Photogravure Interior Prints

Offset lithograph on 350gsm paper Numbered on verso 30 x 42 cm (11.81 x 16.54 in.)
 Edition of 100 Anish Kapoor, renowned for his monumental sculptures and innovative use of materia...

Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...

Epic scale photograph of mesmerizing baroque details in a long forgotten architectural masterpiece discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 66 x 59 inch...

mesmerizing baroque architectural details in a long forgotten Italian palazzo discovered in Mediterranean Sicily, Italy Hallelujah by Frank Schott 40...

large format photograph of iconic zeppelin in aircraft hangar Zeppelin by Christian Stoll ( framed ) "Modern Gallery Frameless" 48 x 69 inches (122c...

Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions 62 x 48 inches ...

Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...

Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...

YSL Yves Saint Laurent by Frank Schott from a series of photographic observances capturing urban interiors in pandemic times 48 x 72 inches / 122cm x 1...

"Floating Panel" - Realistic Hand Painted Lithograph Lithograph with hand-painted ribbons by Patricia Pearce (American, b. 1948). In this composition, the pane with four bars is a l...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...