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John SaltJohn Salt-Arrested Vehicle with Red Seats- HAND SIGNED1972
1972
About the Item
This limited edition print, titled Arrested Vehicle with Red Seats, was created by the esteemed artist John Salt in 1972. Signed in pencil by Salt, this print is part of the renowned Radical Realism I portfolio, published by Mother Lode Editions and Hundred Acres Gallery.
Arrested Vehicle with Red Seats showcases Salt’s extraordinary photorealistic style, capturing a moment of stillness and contemplation through the depiction of an abandoned vehicle. The vibrant red seats contrast with the muted tones of the vehicle's exterior, creating a striking visual impact. Salt’s meticulous attention to detail and mastery of light and shadow bring a heightened sense of realism to the scene, inviting viewers to ponder the narrative behind the image.
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- Creator:John Salt (1937, British)
- Creation Year:1972
- Dimensions:Height: 20 in (50.8 cm)Width: 28.5 in (72.39 cm)
- More Editions & Sizes:20 x 28.5, 200Price: $375
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are carefully stored. Condition is a main concern, unless otherwise indicated, all items are in mint condition. Additional pictures are available upon request. Feel free to contact our team if you have any questions or concerns. Thank you.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: YY0476-B1stDibs: LU129415276582
John Salt
John Salt (b. 1937 - ) is an English artist, whose greatly detailed paintings from the late 1960s onwards made him one of the pioneers of the photorealist school. Although Salt's work has developed through several distinct phases, it has generally focused on images of cars, often shown wrecked or abandoned within a suburban or semi-rural American landscape, with the banality and dishevelment of the subject matter contrasting with the immaculate and meticulous nature of the work's execution. His father was a motor repair garage owner, whose stepfather in turn had been a signwriter painting stripes on the bodies of cars. As a young boy Salt was encouraged to draw and paint, and at the age of fifteen he gained admittance to the Birmingham School of Art, where he studied from 1952 to 1958. He studied at numerous other well-known art schools in England and the US, influenced by the work of English artist Prunella Clough and American Pop Art figures such as Robert Rauschenberg. Salt sought a more distinct artistic identity and was encouraged to explore a wide variety of styles and techniques, ultimately leading to and interest in photographers Garry Winogrand and Lee Friedlander, and how their documentary style relieved them of the self-conscious need to adopt an artistic technique.
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