Keith Haring

Rare original Keith Haring Record Art (Keith Haring David Bowie)

1983

Keith Haring for New York CityKids, 1986. Rare vintage 1986 sticker illustrated by Keith Haring for the CityKids coalition in New York: "City Kids Speak on Liberty" New York, 1986 sponsored by Burger...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in t...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Basquiat Beat Bop (2014): 30th anniversary pressing of Basquiat's historic Beat Bop vinyl record (1983), featuring Jean Michel's signature cover art and production as well as licensed trademark by the Estate of Jean-Michel Basquiat. From a sold-out edition of 1983. Includes a split color black and white vinyl pressing, a four-panel folded insert describing its history, as well as interviews with Basquiat co-collaborators Rammellzee & K-Rob; as well as noted art historian, Glenn O'Brien. Off-set print on vinyl record jacket & vinyl record; published 2014. 12 x 12 inches. Very good overall condition. From a sold-out edition of 1983. Looks amazing framed. Further History: Jean-Michel Basquiat’s history with rap music...

Raymond Pettibon Up The Threshold 1992 (Raymond Pettibon zine): This visually enticing 1992 Raymond Pettibon artist book/zine includes 20+ evocative draw...

Raymond Pettibon The Major Arteries 2009 (Raymond Pettibon zine): This visually enticing 2009 Raymond Pettibon artist book/zine includes 30+ evocative dr...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...

Keith Haring Coloring Book (Artist Book of 20 Bound Offset Lithographs), 1985, 1986 Artist Book of 20 staple bound Offset Lithographs Plate signed on cover page; with publisher and a...

Ed Ruscha Ed Ruscha, Hand Signed and inscribed to Marvin Davis, former owner of 20th Century Fox, and his wife Barbara, 2000 Hardback illustrated monograph (book) with color plates. ...

Christo Wrapped Reichstag: Project for Berlin, 1994 Collage on offset lithograph with raised silver thermal paper used to wrap Reichstag, on thin velincarton 15 3/4 × 11 1/2 inches E...

Keith Haring Inflatable Baby (in original Pop Shop Box), 1985 Inflatable Vinyl Figure Authorized artist signature on outside of box. 6 × 6 9/10 × 2 1/5 inches Unframed Keith Haring’s Pop Shops were born out of the artist’s desire to make his whimsical aesthetic accessible to the widest audience possible. “I wanted it to be a place where, yes, not only collectors could come, but also kids from the Bronx,” Haring said of the Pop Shops. The street artist opened two Pop Shops—one in Manhattan in 1986 and another in Tokyo in 1987—where art, clothes, posters, other ephemera, and drawings by peers like Jean-Michel Basquiat could be purchased at affordable prices. Haring painted floor to ceiling murals at both boutiques, creating an immersive environment for visitors to browse and enjoy his beloved art. Today, Haring enthusiasts make the pilgrimage to see the original New York Pop Shop ceiling installed in the entryway of the New York Historical Society. This Keith Haring vinyl inflatable sculpture comes with the original screen printed box. This is the piece that was originally sold at Keith Haring's Pop Shop. Although the exact edition number is unknown, there were only a limited number of works created and sold by Haring in the Pop Shop - so these pieces are considered desirable collectors' items and are quite scarce - especially in such good condition with original box. Artwork shown inflated but actually comes uninflated and new in the vintage box...

Christo and Jeanne-Claude: Wrapped Reichstag, Berlin, 1971-1995, 1996 Hardback monograph with slipcase (hand signed and numbered - Hors Commerce edition, reserved for artists and contributors) Signed by Christo, Jeanne-Claude and photographer Wolfgang Volz and numbered numbered HC-694/HC-700 on the colophon. Also has an encased piece of the actual Reichstag wrapping! fabric! 12 × 12 × 1 1/2 inches Makes a memorable gift! It's hand signed and numbered - with a piece of the actual Reichstag wrapping fabric laid in. Signed by Christo, Jeanne-Claude and Wolfgang Volz and numbered numbered HC-694 on the colophon page (an Hors Commerce [not for sale] edition reserved for artists and collaborators) Original textured silver cloth with blue lettering on spine, housed in matching photo-illustrated slipcase, black lettering on spine. Contains an example of the original aluminum mesh used to wrap the Reichstag, framed in white cardboard (9 x 9") at inside back cover. Documentation of one of the startling and most stunning public art projects, representing the essence of conceptual art on a scale unmatched in the 20th century, one might say. 100 rock climbers abseiling down the facade of the Reichstag, without cranes or machinery being used in the project. This publication provides vivid documentation and a perspective of the extent of the project by the Bulgarian artist. His personal view, as expressed in The Guardian: "Artist - and above all architects - seek permanence," he said. "I don't. I like leaving nothing. That takes courage." His projects were funded mainly by selling preparatory drawings, always refusing sponsorship. Christo forbade the Three Tenors...