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John Taylor Arms
Sunlight on Stone; Caudebec-en-Caux

1931

About the Item

Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressions of the second state (of 2), printed in 1931. [Fletcher 241 II; French Church Series No. 31]. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize, Society of American Etchers, 1931; the Carle Blenner Best Entry Prize, New Haven Paint and Clay Club, 1950; and the Best Print, Annual Exhibition, Arts and Crafts Association, Meridan, Connecticut, 1952. Paper: Arms was typical of the artists of this period: he was obsessed with paper, a mania for collecting paper that could/would improve an edition. The quantity he left after his death, distributed by his wife to fellow artists, witnesses his love for finely made paper -paper interesting because of texture, color, distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung, The Reformed Church, Middletown, Dauphin County, Pennsylvania, 1708, bought in a bookshop in Philadelphia. His early prints, 1915-1919, evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy, still bearing the estampe of the office or department; others carry penned ink page numbers, taken from old ledgers of the Eighteenth Century-all beautiful shades of grey, blue and green, handmade, ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum, giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England, France, Italy and the United States. – William Dolan Fletcher, A Man For All Times, p. 15.

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