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Orientation: Horizontal
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Westhampton /// Contemporary Thomas McKnight Screenprint Hamptons NY Modern Art
Located in Saint Augustine, FL
Artist: Thomas McKnight (American, 1941-) Title: "Westhampton" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...
Category

1980s Contemporary Landscape Prints

Materials

Screen

David Hockney 'Looking Towards Huggate' Pop Art Vintage
Located in Brooklyn, NY
This authorized David Hockney poster was produced by Salts Mill, celebrating the artist’s deep connection to his Yorkshire roots. Printed in his birthplace of Bradford, the work capt...
Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

David Hockney-Garrowby Hill Pop Art Vintage
Located in Brooklyn, NY
Hockney returned to his native Yorkshire in the 1990s and was inspired by the countryside he found there. Interpreting it through the lens of early 20th century artists such as Matis...
Category

Late 20th Century Pop Art Landscape Prints

Materials

Offset

Werner Bronkhorst - Birdie Chance
Located in London, GB
Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Andrew Wyeth, New Leaves, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Sunday on the Narragansett
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Prints and Multiples

Materials

Photographic Paper

The Great Garden, and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

1740s Modern Figurative Prints

Materials

Etching

Harbour (from School Prints) - Trevelyan Print with Boats, Figures and Sea
Located in Kingsclere, GB
Julian Trevelyan 1910-1988 Harbour (from School Prints), 1946 lithograph 49.7 x 86 cm 19 5/8 x 33 7/8 in signed in pencil Julian Trevelyan was an important British artist in the twe...
Category

Mid-20th Century Figurative Prints

Materials

Lithograph

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

Horses : Riders in Summer - Original Lithograph, HANDSIGNED & Ltd /250
Located in Paris, IDF
Serge LASSUS (1933-) Horses : Riders in Summer, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...
Category

1980s Modern Landscape Prints

Materials

Lithograph

Canaluscious
Located in London, GB
Patrick Hughes "Canaluscious" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2025. This print comes housed in a bespoke perspex disp...
Category

2010s Contemporary Landscape Prints

Materials

Archival Pigment

Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Her is the Sea, by Jos Sances
Located in Palm Springs, CA
One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...
Category

2010s Contemporary Animal Prints

Materials

Screen

Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...
Category

2010s Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Lithograph

Antique British Steamship Signed Etching
Located in Soquel, CA
Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy w...
Category

1910s English School Landscape Prints

Materials

Paper, Ink, Etching

Seascape XVIII - large format photograph of monochrome water surface
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Hand painted Diptych-A Very British Summer-Brit Awarded Artist-Limited Proof #1
Located in London, GB
The rare first proofs are hand painted on Giclee which was made on fine aluminium, each panel was hand painted and finished with original paints by artist Shizico Yi. Signed and numb...
Category

2010s Post-Impressionist Abstract Prints

Materials

Metal

Max, 4 Liberty Heads, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...
Category

Early 2000s Pop Art Figurative Prints

Materials

Offset

(tariff free*) Komposition (Röthel 201), Société internationale d'art XXe siècle
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the block and unnumbered, as issued. Catalogue raisonné references: Kandinsky, Wassily, and Hans Konrad...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Surrealist Lovers - Signed Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Surrealist Lovers, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On...
Category

20th Century Modern Landscape Prints

Materials

Color

Individual Etchings: Notre Dame de Paris
Located in Santa Monica, CA
Salvador Dali Individual Etchings: Notre Dame de Paris, Published 1969 Medium: E.A. Copper Etching on Japon Artwork Size: 20 x 25 in Framed Size: 33.75 x 28.75 in This work is...
Category

1960s Surrealist Landscape Prints

Materials

Etching

Brooklyn Bridge
Located in New York, NY
An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Japan paper. Measuring 18 x 24 1/2 in. (45.7 x 62.2 cm), unframed,...
Category

20th Century Neo-Expressionist Landscape Prints

Materials

Woodcut

The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Lithograph, Monotype

Night Shadows
By Edward Hopper
Located in Storrs, CT
Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...
Category

1920s American Modern Landscape Prints

Materials

Etching

Night Shadows
Night Shadows
$48,000 Sale Price
20% Off
(tariff free*) Sans titre (Cramer 93; Mourlot 699), XXe siècle
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, ...
Category

1970s Expressionist Landscape Prints

Materials

Lithograph

Miró (tariff free*), Bleu Il (Cramer 69; Dupin 292; Mourlot 286-294) (after)
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 9.24 x 11.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Jo...
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Hand Painted Large-Gladiolus Glorious-British Awarded Artist-Limited Edition#7
Located in London, GB
This rare X-large Limited Edition is 80% hand painted and highlighted with original paint and brushstrokes painted by artist Shizico Yi. Only 10 Limited Edition has been made, last ...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée, Oil

Minimal Triptych of Calm Costa Rica Shore, Handmade Cyanotype on Paper, Blue
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Realist Landscape Prints

Materials

Paper, Monotype

'Taos Placita' — American Southwest Regionalist Masterwork
Located in Myrtle Beach, SC
Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...
Category

1940s American Modern Landscape Prints

Materials

Woodcut

Andrew Wyeth, May Day, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Publi...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

La Piscine/The Pool at Le Trayas
Located in Brooklyn, NY
In 1983, artist David Lingwood created this stunning diptych poster, capturing the serene beauty of Le Trayas, a picturesque locale in the south of France. This two-panel composition...
Category

1980s Contemporary Landscape Prints

Materials

Offset

Cowboy TV (framed) - large photograph of iconic movie in Western landscape
Located in San Francisco, CA
Large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Archival...

