Jean-Emile Laboureur

Maisons au Bord de la Mer

1936

Jean-Emile Laboureur (1877-1943), L’Auberge du Bord de L’Eau (Petite Planche), engraving, 1924, signed in pencil lower left, numbered lower right ((41/60), and titled in pencil by th...

Jean-Emile Laboureur (1877-1943), Les Deux Chaumieres, 1927-28, etching and engraving, signed in pencil lower left and numbered lower right. Laboureur 356, second state (of 4). One o...

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Jean-Emile Laboureur (1877-1943), Le Chemin de la Foret, etching and engraving, 1926, signed in pencil lower left and inscribed epreuve d’artiste lower right. Reference: Laboureur 32...

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on thin board, unframed size: 9.75 x 13 inches condition: very good and read...

Houses is a drawing realized by Lacones Lestnille  in the Mid-20th Century. Ink and watercolor on paper. Good conditions with slight foxing. The artwork is realized through deft e...

The Village is a print on paper realized by Xavier de Damanche in the late 19th Century. Etching on paper Good conditions with slight foxing and cutting