Lithograph Interior Prints

Guy Gee, Solomon Islands ( medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitall...

Guy Gee, St Vincent (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by G...

Guy Gee, Venezuela (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reima...

Le Voci dei JUKE-BOX. Original Teatro Della Palme, Citta di San Remo vintage poster. Conservation linen backed in very good condition, ready to frame. Fold marks restored. Sunda...

Guy Gee, Ukraine (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagi...

Guy Gee, Sweden (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagin...

Guy Gee, Japan (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Guy Gee, Japan (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56cm (20 4/5 x 22 2/5 in) Frame included Edition of 75 Each artwork by Guy had been digitally reimagi...

Guy Gee, Tasmania (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimag...

Guy Gee, Vatican (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagi...

Guy Gee, Zambia (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagin...

Guy Gee, Sierra Leon (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally rei...

Guy Gee, Spain (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagine...

Guy Gee, Tunisia (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagi...

CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting li...

Guy Gee, Uganda (medium) Hand-engraved print on 350gsm on G.F Smith card 31 x 35 cm (12 1/5 x 13 4/5) Frame included Edition of 75 Each artwork by Guy had been digitally reimagin...

Guy Gee, Queen G (medium) Hand-engraved print on 350gsm on G.F Smith card 53 x 56 cm (20 4/5 x 22 2/5) Frame included Edition of 96 Each artwork by Guy had been digitally reimagin...

Lithograph in colors on paper. Hand signed and numbered by the artist. AP edition. Sheet size 23.5 x 11.25 inches. Image size approx 19.5 x 9.75 inches. Artwork is in excellen...

Beautifully framed page from an antiquarian encyclopedia from Germany, depicting Anemones. Frame: Oak wood Dimensions: 32 x 24 x 3 cm Date published: Turn of the century (around 190...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. FIVE GEISHA WITH FANS is a freely expressed Chinese Ink Brush drawing of five robed women standing behind a Shoji screen...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

David Roberts R.A. 1796 - 1864 Interior of the Great Temple of Aboo Simbel Subscription edition and First edition lithographs available Full plate: 139 Acid free mount With David ...

PORTRAIT OF JOHN ROTHSCHILD is an original hand drawn, limited edition lithograph by the American woman painter Alice Neel printed on archival Arches paper, 100% acid free, using tra...

Damien Hirst The Currency (Pink), 2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's Currency project currently on display at Newport Street Gallery. 35 × 23...

