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Orientation: Horizontal
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

Edgar Degas, Dancer at the Barre, 1945 (after)
Located in Southampton, NY
This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...
Category

1940s Impressionist Figurative Prints

Materials

Lithograph

Full Blue Moon, Handmade Cyanotype on Watercolor Paper, Cosmos, Deep Blue Space
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Blue Moon" shows an outstanding full moon with all its details. Details: + Title: Blue Moon + Year: 2022 + Edition Size...
Category

2010s Realist Still-life Drawings and Watercolors

Materials

Emulsion, Watercolor

Joan Miro, Blue II, from Miro 1959–1960, 1961 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Bleu II (Blue II), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition published by Pierre Matisse Gallery, New York, rendered by Daniel Jacomet, Paris, and printed by Daniel Jacomet et Cie, Paris, 1961. Bleu II embodies Miro’s exploration of pure chromatic expression and spatial rhythm, using the intensity of blue to evoke depth, movement, and poetic emotion. The composition reflects his mastery of balance between form and void, symbolizing infinite freedom and the transcendence of the imagination. Executed as a lithograph and pochoir on velin paper, this work measures 11.5 x 18.48 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Daniel Jacomet et Cie, Paris, one of France’s foremost studios specializing in pochoir and fine art printmaking. Artwork Details: Artist: After Joan Miro (1893–1983) Title: Bleu II (Blue II), from the album Miro 1959–1960 (Miro 1959–1960), 1961 Medium: Lithograph and pochoir on velin paper Dimensions: 11.5 x 18.48 inches (29.2 x 46.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Pierre Matisse Gallery, New York Renderer: Daniel Jacomet, Paris Printer: Daniel Jacomet et Cie, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 69. Dupin, Jacques, and Joan Miro. Miro Engraver 1961–1973. Rizzoli, 1989, illustration 292. Miro, Joan. Joan Miro, Lithographe II, 1953–1963. Joan Miro, Lithographe, Maeght, 1975, illustration 286–294. Condition: Well preserved, consistent with age and medium Provenance: From the album Miro 1959–1960 (Miro 1959–1960), published by Pierre Matisse Gallery, New York; rendered by Daniel Jacomet, Paris; printed by Daniel Jacomet et Cie, Paris, 1961 Notes: Excerpted from the album (translated from French), It was taken from this album: XXVIII examples with II original lithographs and an etching and VI suites, numbered from I to XXV; LXXX examples with II original lithographs and an etching, numbered from XXVI to LXXV; MCC examples, numbered from I to MCC. This album was made and presented for the exhibition of the artist's works at the Gallery Pierre Matisse, New York, October 31 - November 25, 1961. About the Publication: Miro 1959–1960 (Miro 1959–1960), published in 1961 by Pierre Matisse Gallery, New York, with pochoirs rendered by Daniel Jacomet, Paris, accompanied the landmark exhibition of Miro’s paintings and graphic works held at the Pierre Matisse Gallery from October 31 to November 25, 1961. The album captures the spirit of Miro’s late 1950s and early 1960s output—a period characterized by liberated brushwork, symbolic abstraction, and radiant chromatic experimentation. Printed by Daniel Jacomet et Cie, Paris, in collaboration with Fernand Mourlot for the original lithographs, the volume reflects the exceptional precision and artistry of French printmaking at its height. Designed to evoke the immediacy of Miro’s painted surfaces, the pochoirs and lithographs maintain a tactile richness and vibrancy that honor the original works. This publication stands among Miro’s most celebrated printed albums, marking a pivotal moment in his continued dialogue between materiality, imagination, and cosmic lyricism. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. After Joan Miro Bleu II, Miro 1959–1960, Miro Pierre Matisse Gallery, Miro Daniel Jacomet, Miro pochoir...
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

Andre Derain, The Two Hangars, 1970 (after)
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Les deux hangars (The Two Hangars), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and ...
Category

1970s Fauvist Landscape Prints

Materials

Lithograph

Marc Chagall, Sun Over the City, from XXe siecle, 1973
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Soleil sur la ville (Sun Over the City), from the album Chagall Monumental Works, Special Issue of the XXe Siecle Review...
Category

1970s Expressionist Landscape Prints

Materials

Lithograph

Pablo Picasso, 25.4.64., The Taste of Happiness, 1970 (after)
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled 25.4.64., from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchboo...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Hallelujah II, Peter Alexander
Located in Fairfield, CT
Artist: Peter Alexander (1939) Title: Hallelujah II Year: 1988 Edition: 50, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Sign...
Category

1980s Pop Art Landscape Prints

Materials

Lithograph

Landsend
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category

2010s Figurative Prints

Materials

Photographic Paper

David Hockney-Garrowby Hill Pop Art Vintage
Located in Brooklyn, NY
Hockney returned to his native Yorkshire in the 1990s and was inspired by the countryside he found there. Interpreting it through the lens of early 20th century artists such as Matis...
Category

Late 20th Century Pop Art Landscape Prints

Materials

Offset

Horses : Riders in Autumn - Original Lithograph, HANDSIGNED & Ltd /600
Located in Paris, IDF
Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....
Category

