Items Similar to Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne1884
1884
About the Item
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching of the port of Bordeaux in winter.
- Creation Year:1884
- Dimensions:Height: 10 in (25.4 cm)Width: 15 in (38.1 cm)
- Medium:
- After:Maxime Lalanne (1827 - 1886, French)
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 18151stDibs: LU117329799752
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
281 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllUlysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Mid-19th Century Romantic Landscape Prints
Materials
Engraving, Etching
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Landscape Prints
Materials
Etching
Venice: 18th Century View of the Basilica of S. Pietro di Castello by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...
Category
Early 18th Century Landscape Prints
Materials
Etching
Venice: 18th Century View of the Grand Canal by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal in Venice entitled "Veduta del Canal Grande dirimpetto la Pescaria di Rialto" by Domenico Lovisa, first published in 1720 in ...
Category
Early 18th Century Landscape Prints
Materials
Etching
Venice: An 18th Century Etched View of the Grand Canal & Rialto Bridge by Lovisa
By Domenico Lovisa
Located in Alamo, CA
This is an early 18th century etching of the Grand Canal and Rialto Bridge in Venice entitled "Altra Veduta del Ponte di Rialto" by Domenico Lovisa, f...
Category
Early 18th Century Landscape Prints
Materials
Etching
The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray.
This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C.
François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century.
Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
Category
Mid-19th Century Landscape Prints
Materials
Etching
You May Also Like
04: A Frigate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Landscape Prints
Materials
Etching
Operation Sail, Statue of Liberty
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American, b.1933
Title: Operation Sail
Year: 1986
Medium: Color etching
Image size: 17.5 x 24.75 inches.
Sheet size: 22.25 x 30 nches.
Paper: Tiepolo Fabriano
Signature: Hand signed in pencil by the artist
Edition: Numbered 5/10 H.C in pencil
Condition: Excellent, has never been framed
Cuca Romley is in her eighties, and currently based in Spain after spending decades in New York City. She was trained at The École Nationale Supérieure des Beaux-Arts (ENSBA), a distinguished National School of Fine Arts in Paris, France.
The artist won several noted awards for her art in her native Spain, and in Paris, France. She worked as an artist and also had a career in advertising, illustration and interior design, in Spain, France and New York. As an artist, she has had solo and group exhibitions first Paris, France, Monaco, Japan, Spain and the US.
Cuca Romley’s etchings of both famous and little places around the world are depicted with a remarkable attention to detail, a style that belies her sophisticated sense of line and color. These etchings capture a bygone era of a city in flux, and a snap shot of a classic image of a place. Each plate is etched with patience and a thoroughness reminiscence of the earlier days of engraving, in exquisite and fine detail.
Romley creates her intricate design on the etching ground that covers the copper plate. After the acid has etched the lines into the copper plate she engraves the details into the plate with a burin until the image is completed. For each individual print, a master printer must ink the plate and wipe the surface clean. The plate is placed on the bed of the press and the previously wet paper 100% cotton Tiepolo Fabriano covering the plate, is passed through the press, and that completes the printing process.
After the printing ink has dried for a couple of days, the etching is ready for the hand coloring by the artist. There are often more than 30 colors in one of Romley’s images. Each print can take up to 6 hours to color; these colors impart a subtle transparent effect that compliments the delicacy of the line.
