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Joan Miró
Day Le Jour

1953

$7,500

About

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Day Le Jour, 1953 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 39 x 28 cm. / 15.4 x 11.1 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist ''Miró'' at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower left margin. This lithograph was printed by Fernand Mourlot, Paris was published by Maeght Éditeur, Paris in 1953. Literature: Mourlot, F. & Leiris, M. (1975). Joan Miró: Der Lithograph, Vol. II 1953-1963. Geneva: Weber. Reference: Mourlot 196 Condition: Very good condition. Minor areas of skinning along the sheet edges, verso.

Details

  • Creator
    Joan Miró (1893 - 1983)
  • Creation Year
    1953
  • Dimensions
    Height: 15.36 in. (39 cm)Width: 11.03 in. (28 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    London, GB
  • Reference Number
    1stDibs: LU1804061911

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    $150 Standard Parcel Shipping
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    Ships From: London, United Kingdom
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About the Artist

Joan Miró

With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró (1893–1983) was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”Find a collection of Joan Miró art on 1stDibs.
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