1980s Modern Landscape Prints

Materials

Lithograph

David Hockney 'Looking Towards Huggate' Pop Art Vintage
Located in Brooklyn, NY
This David Hockney poster celebrates the artist’s deep connection to his Yorkshire roots. Printed in Bradford, it features a sweeping view toward Huggate, a village nestled in the ro...
Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

Sunday on the Narragansett
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Prints and Multiples

Materials

Photographic Paper

Elwood W. Bartlett, Wisconsin Farm, about 1945, mid-century wood engraving
Located in New York, NY
Elwood Warren Bartlett is a Wisconsin native who also worked in Indiana. Largely self taught as a printmaker, Bartlett worked in a style that once identified as his, immediately t...
Category

1940s American Modern Landscape Prints

Materials

Woodcut

A Bay with Cliffs (Detail)
Located in Brooklyn, NY
Poster created for the exhibition The Lens of Impressionism, held at the Dallas Museum of Art in 1997. The image features a detail from Gustave Courbet’s A Bay with Cliffs, highlight...
Category

1990s Impressionist Landscape Prints

Materials

Offset

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeu...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Hand-Painted Limited Edition-Magic Bell & Blue Rose-British Awarded Artist
Located in London, GB
This set of two are hand painted limited edition on Giclee, made of the best quality of aluminium and 80% of the painting is hand painted and finishing with original paints and hand ...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Metal

Making Camp
Located in Columbia, MO
Thomas Hart Benton (American, 1889 - 1975) was a painter, muralist, and printmaker whose sinuous, rhythmic style came to define the Regionalist movement. His paintings and lithograph...
Category

20th Century American Modern Landscape Prints

Materials

Lithograph

Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...
Category

2010s Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Lithograph

Seascape XVIII - large format photograph of monochrome water surface
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Her is the Sea, by Jos Sances
Located in Palm Springs, CA
One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...
Category

2010s Contemporary Animal Prints

Materials

Screen

Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Lithograph, Monotype

A Los Toros Avec Picasso (Set of Three in Black Frames)
Located in Washington, DC
Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...
Category

1960s Animal Prints

Materials

Lithograph

Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Seascape XVI - large format photograph of monochrome water surface and clouds
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Night Shadows
By Edward Hopper
Located in Storrs, CT
Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...
Category

1920s American Modern Landscape Prints

Materials

Etching

Night Shadows
Night Shadows
$48,000 Sale Price
20% Off
The Great Garden, and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

1740s Modern Figurative Prints

Materials

Etching

'Partners' — Mid-Century Modernist Regionalism
Located in Myrtle Beach, SC
Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...
Category

1950s American Modern Landscape Prints

Materials

Lithograph

Antique British Steamship Signed Etching
Located in Soquel, CA
Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy w...
Category

1910s English School Landscape Prints

Materials

Paper, Ink, Etching

False Start
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category

2010s Figurative Prints

Materials

Photographic Paper

STILL LIFE - Reptiles - Signed Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Still life with reptiles, 2008 Facsimile after the original woodcut from 1943 Signed in the plate Numbered / 450 copies (the number you can see can be differ...
Category

20th Century Modern Landscape Prints

Materials

Color

Hand Painted Large-Gladiolus Glorious-British Awarded Artist-Limited Edition#7
Located in London, GB
This rare X-large Limited Edition is 80% hand painted and highlighted with original paint and brushstrokes painted by artist Shizico Yi. Only 10 Limited Edition has been made, last ...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée, Oil

Landscape with a Mountain Lake - Original etching with aquatint
Located in Paris, IDF
Louise Bourgeois (1911-2010) Landscape with a Mountain Lake Original etching with aquatint Unsigned On vellum 60.5 × 73.5 cm (c. 24 x 29 in) Authenticated with the blind stamp of C...
Category

21st Century and Contemporary Modern Landscape Prints

Materials

Etching, Aquatint

Werner Bronkhorst - Birdie Chance
Located in London, GB
Werner Bronkhorst, Birdie Chance, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over F...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

La Piscine/The Pool at Le Trayas
Located in Brooklyn, NY
In 1983, artist David Lingwood created this stunning diptych poster, capturing the serene beauty of Le Trayas, a picturesque locale in the south of France. This two-panel composition...
Category

1980s Contemporary Landscape Prints

Materials

Offset

Cowboy TV (framed) - large photograph of iconic movie in Western landscape
Located in San Francisco, CA
Large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Archival...

