Landscape Prints

Katrina Revenaugh “Grande Dame” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed and tit...

"Cocktails" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 28.8" x 40" i...

"Western Art Shoe Store", Western Horse Photography, Black and White “As I walked out of my hotel room early in the morning, I was greeted by the sound of hooves hitting the ground ...

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

Serigraph on paper. Hand signed and numbered by the artist. Edition of 300. Image size 20 x 24 inches. Sheet size 26 x 30 inches. Artwork is in excellent condition. Certificate o...

Medium: Etching w/ Aquatint Year: 2033 Edition: 20 Image Size: 24 x 32 inches Rocky outcroppings off the California coastline. Werger has received over 250 awards in national and ...

Katrina Revenaugh “The Varsity Theater” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on l...

Medium: Etching with aquatint Year: 2021 Edition: 45 Image Size: 35.5 x 23.75 inches A Birds-eye view of a sea gull sailing over the California surf. Werger has received over 250 a...

Katrina Revenaugh “A Better Brew” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink, Yel...

Swim Stop – Large print by Gordon Hunt [2020] Image Size: H:60 cm x W:60 cm Complete Size of Sheet/ Unframed Work: H:70 cm x W:70 cm x D:.1cm This is the only size remaining of thi...

Evenbode Valley, Ascott-V-Wychwood by Judith Yarrow depicts a traditional Autumn scene showing a row of bare trees on the riverside. The colours are drawn from soft yellows, greens, ...

Katrina Revenaugh “C'est Libérateur” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed an...

Katrina Revenaugh “Along Came a Spider” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink...

Katrina Revenaugh “Iconic KC” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green, Pink, Yellow or Purple Edition: ...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh on a night walk though London, as blue, turquoise and browns outline Big Ben and the Parliament in the...

Katrina Revenaugh “Seaton Hall at K-State” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled o...

Katrina Revenaugh “K-State Wildcat” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on label...

Katrina Revenaugh “Anderson Hall at K-State” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled...

Katrina Revenaugh “The Granada” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on label pro...

Katrina Revenaugh “James Naismith Statue” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on...

Katrina Revenaugh “Allen Field” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on label pro...

Katrina Revenaugh “The Campanile Tower” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on l...

Katrina Revenaugh “Strong Hall” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Edition: 75 + AP Signed and titled on label provided separately C...

Katrina Revenaugh “La Vie Est Un Art” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed a...

Katrina Revenaugh “La Vie Est Belle” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed an...

Katrina Revenaugh “I Heart NY No. 5” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed an...

Katrina Revenaugh “I Heart NY No. 3” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green Edition: 75 + AP Signed an...

A Quiet Read [2014] limited_edition oil Edition number 120 Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:.1cm Sold Unframed Please note that in...

Katrina Revenaugh “Western Philosophy” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Pink, Yellow...

Katrina Revenaugh “Pomona” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Pink, Yellow or Purple E...

Katrina Revenaugh “Perfectly Plaza” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Pink, Yellow or...

Katrina Revenaugh “Hot Topic” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Cor...

Katrina Revenaugh “High Performance” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink, Y...

Katrina Revenaugh “Brave One” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink, Yellow o...

Paris Café with Eiffel Tower France Limited Edition Print of Figurative Cityscape Painting by Leading British Urban Landscape Artist, Angela Wakefield. Print measures 16 x 9.5 inch...

Katrina Revenaugh “Up Up & Away” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Pink, Yellow or Pu...

Cedar (small), 2022 Screenprint on Somerset Velvet Antique 280gsm hand-signed and numbered 47.5 x 38 cm Edition of 150 To commemorate Ai Weiwei’s gift of a tree sculpture, Cedar, 20...

Katrina Revenaugh “Broadway Bound” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Color Options: Blue, Coral, Green, Pink, Yel...

Katrina Revenaugh “Reflections of Chicago” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green, Pink, Yellow or Pur...

Katrina Revenaugh “Unified” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 18 inches, 24 x 36 inches Color Options: Blue, Coral, Green, Pink, Yellow or Purple Edition: 75...

"Malibu Pier" Photography 30" x 40" inch Edition of 5 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 28.8" x 40" ...

Tree Study III by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of...

Artist: Peter Max (1937) Title: Blue Angel With Heart Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 11.31 x 7.88 inches Condition: Excellent Ins...

Dawn rowers at Putney by Robyn Forbes [2023] Additional information: Screen print on Paper Edition of 12 40 H x 40 W x 1 D cm (15.75 x 15.75 x 0.39 in) Sold unframed Image size: H...

Damien Hirst Pegwell Bay, H13-6, from Where the Land Meets the Sea, 2023 Laminated Giclée print on aluminium composite panel 35 2/5 × 35 2/5 in 89.9 × 89.9 cm Hand-signed on the lab...

Tree Study II by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of ...

The City is an artwork realized in the 1980s by Giuseppe Aleandro.  Hand signed and numbered on the lower margin. Mixed colored screen print. Edition of 17/150 prints.

Artist: Peter Max (1937) Title: Two Sages Year: 2000 Edition: 421/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.25 x 8.25 inches Condition: Excellent Inscription...

Artist: Peter Max (1937) Title: Vase of Flowers Year: 1979 Edition: 138/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: S...

A Rare chance to get this large Artist's Proof #6 of the 6 at the best price possible and it's the final one available! the colours of the painting truly brings impact to your space!...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 105/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

The City is an artwork realized in the 1980sy by Giuseppe Aleandro Hand signed and numbered on the lower margin. Mixed colored serigraph. Edition of 16/150 prints.

Medium: etching and aquatint Edition of 100 Year: 2015 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

Lee Wells Miracle at the Midday Soirée (EOW L19) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Miracle at ...

Lee Wells Swan Song of Style (EOW Landscape 9) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the a...

Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...

The Large seascapes, although not quite a series of drawings, were perfect testing grounds for the work I wanted to do, after drawing the first linear landscapes of the early years. ...