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Emil NoldeImportant German Expressionist Etching Hamburg, Reiherstiegdock 1910 Emil Nolde1910
1910
$18,500
£13,961.44
€15,983.74
CA$26,091.13
A$28,644.81
CHF 14,944.06
MX$346,642.09
NOK 187,300.58
SEK 176,486.39
DKK 119,314.35
About the Item
Highly important German Expressionist etching by Emil Nolde (1867-1956), Hamburg, Reiherstiegdock, 1910.
This is a very rare signed and titled etching of Hamburg, Reiherstiegdock, is signed & titled in Nolde's hand, this is a first state image Etching, as recorded by Schiefler and Mosel.
The etching has just been reframed in a high quality hardwood frame with acid free archival materials and UV museum glass. Condition is excellent, the image is strong, no creasing, fading or condition issues, this very rare original work by Emil Nolde is ready to hang on your wall & is accompanied with a certificate of authenticity.
Over the course of his career, Nolde made some five hundred prints in a consistently experimental manner during short periods of sustained activity. He learned the woodcut technique from the young artists of Brücke (Bridge), a group he joined briefly, working in a decidedly painterly fashion by brushing compositions onto woodblocks before carving them. The simplification and direct impact of his imagery are indebted to his study of tribal art.
In etching, breaking with picturesque conventions of the late-nineteenth century, Nolde created irregular tonal passages through unusual applications of acid to his printing plates, and formed bold masses of tangled lines and textures by scratching with a variety of tools. In his Hamburg Harbor series, he turned an industrial hub into a timeless metaphor for man's impact on nature, all through the mysterious effects of his etching process. In lithography his interpretations of a young couple are neither abstract nor fully articulated. As his organically shaped figures merge with an indeterminate landscape, they embody Nolde's fluid and intuitive technique as much as the psychological tensions between the sexes.
All of Nolde's innovations in printmaking were carefully documented by the artist in an archive that was, tragically, destroyed when his Berlin studio was bombed in 1944. This event followed the confiscation of more than one thousand of his works from German museums during the Nazi purge of "degenerate" art.
- Creator:Emil Nolde (1867-1956, German)
- Creation Year:1910
- Dimensions:Height: 22.75 in (57.79 cm)Width: 26.75 in (67.95 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Condition is excellent, the work is signed & titled by the artist and is framed with archival, acid free museum materials.
- Gallery Location:Portland, OR
- Reference Number:Seller: BB-93341stDibs: LU1366211750202
Emil Nolde
Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals. Emil Nolde’s etchings reach far beyond the traditional printmaking of the early 20th century. He created rich tonal and textural areas through unusual applications of acid to his etching plates, masses of undulating, interwoven lines, and scratching with a variety of tools. He taught his inventive techniques to other Die Brucke artists.
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