Horizontal Landscape Prints

This is an original hand-colored 17th century map of Belgium by Nicolaus (Nicolas) Visscher II entitled "Belgium Foederatum emendate auctum et novissime editum", published in Amsterdam in 1678. The map shows the seven provinces comprising the Belgium federation or the Republic of the Seven United Netherlands or the Dutch Republic as it was also known. The republic was formed when an alliance of seven Dutch provinces in the Spanish Netherlands revolted against rule by Spain in 1579 (the Union of Utrecht) and declared their independence in 1581 (the Act of Abjuration). The seven provinces were Groningen, Frisia, Overijssel, Guelders, Utrecht, Holland and Zeeland. This was a predecessor state to the Netherlands and the first fully independent Dutch nation state. Amsterdam, Delft, Rouen, Utrecht, Brugge, Ghent, and Antwerp are all included on the map. A small inset map in the lower right depicts the course of the Maas River from Maastricht to Wessem. There is a decorative cartouche in the upper left corner and a distance scale cartouche in the lower right corner. The map is presented in an attractive antiqued medium brown-colored wood frame with gold-colored inner and outer trim and a light tan-colored fabric mat. The frame measures 26.63" high by 30" wide by 0.75" deep. There is some darkening of the red areas in the map, presumably related to oxidation of the original iron containing pigment over time. There are also a few scattered spots. The map is otherwise in very good condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...

Paris Café with Eiffel Tower France Limited Edition Print of Figurative Cityscape Painting by Leading British Urban Landscape Artist, Angela Wakefield. Print measures 16 x 9.5 inch...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé M...

Urbain HUCHET Paris : Obelisk at Champs Elysees , c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Ex...

Urbain HUCHET Paris : Lovers near Notre Dame, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 17 cm (c. 6 x 7 in) Excell...

18 3/4" x 24 1/2" Unframed Digital and Screenprint with Blind Embossing Hand Signed by Ronnie Wood

This limited edition seascape print by S.C. Aldo captures an abstracted coastal scene overlooking water from a sandy shore, with greenery lining part of the horizon and a sailboat sa...

This artwork titled "Burgtheater, Vienna" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The p...

highly detailed panoramic photograph of pilot's view of airport runway Runway (2006) by Frank Schott 22 x 40 inches (56 x 102cm) signed edition of 25 48 x 87 inches (122 x 221cm...

Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...

Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...

Lithograph in colors on vélin de Rives BFK à la forme paper. Paper Size: 9.84 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Alice...

This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...

David Feinstein's Negro District, Brooklyn, a lithograph of 1936-39, is a marvel. It's a construction of every detail the artist could think of to show the nature of the locale: The ...

Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di Roma" An early impression with strong contrasts Before the price and the addition of numbers in the later states. A view of Michelangelo's done from behind the Piazza, redesigned in 1547 Condition: Excellent Plate size: 15 3/4 x 24 3/4 inches Reference: Robison 5 a/g Hind 5 i/VII Focillon 54.789 Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...

Popular Festival is an original artwork realized by Serge Mendjisky in the 1970s. Mixed colored lithograph. Hand-signed by the artist on lower right. Numbered on lower left. Editio...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the sun rising over a snow-laden town and a procession heading towards a castle. Signed in Kanji lower rig...

The Whales Back. 1925. Etching. Giardina catalog 95 stateiii. Image: 6 1/2 x 12 (sheet 10 x 16). Trial proof, prior to the edition of 90. Illustrated in Fine Prints of the Year, 1927. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'imp' (imprimit) in pencil, indicating a proof printed Eby. The scene is probably Westport or Cos Cob, Connecticut. The scene is probably Westport or Cos Cob, Connecticut. Kerr Eby...

Lost Shadow by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1990 Screenprint, signed and numbered in pencil Edition of EA 55 Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...

Artist: Ralph Fasanella, American (1914 - 1997) Title: May Day Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 250 Size: 31 in. x 43 in. (78.74 cm x 109.22 cm)

New England Coast (Greenport, New York) Lithograph, 1969 Signed in pencil lower right (see photo) Edition: 350 Published in the book, Stow Wengenroth's New York, 1969 Limited slipcas...

La Chasse aux Canards is a black and white etching realized by Charles Émile Jacque (French, 1813–1894) in 1870s. Titled in the lower. Image size: 30.5cmx16cm. Very Good condition...

This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find th...

Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Villa Ludovisi- Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Artist: Christo, Title: Running Fences yellow Series: Running Fences Date: 1976 Medium: Offset Lithograph Dimensions: 25.25" x 39.5" Signature: Signed Edition: 1000

Lithograph on paper. Hand signed, numbered and dated by the artist. Image size 12 x 16 inches. Sheet size 16 x 20 inches. From the edition of 100. Artwork is in excellent conditi...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of the banks of Kanagawa, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige (Japanese, 1797-1858) and printed circa 1946 by Gihachiro Okuyama (1907-1981). An exceptionally crisp image with fresh color, printed on traditional Washi paper and showing delicate bokashi gradation of sumi ink in the foreground, horizon and upper sky. Sheet Dimensions: 10.25 H x 15.25 W inches. Travelers pass through a section of the Kanagawa post station, dominated by a variety of shops, each with views looking out over the water. A number are tea houses, outside of which stand waitresses inviting travelers inside. On the water we see several small fishing boats, as well as larger shipping vessels...

'Durham Cathedral' Wood-engraving after Samuel Read. From 'The Illustrated London News'. Samuel Read was an English illustrator who provided many illust...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Stretched. Artwork is in excellent condition. Certificate o...

Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil

View of Ruin of Chnubis is a print realized by Giuseppe Pera in the late 19th century. Etching on paper. Signed on the plate. Good conditions with foxing.

Medium: Mezzotint Year: 2023 Edition: 25 Image Size: 9.25 x 6.25 inches Art Werger’s prints show a keen observation of quiet and normally unnoticed moments. Pedestrians passing each...

Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

This limited edition print by S. Cora Aldo depicts an impressionistic ocean view. Sand-colored tones extend from the bottom of the composition and fade to a muted blue, with strokes ...

Artist: Georges Schreiber, Belgian/American (1904 - 1977) Title: Going Home Year: circa 1945 Medium: Lithograph, signed and titled in pencil Image Size: 9.25 x 13.25 inches Size: 12 ...

These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Cloud Forest...

Ira Moskowitz, 'Navajo Courtship Dance (Squaw Dance)', lithograph, 1946, edition 30, Czestochowski 161. Signed and titled in pencil. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/16 to 2 3/4 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 13/16 x 14 13/16 inches (300 x 376 mm); sheet size 13 1/16 x 20 1/8 inches (332 x 511 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of...

Venice is an Etching realized by Gian Paolo Berto in 1974. Hand signed, dated, and numbered by the artist with pencil on the lower right corner. Edition of 50. Good condition. Gia...

Original Harley-Davidson Daytona Poster - Iconic Motorcycle Brand Artwork for Enthusiasts. Archival linen backed and ready to frame. The poster from the 1980s was created by the ...

This is an enigmatic image. Between the two center/left trees there appears to be a figure, possibly a woman. At the right, seated on a rock, is a man, in robes. Religious images are...

This is a limited edition print from a painting by Heine Hartwig (1937- ) depicting a Native American encampment in a meadow at the base of majestic moun...

Prise de la Ville Pamfili is an artwork realized by Auguste Marie Raffet in the 1852. Etching on paper. Signed on plate on the left margin. Belongs to the series "Souvenir d'Italie...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

3rd State Watermark: Gekrontes Wappen. Similar to: Paschal Lamb on Shield, Ash & Fletcher no 29 B’a, dating this sheet to about 1651.

Artist: Peter Max (1937) Title: Tree with Sailboat Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 2.75 x 3.125 inches Condition: Excellent I...

All available sizes & editions for each size of this photograph: 21” x 26” Edition of 7 + 2 Artist Proofs 32” x 40" Edition of 7 + 2 Artist Proofs 44” x 55” Edition of 10 + 2 Artist ...

Artist biography: Simon Tozer is an award winning printmaker based in Bristol. Simon Tozer's screen prints are constructed images, built up through the layering of translucent colour...

Samuel Alken Coursing Scene Watercolour on green-grey wove paper Probably a contemporary copy of a rabbiting plate Bears signature to bottom left 25 x 42 cm Samuel Alken Jr. (178...

This is a first edition exhibition poster titled Andalusia Rose, created by John Woodrow Kelley for the prestigious Lincoln Center Poster Program in 1990. The poster is a limited edi...

KIYOSHI SAITO (Japanese 1907 - 1997) DAITIKUJI KYOTO, 1957 Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre. This area is home to a wide variety of vineyards a...