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John Taylor Arms
Sunlight on Stone; Caudebec-en-Caux

1931

$2,000
£1,521.54
€1,779.15
CA$2,797.09
A$3,142.21
CHF 1,672.25
MX$38,854.66
NOK 20,376.55
SEK 19,701.20
DKK 13,270.78
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About the Item

Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressions of the second state (of 2), printed in 1931. [Fletcher 241 II; French Church Series No. 31]. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize, Society of American Etchers, 1931; the Carle Blenner Best Entry Prize, New Haven Paint and Clay Club, 1950; and the Best Print, Annual Exhibition, Arts and Crafts Association, Meridan, Connecticut, 1952. Paper: Arms was typical of the artists of this period: he was obsessed with paper, a mania for collecting paper that could/would improve an edition. The quantity he left after his death, distributed by his wife to fellow artists, witnesses his love for finely made paper -paper interesting because of texture, color, distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung, The Reformed Church, Middletown, Dauphin County, Pennsylvania, 1708, bought in a bookshop in Philadelphia. His early prints, 1915-1919, evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy, still bearing the estampe of the office or department; others carry penned ink page numbers, taken from old ledgers of the Eighteenth Century-all beautiful shades of grey, blue and green, handmade, ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum, giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England, France, Italy and the United States. – William Dolan Fletcher, A Man For All Times, p. 15.

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From the Ponte Vecchio, Florence
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Fiesole, an Ancient Tower
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Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category

Early 20th Century American Modern Landscape Prints

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Notre Dame du Val, Provins / Thibaut
By John Taylor Arms
Located in Middletown, NY
Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...
Category

Mid-20th Century American Modern Landscape Prints

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Somewhere in France
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...
Category

Mid-20th Century American Modern Landscape Prints

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Street in Porto Maurizio
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
Category

1920s American Modern Landscape Prints

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Corbel on Gate House, Stokesay Castle, Shropshire Corbel
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Located in Middletown, NY
Etching on cream wove paper, 3 3/16 x 1 9/16 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin, and with an inscription and dedication in t...
Category

Mid-20th Century American Modern Landscape Prints

Materials

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