Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Ed Ruscha
Cash For Tools 2

2014

About the Item

TECHNICAL INFORMATION: Ed Ruscha Cash For Tools 2, from Rusty Signs 2014 Mixograph on handmade paper 24 x 24 in. Edition of 50 Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a white shadow box frame that shows all the margins of the work. ABOUT THE WORK: Cash For Tools 2 is part of the Rusty Signs, a series in which Ruscha uses words, that he considers as neglected and forgotten signs from neglected and forgotten landscapes. These Rusty Signs are reproduced in uncanny detail that blurs the line between the fictitious and the real. This artwork, as well as the whole series, is further expression of a consistent theme that runs throughout his work: the passage of time. We are confronted with the physical effect of time upon them, a blunt reminder of its inescapability, even on steel. Once again filtered through the language of common American objects, these prints appear to be rusted signs that read DEAD END, CASH FOR TOOLS, and FOR SALE 17 ACRES. Ruscha has chosen to produce multiple variations of these signs, giving the impression that they have been weathered by time in varying ways, as if they came from different locations or were subjected to a different set of circumstances. For example there are two versions of Cash For Tools and this Cash For Tools 2 is more ruined and consumed than Cash For Tools 1. Some have gunshots and some are missing sections, while others appear to have acquired thick layers of rust and grime. In this way, each piece of the series seems to contain an independent story, their histories having literally formed their present state. The Rusty Signs series also marks a transformation of some of Ruscha’s aesthetic concerns; having painted and photographed signs and signage throughout his career, works such as Cash For Tools 2 signify the first time in which he is not merely representing the image of the sign, but actually recreating the sign itself. We no longer see a fictionalized representation but we actually see the sign itself, and its physicality is a part of its essence. At the same time, having been removed from context, they still share the sense of disconnection that permeates in many of his depictions of signs. ABOUT THIS ARTIST: Edward Ruscha has remained an important figure in American art since the early 1960's when his artwork first came to the fore as part of the West Coast Pop Art movement. Since that time, he has continued to develop his signature style, which combines words and images on the same visual field. By doing so, visual and verbal means of communication coexist and create a sense of friction. The words conjure mental images that do not necessarily describe what the eye actually sees in the painting. A painter, printmaker, and filmmaker, Edward Ruscha was born in Omaha, Nebraska, in 1937, and lived some 15 years in Oklahoma City before moving permanently to Los Angeles where he studied at the Chouinard Art Institute from 1956 through 1960. By the early sixties he was well known for his paintings, collages, and printmaking, and for his association with the Ferus Gallery group, which also included artists Robert Irwin, Edward Moses, Ken Price, and Edward Kienholz. He later achieved recognition for his paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. 

Ruscha has a talent for making the banal seem significant. He often reduces his subject to the minimum amount of detail needed for identification. Places and structures are often depicted as shadows. Ruscha is interested in language, and how that language can describe but not depict space. Words have been present in many of Ruscha's paintings, often occupying the whole canvas. What they say is always clear. but what they mean is more ambiguous. A major retrospective of Ruscha’s career opened at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. in June 2000 and traveled to the Museum of Contemporary Art, Chicago, The Miami Art Museum, and the Modern Art Museum of Ft. Worth, TX. In 2001 Ruscha was elected to The American Academy of Arts and Letters as a member of the Department of Art. Ruscha's work has been exhibited internationally for three decades and is represented in major museum collections. Among his other public commissions are a mural commissioned for the Miami-Dade Public Library, Miami, Florida (1985 and 1989); and for the Great Hall of the Denver Central Library, Colorado (1994-95). Ruscha is represented in Los Angeles by Gagosian Gallery and in New York by Leo Castelli Gallery. In 2004, The Whitney Museum of American Art exhibited an Ed Ruscha drawing retrospective, Cotton Puffs, Q-tips®, Smoke and Mirrors: The Drawings of Ed Ruscha.    At the invitation of the U.S Department of State, four distinguished American museums recommended noted American artist Ed Ruscha to represent the United States at the 2005 Venice Biennale. The group consisted of the directors and curatorial representatives of the Solomon R. Guggenheim Museum, the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution, the San Francisco Museum of Modern Art and the Whitney Museum of American Art. Mr. Ruscha nominated Linda Norden, the Associate Curator of Contemporary Art at the Fogg Art Museum of Harvard University, to serve as curator of his exhibition. The U.S. Department of State approved these recommendations.
  • Creator:
    Ed Ruscha (1937, American)
  • Creation Year:
    2014
  • Dimensions:
    Height: 27 in (68.58 cm)Width: 27 in (68.58 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This work is in excellent condition.
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU53831683483

