Menashe Kadishman

Teal and Red Palm Trees, Landscape Print by Menashe Kadishman

1979

Artist: Menashe Kadishman, Israeli (1932 – 2015) Title:Green Palm Year: 1979 Medium: Screenprint, signed in pencil Edition: WP (Working Proof) Size: 30.5 x ...

Artist: Menashe Kadishman, Israeli (1932 – 2015) Title: Pink Palm Year: 1979 Medium: Screenprint, signed in pencil Edition: WP (Working Proof) Size: 30.5 x ...

Artist: Menashe Kadishman, Israeli (1932 – 2015) Title: Brown Palm Year: 1979 Medium: Screenprint, signed in pencil Edition: WP (Working Proof) Size: 30.5 x 21.5 inches

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Tree in Tree (Red and Orange) Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 125 Size: 41 x 30...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

This is a Three colour screen print which includes two metallic inks. The print captures the wild nature of palm tree leaves. Limited edition of 40. It's 40 x 40 cm. Artwork printed ...

Street Palm by Howard Hodgkin, 1990-91 Additional information: Medium: intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand-colouring in vermillion red egg tempera 160 x 137 cm 63 x 54 in signed with initials, numbered and dated Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...

A majestic palm stands tall amidst a tangle of tropical plants in this ethereal landscape painting by Peter Hoffer. The palm is set against a turquoise s...