Items Similar to Duomo (Florence)
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Julian TrevelyanDuomo (Florence)1965-66
1965-66
About the Item
Duomo (Florence)
Etching & aquatint , 1965-66
Signed, titled and annotated "artist's proof" (see photos)
Edition: 100, this impression an artist's proof
Reference: Silvie Turner. Julian Trevelyan Catalogue Raisonne of Prints.November 1, 2010. Reprint, Lund Humphries, 2010., No. 174
Provenance: Elizabeth Carrol Shearer, former President of the Print Club of Cleveland
He moved to Paris to become an artist, enrolling at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso.
In 1935, Trevelyan bought Durham Wharf, beside the River Thames in Hammersmith, London. This became his home and studio for the rest of his life and was a source of artistic inspiration to him. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, held at the New Burlington Galleries in London.
From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art.
From 1955-63, Trevelyan worked at the Royal College of Art and became Head of the Etching Department. Because of his enthusiasm in his work and the desire to share it with others, Trevelyan became a highly influential teacher, with students including David Hockney, Ron Kitaj and Norman Ackroyd. He was an important leader of modern print techniques and today is regarded as a silent driving force behind the etching revolution of the 1960s.
In 1969, he produced the Thames Suite, a collection of 12 views of the Thames from its upper reaches in Oxford and Henley-on-Thames down to the tidal stretches of London and the Estuary.
Courtesy of Wikipedia
Illustrated: Julian Trevelyan: Picture Language, 2013, Publisher: Lund Humphries, page 208
Note: Trevelyan did an oil painting of the same subject in 1965.
Regarding Elizabeth Carroll Shearer:
Elizabeth was a graduate of Swarthmore College, a noted print collector, past President and Treasurer of the Print Club of Cleveland, and active in DAR, Colonial Dames and Magna Carta Dames.
- Creator:Julian Trevelyan (1910 - 1988, British)
- Creation Year:1965-66
- Dimensions:Height: 13.82 in (35.11 cm)Width: 18.75 in (47.63 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA102781stDibs: LU14013526042
Julian Trevelyan
Julian Trevelyan was an important British artist in the twentieth century. The only child of Robert Calverley Trevelyan and his wife Elizabeth van der Hoeven, his grandfather was the liberal politician Sir George Otto Trevelyan and his uncle was the historian George Macaulay Trevelyan. Trevelyan was educated at Bedales School and Trinity College, Cambridge, where he read English Literature. He moved to Paris to become an artist and enrolled at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned about etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso. In 1935, Trevelyan bought Durham Wharf, a group of warehouses beside the River Thames in Hammersmith, London. The place became his home and studio for the rest of his life as well as a source of endless artistic inspiration. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, which was held at the New Burlington Galleries in London. Trevelyan married Ursula Darwin, daughter of Bernard Darwin and great-granddaughter of Charles Darwin, but their marriage was dissolved in 1950. Their son is the film-maker Philip Trevelyan. It was in 1951 that he married the woman who became his most renowned collaborator and muse, Mary Fedden. From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art. Between 1955 and 1963 he was tutor of engraving at the Royal College of Art, before rising to Head of the etchings department and becoming influential to many younger printmakers, including David Hockney and Norman Ackroyd. In July 1986, Trevelyan was awarded a senior fellowship at the Royal College of Art and in September 1987 he was appointed a Royal Academician. A Trevelyan retrospective, The Artist and His World, was held at Pallant House Gallery, Chichester in 2018. His son has written a monograph on Trevelyan, 'Picture Language', published in 2013 by Lund Humphries.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
784 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Akron, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLooking Back
By Joel Stewart
Located in Fairlawn, OH
Looking Back
Etching with hand coloring by the artist, 1994
Signed, dated, and numbered in pencil lower left (see photo)
Edition: 67 (49/67) (see photo)
References And Exhibitions:
Franco & Verne, Quiet Elegance: Japan Through the Eyes of Nine American Artists, 1997. Illustrated pg. 61. Cited as a “great print” by Stewart pg. 53.
Note: An important print by the artist
Joel Stewart
Biography
Museum Collections:
•
Los Angeles County Museum of Art, Los Angeles, California, USA
Cleveland Museum of Art, Cleveland, Ohio, USA.