"Sun Dance" Vibrant Mid Century Serigraph
By Kenneth W. Auvil
Located in Soquel, CA
Wonderful mid-century abstract serigraph by Kenneth William Auvil (American, b. 1925.) This serigraph features botanical and floral motifs in a bright color palette of yellows and or...
Category

1950s Abstract Abstract Prints

Materials

Ink, Screen, Paper

Portofino, Modern Screenprint by Biagio Civale
Located in Long Island City, NY
Biagio Civale, Italian/American (1936 - ) - Portofino, Year: 1988, Medium: Screenprint, Signed, numbered, dated, and titled in pencil, Edition: 51/150, Image Size: 16 x 20 inches...
Category

1980s Modern Landscape Prints

Materials

Screen

L'embellie, Surrealist Etching with Aquatint by Jean Solombre
Located in Long Island City, NY
Jean Solombre, French (1948 - ) - L'embellie, Year: circa 1980, Medium: Etching with Aquatint on Arches, signed, titled and numbered in pencil, Edition: 78/125, Image Size: 12.5 ...
Category

1980s Surrealist Landscape Prints

Materials

Etching, Aquatint

Jacqueline Kennedy (Jackie II) (Feldman/Schellmann II.14), Andy Warhol
Located in Fairfield, CT
Artist: Andy Warhol (1928-1987) Title: Jacqueline Kennedy (Jackie II) Year: 1966 Medium: Silkscreen in colors on wove paper Size: 24 x 30 inches Condition: Excellent Inscription: Sig...
Category

1960s Pop Art Figurative Prints

Materials

Screen

Magritte (tariff free*), Les Bijoux indiscrets (Kaplan/B. 3), XXe siècle (after)
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Paper Size: 10.5 x 14 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Kaplan, Gilbert E., and T...
Category

1970s Surrealist Figurative Prints

Materials

Lithograph

Clemente Untitled B: surreal mythical landscape, voyage with ocean, Venus, snake
Located in New York, NY
A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek urns, and snakes, printed in black o...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeu...
Category

1950s Modern Abstract Prints

Materials

Lithograph

YES - large format photograph of conceptual motivational sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...
Category

21st Century and Contemporary Conceptual Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category

1840s Realist Landscape Prints

Materials

Lithograph

'Partners' — Mid-Century Modernist Regionalism
Located in Myrtle Beach, SC
Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...
Category

1950s American Modern Landscape Prints

Materials

Lithograph

LOBSTER and OCTOPUS (KAMPF - BATTLE)
Located in Santa Monica, CA
NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...
Category

1920s Vienna Secession Animal Prints

Materials

Linocut

Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category

Mid-17th Century French School Figurative Prints

Materials

Handmade Paper, Etching

Topiary II - large format photograph of ornamental shaped sidewalk trees
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée

Blue Pacific Foamy Shorelines, Horizontal Calm Seascape, Minimal Waterscape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Foamy Shoreline" is a handmade cyanotype print portraying a smooth wave reaching the shore. Details: + Title: Pa...
Category

2010s Minimalist Landscape Paintings

Materials

Watercolor, Lithograph, Paper

Thames Warehouses
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category

1850s Impressionist Landscape Prints

Materials

Drypoint, Etching

False Start
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category

2010s Figurative Prints

Materials

Photographic Paper

Waves of Clouds, Deep Blue Cyanotype Print, Pleasant Cloudy Sky, Large Triptych
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...
Category

2010s American Realist Landscape Paintings

Materials

Lithograph, Rag Paper

The Good Life 1978 Signed Limited Edition Art Lithograph
Located in Rochester Hills, MI
Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

Bright Seascape in Capri, Nautical Cyanotype Triptych, Mediterranean Blue Waves
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Post-Impressionist Landscape Drawings and Watercolors

Materials

Lithograph, Paper

Landscape with a Mountain Lake - Original etching with aquatint
Located in Paris, IDF
Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...
Category

21st Century and Contemporary Modern Landscape Prints

Materials

Etching, Aquatint

Roy Lichtenstein- Sky and Water Pop Art Vintage
Located in Brooklyn, NY
Sky and Water by Roy Lichtenstein is a vintage blank greeting card, originally printed for the Guggenheim Museum in 1980. The card is framed in a white wood frame with a front profil...
Category

1980s Pop Art Landscape Prints

Materials

Offset

Werner Bronkhorst - Sail Away
Located in London, GB
Werner Bronkhorst Sail Away, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in...
Category

2010s Contemporary Landscape Prints

Materials

Canvas, Archival Ink, Giclée

Mediterranean Seascape, Nautical Cyanotype on Watercolor Paper, Blueprint
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...
Category

2010s Realist Landscape Photography

Materials

Emulsion, Watercolor, Rag Paper, Lithograph

Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
Located in Melbourne, Victoria
'Alexandria' A view of Pompey's Pillar with Alexandria in the background. Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of Perse...
Category

Late 17th Century Naturalistic Landscape Prints

Materials

Etching, Engraving

Marc Chagall, Vision of Paris, from Verve, Revue Artistique, 1953
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the ...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

Romantic Landscape of Scandinavian Enchanted Forest, Large Lake Print Cyanotype
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Lovely scene of a hidden pond in a Scandinavian forest. Details: + Title: Scandinavian Enchanted Forest + Year: 2024 + ...
Category

2010s Romantic Landscape Drawings and Watercolors

Materials

Photographic Film, Emulsion, Watercolor, Photographic Paper, C Print, Co...

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