warhol, Campbell's Soup Can, 1965 (green & red) 250gsm coated graphic paper Image size 20 x 30 cm (7.87 x 11.81 in) Paper size 28 x 36 cm (11.02 x 14.17 in) Andy Warhol’s...

Keith Haring, Untitled, 1982 (Red dogs with pyramid) , (Framed) 42 x 42 cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood p...

Uses and Customs - Interior of the Gallery De-Cristoforis is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the univ...

Roy Lichtenstein The Oval Office (hand signed, dated and inscribed by Roy Lichtenstein), 1992 Offset color lithograph (hand signed and inscribed to famous estate attorney) Edition of...

MacDonald of Glengarry (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of desc...

Uses and Customs - Sacristy of the Cathedral in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

Andy Warhol, Brooklyn Bridge, 1983/2022 (pink, red, blue) Paper size 97 × 97 cm Image size 90 × 90 cm Matt 250gsm conservation digital paper From 1949 until his death, New York Ci...

Keith Haring, Dog, 1985 (Framed) 48 x 63cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourdrini...

Jean Michel Basquiat "Welcoming Jeers 1997" Limited Edition Print: Lithograph in Colors Approximate Size: 30 x 22 in 76 x 56 cm Edition: Unnumbered limited edition Other: Stamped By...

Keith Haring, Untitled, 1985 (abstract) (Framed) 42 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactu...

Sir Frank Bowling OBE, RA (b. 1934, in British Guiana) Benjamin Run, 2020 Medium: Lithograph on paper Dimensions: 76 x 49.5 cm Edition of 40: Signed and numbered by hand Condition: Mint

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

David Hockney, The Other Side, 1993 Offset lithograph on paper 63.5 x 101 cm (25 x 39.76 in) This beautiful lithograph featuring David Hockney's 1993 painting "The Other Side" was...

Nat Finkelstein, Andy Warhol, 1966/2020 Portrait of Andy Warhol used on the cover of Finkelstein's 'The Factory Years' Semi Gloss 250gsm conservation digital paper. This paper is e...

Keith Haring, Party of Life Invitation, 1986 (Framed) 102 x 102cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manu...

Guy Gee, Maldives (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Guy Gee, Greece (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

Set of three lithographs enhanced with gouache by Maurice Dufrène. Three original plans of "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These three plans ...

Banksy "CUT AND RUN" Technique: Offset Lithograph Paper: Thick Stock Glossy Size: 16.5 X 23.4 Materials Thick glossy paper Size 23 2/5 × 16 1/2 in 59.4 × 41.9 cm Rarity Open editi...

Mirror #7, 1972 Roy Lichtenstein Lithograph with screenprint in colours, on Special Arjomari paper Signed, dated and inscribed 'A/P VIII' An artist's proof aside from the edition of...

Keith Haring, Untitled (Baby) (Framed) Matt 250gsm conservation paper. A high quality paper made in Germany from acid and chlorine free wood pulp. The paper is manufactured on a Fo...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Vase de Fleurs". The original painting was completed in 1958. In the 1970's after Picasso's ...

Keith Haring, Untitled, 1987 Matt 250gsm conservation paper. A high quality paper made in Germany from acid and chlorine free wood pulp. The paper is manufactured on a Fourdrinier M...

Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...

Andy Warhol, Cow, 1967 poster Andy’s beautiful red cow, reproduced as a large giclee print on a heavyweight watercolour paper, will look superb i...

Artist: Pablo Picasso, After, Spanish (1881 - 1973) Title: BUSTE DE FEMME AU FOULARD MAUVE(Dora Maar) Year of Original Artwork: 1937 Medium: Lithograph on Coventry Paper, 100% acid f...

Uses and Customs - Virgil's Tomb in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

PUBLIC OUTCRY is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. PUBLIC OUTCRY is a surrealist portrait composition portraying a semi interior scene showing a man in brown trousers standing positioned on stage like black and white checkered tile...

Guy Gee, St Barts (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Epi, Hard Times Charles Dickens, 2023 Offset Lithograph Edition of 100 10.5 x 15 cm (4 x 5.9 in) Hand-signed by the artist

Uses and Customs - Interior of Santa Maria Maggiore is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs -  a Palace in Lucca is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of t...

Uses and Customs - Interior of the Cathedral of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe...

Jean Michel Basquiat "Untitled 1997" Limited Edition Print: Lithograph in Colors Approximate Size: 30 x 22 in 76 x 56 cm Edition: Unnumbered limited edition Other: Stamped By Artist...

Andy Warhol, Debbie Harry, 1980/2022 (pink) Paper size 100 × 100 cm Image size 80 × 80 cm Matt 250gsm conservation digital paper. A very versatile high quality paper made in German...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone usin...

David Hockney, Mount Fuji and Flowers, 2016 Offset lithograph 63.5 x 86.5 cm Original poster produced by the MET featuring Hockney’s 1972 Mount Fuji an...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New Y...

Guy Gee, Bahamas (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56 cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally r...

Keith Haring, Untitled, 1987 (Framed) Matt 250gsm conservation paper. A high quality paper made in Germany from acid and chlorine free wood pulp. The paper is manufactured on a Four...

Günther Uecker (German, born 1930) Splitter, 1991 Medium: Lithograph on wove paper Dimensions: 30 x 42 cm Edition of 200: Hand-signed an numbered in pencil Condition: Excellent

SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents an expressionist-style still life vegetable portrait depicting round onions with a head of garlic positioned toward the center. A broad sweeping brushstroke wash of charcoal black dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition. Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer Image size - 13 x 16.25 inches Year - c. 1974 About the artist: Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan. In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...

Fred Sandback, (1943-2003) Untitled, 1979 Medium: Lithograph on Japanese paper Dimensions: 35.9 x 35.9 cm Edition of 35: Hand-signed, numbered and dated in pencil Publisher: Edition ...

Guy Gee, America (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reima...