This artwork titled "l'Amateur d'Art" c.1990 is an original color lithograph by noted French artist Guy Buffet, b.1943. It is hand signed and numbered H.C 4/10 in pencil by the artist. The artwork size is 24 x 18 inches, framed size is 32.25 x 24.15 inches. Custom framed in a wooden black an gold frame, with decorated gold color matting. The artwork is in excellent condition, the frame has some minor restorations, barely visible. About the artist: Guy Buffet was born in Paris on January 13, 1943. His parents were in the restaurant business and were fond of art. Guy Buffet learned early that his neighborhood had once been the home of such artistic figures as Chagall, Matise, Picasso, and Modigliani. "At home there was always talk about these famous painters," he says, "and I used to listen to these conversations while doing my homework at the kitchen table. I remember drawing on napkins and the linen tablecloths while my brothers were busy with kitchen preparations." On his twelfth birthday, his mother gave him his first box of paints, a couple of brushes, a wooden easel, and several canvases. The young Buffet was soon displaying paintings on the walls of the family restaurant. He sold his first watercolor painting to an American who was visiting the family restaurant that next year. At age 14 he was transferred from public school to the famed Beaux Arts de Toulon and later studied advanced painting in Paris. By age 18, he joined the French Navy where his artistic abilities were so distinguished, he was named the official artist of the French Navy and given the prestigious assignment to "paint the world." "In the South Pacific, while I was on shore leave and hitchhiking with some fellow sailors," Buffet says, "we were picked up by a motorist who was the mayor of the city. After visiting the ship and seeing some of my paintings, the mayor talked to the captain and got permission for me to put on an exhibit in town." From this came a series of one-man exhibitions in exotic Tahiti and New Caledonia. Afterwards, the French Navy helped organize his first exhibition in the Hawaiian Islands introducing Buffet to what he called "Paradise." The year was 1963 and the rest, as they say is history. Guy Buffet soon settled in this "Hawaiian Paradise" after the prominent Cooke family offered to provide him living and studio space after his Navy discharge. What followed were several commissions from the Hawaii State Foundation on Culture and the Arts which emblazoned major murals at libraries across the state of Hawaii. Of his paintings, Buffet says, "I invite the viewer to share my experience. I take you into my world like a guest into my home. I want you to be comfortable, relaxed, happy; to forget about problems and sorrows. If you like it and want to come back, my world is yours." Guy Buffet has also been commissioned by many corporations including Aloha Airlines, Grand Marnier, Westin Hotels, and Ritz Carlton Hotels. He has literally toured the world with one-man shows and exhibitions. One can feel the international influence of his Hawaiian creations, reminiscent of the French master Gaughin who depicted Polynesia from Tahiti generations earlier. Enthralled with the history and culture of the islands, Buffet continues to create famous images depicting the folklore of the Hawaiian people, animals and events. Buffet‚s whimsical Hawaiian world is where cows wear flower leis and bellow, "Amoo" and road signs bear, Baby Pig Crossing to allow mama piglet and her babies to cross a country road. His vibrant color palette helps evoke a playfulness that brings out the child in every aficionado. While some of his other works are positively Polynesian, a great deal of it is decidedly derived from his French heritage. Depicting French sommeliers, chefs, and waiters mid-shift, Guy consistently captures the spirit and passion of the French people and their love of fine cuisine. Guy Buffet's images are now commissioned for a wealth of items from men's dress ties and shirts, to dinner plates, coffee cups, postcards, calendars, and women's wear. Buffet is also the official artist for Champagne Perrier...

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...

Hand signed & numbered by the artist. Sheet size: 23 x 18.5 inches. Image size: 18 x 14 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity incl...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Damien Hirst The Currency (Yellow),2022 Offset lithograph on thick semi-gloss poster paper of Damien Hirst's Currency project currently on display at Newport Street Gallery. 35 × 23...

Offset lithograph on 350gsm paper Numbered on verso 30 x 42 cm (11.81 x 16.54 in.)
 Edition of 100 Anish Kapoor, renowned for his monumental sculptures and innovative use of materia...

Quinquina Royal Est un vrai trésor. Original Quinquina Royal antique French liquor poster. Artist: Eugene Oge. Size: 38.75" x 55". Archiv...

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

Jonas Wood Paintings (Hand Signed & Inscribed), 2019 Gagosian catalogue monograph, hand signed, dated and inscribed to Jane Hand signed, dated and inscribed by Jonas Wood to Jane, wi...

Red Grooms Masters at the Met, 2002 color lithograph, edition of 75 29 3/4 x 35 in. / 75.6 x 88.9 cm Red Grooms was born in Nashville, Tennessee in 1937 and has lived in New York fo...

French Vintage Exhibition Poster for Yves Brayer (1969). Newly framed, the poster announces an exhibition of the works of Yves Brayer at the Galerie de Paris which, at that time, was...

GENIE 1980 is a hand drawn, limited edition lithograph printed on archival Arches printmaking paper 100% acid free created by the artist Gustave Kaitz, American Art Deco Master 1913-...