2016 Group Show - Guild Hall, East Hampton, N.Y., USA
2013-16 Barcelona Design Gallery, Barcelona, Spain
2010 Group Show - Elaine Benson Gallery, Bridgehampton, N.Y., USA
Group Show - Guild Hall, East Hampton, N.Y., USA
Group Show - Gallery International Naive Art, N.Y., USA
2009 Group Show - Gallery International Naive Art, N.Y., USA
2008 Group Show - Gallery International Naive Art, N.Y., USA
Group Show - Guild Hall, East Hampton, N.Y., USA
Group Show - The Winter Tree Gallery, Sag Harbor, N.Y., USA
Gina Gallery, New York, N.Y., USA
Guild Hall, East Hampton, N.Y., USA
2007 The Cordova Gallery, Greenport, N.Y., USA
2006 One Person Show - JP Morgan Chase, New York, N.Y., USA
The Winter Tree Gallery, Sag Harbor, N.Y., USA
2005 One Person Show - JP Morgan Chase, New York, N.Y., USA
The Winter Tree Gallery, Sag Harbor, N.Y., USA
2004 One Person Show - JP Morgan Chase, New York, N.Y., USA
2003 One Person Show - JP Morgan Chase, New York, N.Y., USA
One Person Show - Galerie Select, East Hampton, N.Y., USA
Group Show - Frank F. Miele Gallery, New York, N.Y., USA
2002 Group Show - Eugenia Cucalon Gallery, New York, N.Y., USA
2001 One Person Show - New York Institute of Technology, New York, N.Y., USA
One Person Show - Frank F. Miele Gallery, New York, N.Y., USA
2000 One Person Show - Galerie Select, East Hampton, N.Y., USA
1999 One Person Show - Galerie Select, East Hampton, N.Y., USA
1998 One Person Show - Galerie Select, East Hampton, N.Y., USA
1997 One Person Show - Galerie Select, East Hampton, N.Y., USA
1995 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA
1993 Expansion of Furniture and Jewelry Lines
1992 One Person Show - The Winter Tree Gallery, New York, N.Y., USA
1991 One Person Show - Tamames Gallery, Madrid, SPAIN
1990 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA
1989 One Person Show - Wenniger Graphics, Boston, Massachusetts, USA
Group Show - Wenniger Graphics, Boston, Massachusetts, USA
One Person Show - Beaux Arts International Gallery, Toronto, CANADA
1988 One Person Show Fontana Gallery, Tokyo, JAPAN
One Person Show - The Winter Tree Gallery, New York, N.Y., USA
1987 One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA
1986 One Person Show - Collector's Guild, Short Hills, New Jersey, USA
One Person Show - Sharon Park Gallery, San Francisco, California, USA
One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA
1985 Group Show - "New York Hispanic Expressions", City Hall, New York, N.Y., USA
One Person Show - De Vecchis Gallery, Philadelphia, Pennsylvania, USA
One Person Show - The Lessing Gallery, New York, N.Y., USA
1984 One Person Show - Art Works Gallery, State College, Boalsburg, Pennsylvania, USA
One Person Show - JoAnn Perse Gallery, Little Rock, Arkansas, USA
1983 One Person Show - The Hyatt Gallery, Nice, FRANCE
Group Show - Neville Gallery, Toronto, CANADA
One Person Show - Jo Ann Perse Gallery, St. Louis, Missouri, USA
Group Show - The Winter Tree Gallery, New York, N.Y., USA
1979-82 Exclusive representation by Bowles/Hopkins, San Francisco, California, USA
1981 Design Gates and Furniture for the Winter Tree Gallery, New York, N.Y., USA
1979 First Prize, National Arts Club Competition, New York, N.Y., USA
1977 One Person Show - Bryant Public Library, Roslyn, New York, USA
1976 One Person Show - Cordoba Gallery...
Category
Late 20th Century Other Art Style Landscape Prints
Materials
Etching
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category
1820s American Realist Landscape Prints
Materials
Paper, Printer's Ink, Etching
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Londres (London)
By Maximilien Luce
Located in New York, NY
Pencil signed by both Luce and Jacques Villon (Villon etched the image) and numbered 120/200 in pencil, lower margin. Published by Galerie Bernheim-Jeune, Paris.
Catalogue Raisonne:...
Category
1920s Pointillist Landscape Prints
Materials
Etching, Aquatint, Color
$3,900
Branches Blue, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print is part of a small series of works to investigate the use of layering, colour blends and texture in screen print to elicit an ethereal, eerie and potentially dizzying sens...
Category
2010s Contemporary Landscape Prints
Materials
Drypoint, Etching