Wassily Kandinsky, Komposition, from XXe siecle, 1939
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Komposition (Composition), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Laz...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Pastel Landscape: Impressionist Trees, Hand Drawn Lithograph, Monet Style
Located in Union City, NJ
Pastel Landscape: Impressionist Trees is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the American artis...
Category

1980s Impressionist Landscape Prints

Materials

Lithograph

LOBSTER and OCTOPUS (KAMPF - BATTLE)
Located in Santa Monica, CA
NORBERTINE VON BRESSLERN-ROTH (1891 1978) KAMPF (BATTLE - LOBSTER and OCTOPUS) c. 1928 Color linoleum cut Signed in pencil. Image 8 5/8 x 8 11/16” In excellent condition and full ...
Category

1920s Vienna Secession Animal Prints

Materials

Linocut

Red Jet - iconic vintage private jet plane on desert airport tarmac (26 x 40")
Located in San Francisco, CA
Large format photograph of iconic cherry red vintage private airplane on airport runway tarmac in the California desert - available in two edition s...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

The Good Life 1978 Signed Limited Edition Art Lithograph
Located in Rochester Hills, MI
Artist Mati (Abdul) Klarwein Title: The Good Life Year: 1978 Print - Lithograph Paper Size 23" x 23½" inches Edition: signed in pencil and marked 3/300 Hand embellished by the artis...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

YES - large format photograph of conceptual motivational sign at night
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...
Category

21st Century and Contemporary Conceptual Color Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Andrew Wyeth, New Leaves, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s quiet observation of nature and the passage of time. New Leaves captures the delicate stir of spring renewal—the subtle emergence of life in the landscape—rendered with Wyeth’s hallmark balance of precision, restraint, and emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal archive to embody the poetic rhythm of the changing seasons. Each composition reveals Wyeth’s mastery of atmosphere, mood, and the quiet intensity of natural experience. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: New Leaves, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Topiary II - large format photograph of ornamental shaped sidewalk trees
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Photographic Paper, Archival Pigment, Archival Paper, Giclée

Max, 4 Liberty Heads, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...
Category

Early 2000s Pop Art Figurative Prints

Materials

Offset

Joan Miro, The Three Blues, from Derriere le miroir, 1951
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Les Trois Bleus (The Three Blues), from the folio Derriere le miroir, Sur Quatre Murs (Behind the Mirror, On Four Walls), N...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

Waves of Clouds, Deep Blue Cyanotype Print, Pleasant Cloudy Sky, Large Triptych
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...
Category

2010s American Realist Landscape Paintings

Materials

Lithograph, Rag Paper

The Twin Rocks of Capri; I Faraglioni a Capri
Located in Middletown, NY
London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...
Category

Late 19th Century English School Landscape Prints

Materials

Engraving, Photogravure

Approuve' par l'artiste
Located in Belgrade, MT
This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition. Roger Bezombes a print maker born in Paris ...
Category

Mid-20th Century Abstract Expressionist Landscape Prints

Materials

Lithograph

Marc Chagall, Vision of Paris, from Verve, Revue Artistique, 1953
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the ...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

Spring in Brittany (FRAMED + 10% OFF U.S. SHIPPING) (Provence, Landscapes)
Located in Kansas City, MO
Ella Fort Spring in Brittany (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...
Category

1980s Contemporary Prints and Multiples

Materials

Lithograph

Clemente Untitled B: surreal mythical landscape, voyage with ocean, Venus, snake
Located in New York, NY
A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek urns, and snakes, printed in black o...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph

Gillian Ayres - Star Spangled
Located in London, GB
Gillian Ayres Star Spangled, 2010 Sugar-lift aquatint and etching with carborundum printed in colours, extensively hand-coloured in acrylic paint, on BFK Rives wove paper, with full ...
Category

2010s Abstract Abstract Prints

Materials

Etching, Aquatint

Harbour with a Round Tower
Located in Middletown, NY
1641. Etching on cream wove paper, 5 1/16 x 7 11/16 inches (128 x 195 mm), narrow margins. Printed 19th century on a remainder which has a partially trimmed, printed image of a Virgi...
Category

Mid-17th Century French School Figurative Prints

Materials

Handmade Paper, Etching

The Old City of Jerusalem
Located in Surfside, FL
Pencil signed artists proof lithograph or serigraph. Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and cartoonist. A Holocau...
Category

20th Century Modern Landscape Prints

Materials

Lithograph

Andrew Wyeth, May Day, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled May Day, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition embodies Wyeth’s lyrical study of springtime renewal and human connection to the land. May Day captures a tender seasonal moment—nature reawakening beneath soft light—rendered with Wyeth’s quiet precision and emotional restraint that elevate the ordinary into the timeless. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and private collection to express the cyclical harmony between nature and spirit. Each image reflects Wyeth’s devotion to atmosphere and the fragile poetry of the passing year. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: May Day, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Boats in the Harbour of Antibes, France
By Nicolas de Stael (after)
Located in Brooklyn, NY
This 1986 reproduction presents Nicolas de Staël’s Boats in the Harbour, a composition originally painted in 1955 during the artist’s celebrated Antibes period. In this late body of ...
Category

1950s Impressionist Landscape Prints

Materials

Offset

Blue Pacific Foamy Shorelines, Horizontal Calm Seascape, Minimal Waterscape
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Pacific Foamy Shoreline" is a handmade cyanotype print portraying a smooth wave reaching the shore. Details: + Title: Pa...
Category

2010s Minimalist Landscape Paintings

Materials

Watercolor, Lithograph, Paper

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