Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Paul Sandby
Conway, Wales. Paul Sandby C18th landscape engraving

1778

$95
£72.01
€84.08
CA$133.07
A$149.79
CHF 79.26
MX$1,857.98
NOK 979.16
SEK 936.48
DKK 627.29
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

'Conway' Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by George Kearsley. Paul Sandby was an important English landscape watercolourist. Accompanied by original descriptive text. 160mm By 205mm (platemark) 220mm by 265mm (sheet)
  • Creator:
    Paul Sandby (1731 - 1809, English)
  • Creation Year:
    1778
  • Dimensions:
    Height: 8.67 in (22 cm)Width: 10.44 in (26.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Couple of very faint marks in margins outside the platemark.
  • Gallery Location:
    Melbourne, AU
  • Reference Number:
    1stDibs: LU124426913892

More From This Seller

View All
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

You May Also Like

“Fjärden” (Expansive Archipelago Landscape)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Fjärden” (Expansive Archipelago Landscape) Signed "Oskar Bergman" in pencil Drypoint etching image size: 17.5 x 25 cm (6 7/8 x 9 7...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden) “Skogskanten” (Winter Landscape with Spruce Trees) signed "Oskar Bergman" in pencil drypoint etching image size: 19.5 x 29.5 cm (7 ...
Category

1910s Naturalistic Landscape Prints

Materials

Paper, Drypoint, Etching

Fever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category

Late 17th Century Naturalistic Landscape Prints

Materials

Engraving

An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category

1760s Naturalistic Animal Prints

Materials

Engraving

"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category

Late 17th Century Naturalistic Landscape Prints

Materials

Engraving

A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category

1760s Naturalistic Animal Prints

Materials

Engraving