Paul Insect DOPE Solidarity, 2022 Offset litho poster, 100gsm, recycled paper 16 1/2 × 23 2/5 in 42 × 59.4 cm Edition of 50

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

Original 1972 exhibition poster: PICASSO, Galerie Louise Leiris Exhibition. Printer Moulot 1972. Henri Deschamps engraver. Translated, it is called: "The Painter & His Model" Fine condition. This was the last exhibition of Picasso's works before his death in 1973. The drawing of a young woman with an aging artist is typical of Picasso's concern with death towards the end of his life. This lithographic poster was designed to advertise an exhibition of 172 recent drawings by Pablo Picasso at the Galerie Louise Leiris in 1972. Lithography was authorized by Picasso and executed by French artist Henri Deschamps. Signed in the plate by Deschamps lower right. Printed by Mourlot in Paris, under Picasso's supervision, 1972. Catalogue Raisonne: Czwiklitzer 446; Rodrigo 241. Limited edition: 5,250. Sheet size: 28" x 19". Galerie Louise Leiris was a fine art gallery in Paris established by Daniel-Henry Kahnweiler in 1920. It was named after Kahnweiler's partner, André Simon. In 1940, the business was turned over to Louise Leiris, who was Kahnweiler's daughter. It was run under her name. Prominent among the artists who sold paintings...

Klimt Estelle Ginsburg, American Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 500, AP 50 Size: 21.5 in. x 29 in. (54.61 cm x 73.66 cm)

British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...

Pugin, Augustus Charles & Rowlandson, Thomas (after). College of Physicians, from Ackermann's "Microcosm of London." London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...

In the Salon Lithograph on tan wove paper, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Annotated "No. 20" in pencil lower left (see photo) Condition: Excellent Image size: 13-7/8 x 10-1/2 inches Sheet size: 19 x 14 1/4 inches Provenance: Estate of the Artist Borghi & Co., New York Herb Lerner, Boca Raton, FL Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel...

This original framed graphic art lithographic poster entitled "Chez Panisse Cafe & Restaurant Seventeenth Birthday" was created by David Lance Goines in 1...

Interior is a vintage photolithograph realized after Pablo Picasso, after the original drawing of 1958. Very good conditions. The artwork is depicted in a well-balanced composition...

"Inspiration" is an original lithograph by Marc Chagall published in the "Lithographs of Marc Chagall vol. II". The book was published in a limited edition of 6000. Size: 12.5 x 9.5...

23/100, 1974. Paper, lithograph, 43x65 cm

The artwork was personally obtained by me when I visited the Walled Off Hotel. It has a stamp in the lower left corner that reads, "The Walled Off Hotel". Comes with Certificate of Authenticity from the Hotel which also has a stamp on it. The verso of the print is also a stamp which cannot be seen from the front of the print. The print is in pristine condition and has been stored flat since my arrival back from the Hotel. Also has four crisp corners and is in near mint/mint condition. Banksy’s career—filled with art world pranks and political activism—has produced a variety of posters showcasing the street artist’s wry sense of humor. Commissioned by Greenpeace to protest global deforestation, Banksy’s early poster Save or Delete (2002) features blindfolded characters from Disney’s The Jungle Book standing amidst a devastated landscape. In 2005, Banksy pranked The Museum of Modern Art by secretly installing a painting of a Tesco Value soup can (a spoof on Andy Warhol’s famous silkscreens of Campbell’s Soup Cans) in one of its galleries—a hoax that went unnoticed by the museum’s staff for six days and inspired a series of Tesco Value soup can posters years later. Collectible Banksy posters also include promotional prints for his exhibition “Barely Legal...

Tall Vase with Glasses by Robert Kipniss, American (1931) Date: circa 1980 Lithograph, signed in pencil Edition of AP Image Size: 12 x 10 inches Frame ...

ALONE IN A CROWD by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. ALONE IN A CROWD depicts a stylish female cocktail waitress dressed...

This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...

Woman with Apples (Sepia) Branko Bahunek, Croatian (1935) Lithograph, Signed in Pencil Edition of 50 Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in sepia brown ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using traditional hand lithography techniques, not a photo reproduction or digital print. RABBI TEACHING is a realistic, detailed portrait depicting an elder Rabbi teaching a young boy. RABBI TEACHING is in good condition, superb craftsmanship, never been framed or mounted, pencil signed AP (Artists Proof) by Vladimir Dashevsky, printers chop mark embossed on lower corner, from the master printers private collection. Year printed - 1975 Print size - 22" x 30", unframed, good condition, slight handling on print margins, pencil signed by Vladimir Dashevsky Judaic Art...