Portland Art Museum, Portland, Oregon, USA
Library of Congress, Washington D.C., USA
Allen Memorial Art Museum, Oberlin, Ohio, USA
Hoehn Family Galleries, University of San Diego, USA
Group Exhibitions:
2020
The Terminal, Kyoto, “Kyoen”
2019
Rijksmuseum, Amsterdam, “Long Live Rembrandt”
Alt Space POST Gallery, Kyoto, “The Echo Of Songs”
2018
Hakuhou-Doh Gallery, Kyoto, Japan – “Ki Ni Naru”
CWAJ Print Show, Tokyo, Japan
2017
Kyoto Municipal Museum Of Art – “Kyoten 2017”
CWAJ Print Show, Tokyo, Japan
2016
CWAJ Print Show, Tokyo, Japan
2015
CWAJ Print Show, Tokyo, Japan – 60th Annual Exhibition
2014
Kyoto Municipal Museum Of Art – “Kyoten 2014”
The Kura, Kyoto, Japan – Collaborative Paintings With The Mangold Collection
2012
CWAJ Print Show, Tokyo, Japan – 56th Annual Exhibition
2011
CWAJ Print Show, Tokyo, Japan – 55th Annual Exhibition
2008
Phoenix Art Museum, Arizona, USA, “Making Waves – Contemporary Japanese Prints”
2007
Library Of Congress, Washington D.C., USA – “On The Cutting Edge: Contemporary Japanese Prints”
2006
Portland Art Museum, Oregon, USA – “Mahaffey Fine Art: 14 Years, 14 Artists”
LA County Museum Of Art, California, USA – “Modern Japanese Prints: Etchings”
CWAJ Print Show, Tokyo, Japan – 50th Annual Exhibition
2005
CWAJ Print Show, Tokyo, Japan – 49th Annual Exhibition
2004
CWAJ Print Show, Tokyo, Japan – 48th Annual Exhibition
2003
CWAJ Print Show, Tokyo, Japan – 47th Annual Exhibition
2002
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
2001
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
2000
Cleveland Museum Of Art, Ohio, USA, “East Meets West: Modern Japanese Prints”
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1999
Tolman Collection Gallery, Tokyo, Japan – “Miyabi”
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1998
Anne Reed Gallery, Ketchum, Indiana, USA, “One Common Denominator”
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1997
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1996
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1995
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1994
Kawaguchi Bijutsu Gallery, Kyoto, Japan – “Prints By Painters”
1993
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1992
Kato Gallery, Tokyo, Japan – Spring Show
1990
CWAJ Print Show, Tokyo, Japan – 46th Annual Exhibition
1987
Cydney Payton Gallery, Denver, Colorado, USA – Group Exhibition
Osaka Modern Art Center, Osaka, Japan – Biennale
1986
Voice Gallery, Kyoto, Japan – 3 Man Show
1983
Tacoma Art Museum, Tacoma, Washington, USA, Biennial Show
1983
Bellevue Art Museum, Bellevue, Washington, USA, Biennial Show
One Person Exhibitions:
2020
Alt Space POST, Kyoto, Japan, “Floating Screens”, Pop-Up Installation
2019
Hasu Projects, Kyoto, Japan, “Gojo Rakuen”, Pop-Up Installation
2017
Hakuhou-Doh Gallery
Hakuhou-Doh Gallery, Kyoto, Japan, “Fractured Fairy Tales, A New Print Series”
2015
Hakuhou-Doh Gallery
2013
Nishi Bijutsu Gallery
2011
Azuma Gallery, Seattle, Washington, USA ,“Recent Works”
2010
Fushimi Souko, Kyoto, Japan , “Crossroads: A Folding Screen Installation”
2005
Azuma Gallery, Seattle, Washington, USA , “Recent Works”
2004
Kato Gallery, Tokyo, Japan
2002
Kato Gallery, Tokyo, Japan
Azuma Gallery Seattle, Washington, USA
2001
Keihan Art Salon, Osaka, Japan
2000
Azuma Gallery, Seattle Washington, USA, “New Works”
Ren Brown...
Category
1990s Contemporary Prints and Multiples
Materials
Etching
untitled (Fishing Boats, Normandy)
By Kamesuke Hiraga
Located in Fairlawn, OH
untitled (Fishing Boats, Normandy)
Soft Ground Etching, 1930
Signed and dated in pencil by the artist
Sealed by the artist
Annotated "Paris"
Possibly a view of a fishing port in Norm...