More From This Seller

View All
Sunset 3, from Sunrise Sunset Portfolio
By Alex Katz
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunset 3, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 39 x 70 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Twilight, from Sunrise Sunset Portfolio
By Alex Katz
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Twilight, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 40 x 88 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunset 2, from Sunrise Sunset Portfolio
By Alex Katz
Located in Miami, FL
Technical Information Alex Katz Sunset 2, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 42 x 46 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunset 1, from Sunrise Sunset Portfolio
By Alex Katz
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunset 1, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 E...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunrise, from Sunrise Sunset Portfolio
By Alex Katz
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunrise, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 in...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Hollywood Fruit-Metrecal
By Ed Ruscha
Located in Miami, FL
TECHNICAL INFORMATION: Ed Ruscha Hollywood Fruit-Metrecal 1971 Silkscreen with grape and apricot jam and Metrecal 15 x 42 in. Artist’s Proof (one of 18 artist’s proofs, apart from t...
Category

1970s Pop Art Landscape Prints

Materials

Mixed Media, Screen

You May Also Like

Presentation print for Royal Mail Christmas Stamp Series (Signed) British artist
By Andy Goldsworthy
Located in New York, NY
Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...
Category

Early 2000s Contemporary Abstract Prints

Materials

Handmade Paper, Photogravure, Mixed Media, Pencil

Winter Moon 4
Located in Deddington, GB
Winter Moon 4 By Sarah Brooks [2022] limited_edition Mixed media Edition number 40 Image size: H:29.7 cm x W:42.5 cm Complete Size of Unframed Work: ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Mixed Media

The Most Precious Gold, Katie Edwards, Contemporary art,
By Katie Edwards
Located in Deddington, GB
The Most Precious by Katie Edwards Limited edition print hand signed by the artist Original Silkscreen print with hand painted layers Mounted Size: H 40.5cm x W 50.8cm Please note that in situ images are purely an indication of how a piece may look. The most precious gold is a title inspired by the quote ‘Sunrise is the most precious gold on earth’. The sunsetting behind the mountains is a glorious sight. Katie Edwards artist works are available with Wychwood Art online to buy and in our art gallery. Katie Edwards produces conceptual illustrations for a wide range of clients from weekly editorials to large and prestigious ad campaigns. Screen prints for sale by Katie Edwards focusing on conceptual ideas, symbolism and metaphors. The innovative juxtaposition of elements often result in a surreal, humorous or thought-provoking image. Art has been a big part of Katie Edwards life and education, right through to graduating from Leeds Metropolitan University in Graphic Arts and Design with a First Class Honours. Working in London for five years as an artist and graphic illustrator, moving to Canada for two years and undertaking commissions’ for clients including Delta Airlines and Converse Shoes...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Mixed Media, Screen

Tower Bridge
By Laura Jordan
Located in Deddington, GB
Laura Jordan art works are available to buy online or in our contemporary art gallery in Oxfordshire. We offer Laura Jordan original artworks and limited ed...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Mixed Media, Watercolor, Archival Paper, Pencil

NoWizardBehindTheCurtain (pattern, abstract, blues, organic, chine colle)
By Karin Bruckner
Located in New York, NY
Mixed Media Paper Composite Fused on and behind BFK Rives Printmaking Paper Acrylic, Oil Paint with Sumi Ink Painting and Drawing on Glassine Sheet, Overlaid with Mylar, Ink Lines a...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Sumi Ink, Mixed Media, Oil

ARoomWithAView (pattern, abstract landscape, neutrals, organic, chine colle)
By Karin Bruckner
Located in New York, NY
Mixed Media Paper Composite Fused on and behind BFK Rives Printmaking Paper Acrylic, Oil Paint with Sumi Ink Painting and Drawing on Glassine Sheet, Overlaid with Mylar, Ink Lines a...
Category

2010s Contemporary Landscape Prints

Materials

Paper, Sumi Ink, Mixed Media, Oil

Recently Viewed

View All