Category
1930s French School Landscape Prints
Materials
Etching
The Great Church, Nashville
By Louis Oscar Griffith
Located in Fairlawn, OH
The Great Church, Nashville
Etching & aquatint, c. 1936
Signed in pencil lower right
A very rare trial proof
Annotated "2" lower left corner recto
Three total impressions in the esta...
Category
1930s American Realist Landscape Prints
Materials
Etching
Bad Gastein Church, Austria
By Luigi Kasimir
Located in Fairlawn, OH
Bad Gastein Church, Austria
Soft ground etching & aquatint, c. 1930
Signed in pencil by the artist (see photo)
Image: 18 1/2 x 13 3/4"
Condition: Very good...
Category
1930s Realist Landscape Prints
Materials
Etching
Arch of the Pont Neuf, Paris
By Sir Frank Brangwyn
Located in Fairlawn, OH
Arch of the Pont Neuf, Paris
Etching on heavy wove paper, 1923
Signed in pencil lower right (see photo)
From: Brangwyn Portfolio (12 original etchings and thr...
Category
1920s Post-Impressionist Landscape Prints
Materials
Etching
Survivor
By Ray H. French
Located in Fairlawn, OH
Signed , dated and titled in pencil by the artist
Artist proof from the second printing by Jon Clemens
Annotated "To Jon from Ray"
Category
1980s Abstract Landscape Prints
Materials
Etching
You May Also Like
Handcolored Etching - Monte Carlo, Monaco, Europe
By Cuca Romley
Located in Los Angeles, CA
Etching
Edition 143/175
Last 2 left, new, not preowned
Video attached
This is a series of original etchings from respected European artist Cuca Romley. Ms Romley is 91 years and cur...
Category
1990s Contemporary Landscape Prints
Materials
Etching
Rowboat
By Alex Katz
Located in New York, NY
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning of his career. This print of a boat on the water feat...
Category
1990s Contemporary Landscape Prints
Materials
Aquatint
$10,000
New Year's Eve
By Alex Katz
Located in New York, NY
Catalogue raisonné 00594
edition 16/43
Published by Simmelink-Sukimoto Editions
Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...
Category
1990s Contemporary Landscape Prints
Materials
Aquatint
Fish Triptych - XX century, Figurative Etching Aquatint Print, small edition 7/X
By Andrzej Juchniewicz
Located in Salzburg, AT
The graphic is already framed.
About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category
1990s Contemporary Landscape Prints
Materials
Paper, Etching, Aquatint
Palm Tree w/ Column (black and white TP)
By David Smith-Harrison
Located in Palm Springs, CA
Final trial proof before edition for the black and white version of this print. Signed, titled and numbered by the artist.
Smith-Harrision's work very often features architectural elements, along with trees. This is a uniqued trial proof from the edition that is sold out.
David Smith-Harrison studied at Utah State University and served as studio assistant to Adrian Van Stuchelen and Moishe Smith. In 1983 he traveled in Europe and studied at the Art and Design Faculty of South Glamorgan Institute in Cardiff, Wales. Before leaving for Europe, Smith-Harrison began an intense professional association as a studio assistant to artist Trevor Southey.
Smith-Harrison’s imagery is distinctive for its meticulous and studied execution and rigorous, demanding craftsmanship. The results are generally rich in subtle articulations and poetic spirit. His work is located in private collection in Japan, Taiwan, Republic of China, Spain and the United States.
COLLECTIONS:
The Fine Arts Museums of San Francisco, Achenbach Foundation for the Graphic Arts, SF, CA
Long Beach Museum of Art, Long Beach, CA
Springville Museum of Art, Springville, UT
Tama Art University Museum, Tokyo, Japan
Utah State University, Logan, UT
Brigham Young University
Southwest Texas State University, San Marcos, TX
Cadence Corporation, San Jose, CA
Cooper and Lybrand, St. Louis. MO
George Lucas, Lucasfilms Ltd., San Raphel, CA
Michael Richards...
Category
1980s Contemporary Landscape Prints
Materials
Etching, Aquatint
$600 Sale Price
20% Off
Venice - Etching by Gianpaolo Berto - 1974
By Gianpaolo Berto
Located in Roma, IT
Venice is an original Etching realized by Gian Paolo Berto in 1974.
Hand signed, sated and numbered by the artist with pencil on the lower right corner. Edition of 50.
Good conditi...
Category
1970s Contemporary Landscape Prints
Materials
Etching