1920s Landscape Prints
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Period: 1920s
Kevin B. O'Callahan, Crags
Located in New York, NY
A Rochester, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial s...
Category
Aesthetic Movement 1920s Landscape Prints
Materials
Woodcut
Nautical Festival | Fête nautique - France Nautical Dufy & Villon Collab
By Raoul Dufy
Located in London, GB
RAOUL DUFY 1877-1953
Le Havre 1877-1953 Forcalquier (French)
and
JACQUES VILLON 1875-1963
(Gaston Duchamp)
Damville 1875 - 1963 Paris (French)
Tit...
Category
1920s Landscape Prints
Materials
Aquatint
Pair French Chateau Landscape Signed by Artist Lithograph c1920
Located in FR
Pair of Landscape with Chateau signed by artist Lithograph
These have their own frame of the time slightly distressed and glorious
Good vintage condition
Category
Aesthetic Movement 1920s Landscape Prints
Materials
Lithograph
Le Corbusier's Villa Savoye 1929 – Original Swiss Vintage Exhibition Poster
Located in Zurich, CH
Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's famous – and revolutionary – Villa Savoye, c...
Category
Modern 1920s Landscape Prints
Materials
Paper
The Trawler
Located in Storrs, CT
The Trawler. 1926. Etching. Hurst 176. 9 7/8 x 13 7/8 (sheet 11 3/8 x 15 3/4). Edition 75, #71. Mat line outside the image; otherwise excellent condition.A fine impression with plate tone, printed on antique cream laid paper. Signed and numbered in ink. Housed in a 16 x 20-inch archival mat, suitable for framing.
In 1899 Briscoe acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
Modern 1920s Landscape Prints
Materials
Drypoint, Etching
Kevin B. O'Callahan, Alabaster
Located in New York, NY
A Rochester, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial s...
Category
Aesthetic Movement 1920s Landscape Prints
Materials
Woodcut
Map of Vallombrosa - Florence 1926
Located in Roma, IT
This Map of Vallombrosa is a vintage offset print realized by an anonymous author in 1926.
The state of preservation of the artwork is aged with some small diffused stains and the a...
Category
Modern 1920s Landscape Prints
Materials
Color
Le Ferveur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Ferveur, etching, engraving, roulette, drypoint, 1928, signed in pencil lower left, numbered lower right, and annotated “imp.” Reference: Laboure...
Category
Realist 1920s Landscape Prints
Materials
Etching, Engraving
Rue des Rats, Modernist Lithograph by Stuart Davis 1928
By Stuart Davis
Located in Long Island City, NY
A modernist lithograph by American artist Stuart Davis. In this cityscape of Paris he begins to show his inclinations towards Cubism, with the slightly skewed perspective and the fla...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
Black and White Etching -- Rodez
Located in Troy, NY
This detailed etching depicts Notre Dame in France. The foreground shows an alleyway, with cracking and peeling buildings, plants climbing the walls, and a shifting stone road. Each ...
Category
Realist 1920s Landscape Prints
Materials
Etching, Paper
Villa sul Mare - Lithograph by Giorgio De Chirico
Located in Roma, IT
"Villa sul mare" is a rare original lithograph realized by Giorgio de Chirico in 1929. It comes from the Suite "Metamorphosis". It is hand signed and numbered. This is an edition of ...
Category
Surrealist 1920s Landscape Prints
Materials
Lithograph
Landscape - Pouchoir by Leonardo Brunelleschi - 1920
Located in Roma, IT
Landscape is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi.
The State of preservation is very good.
The artwork represents the scenery of a lonely house...
Category
1920s Landscape Prints
Materials
Paper
Venice - Pouchoir by Leonardo Brunelleschi - 1920
Located in Roma, IT
Venice is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi.
The State of preservation is very good.
The artwork represents the scenery in Venice next to the c...
Category
1920s Landscape Prints
Materials
Paper
House in the Woods
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Chemin de la Foret, etching and engraving, 1926, signed in pencil lower left and inscribed epreuve d’artiste lower right. Reference: Laboureur 32...
Category
Modern 1920s Landscape Prints
Materials
Etching, Engraving
Pair French Chateau Landscape (1) Signed by Artist Lithographs c1920
Located in FR
Pair of Landscape with Chateau (1) signed by artist Lithograph c1920
These have their own frame of the time slightly distressed and glorious
Good vintage condition
Category
Aesthetic Movement 1920s Landscape Prints
Materials
Lithograph
Moulin de la Naze - Original lithograph, (K. de Walterskirchen #181)
Located in Paris, FR
Maurice de VLAMINCK
Moulin de la Naze
Original lithograph
Printed signature in the plate
On Chine paper 27.5 x 36.5 cm (c. 10.6 x 14.2 in)
Blind stamp of the editor
REFERENCES :
-...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Misty Morning.
Located in Storrs, CT
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 5/8 x 18 1/16). Edition 100, #86. A rich impression with drypoint burr. Printed with ...
Category
Modern 1920s Landscape Prints
Materials
Drypoint, Etching
L’Auberge du Bord de L’Eau (Petite Planche)
Located in New York, NY
Jean-Emile Laboureur (1877-1943), L’Auberge du Bord de L’Eau (Petite Planche), engraving, 1924, signed in pencil lower left, numbered lower right ((41/60), and titled in pencil by th...
Category
Modern 1920s Landscape Prints
Materials
Engraving
543 Hub of the World Etching
By Anton Schutz
Located in New York, NY
Schutz, Anton (1894-1977).
543 Hub of the World.
Published in New York, 1927.
Original etching. Signed in pencil.
Sheet size: 19 x 13 5/8 in.
Plate size: 13 7/8 x 10 5/8 in.
Category
1920s Landscape Prints
Materials
Paper
Triumph der Salome - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Triumph der Salome is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
City of Rouen - Lithograph on Paper by Othon Friesz - 1923
Located in Roma, IT
City of Rouen is an original lithograph realized in the 1923 by Othon Friesz.
The State of preservation is very good.
Passepartout included: 35 x 31.5 cm.
The artwork represents a...
Category
1920s Landscape Prints
Materials
Lithograph
Landscape - Pouchoir by Leonardo Brunelleschi - 1920
Located in Roma, IT
Landscape is an original pouchoir artwork realized in 1920 by Leonardo Brunelleschi.
The State of preservation is very good.
The artwork represents the scenery of a road trip by ca...
Category
Modern 1920s Landscape Prints
Materials
Paper
Hungerford Bridge, London
By Kerr Eby
Located in Myrtle Beach, SC
Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed.
Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925.
Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art.
ABOUT THE ARTIST
Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper.
After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques.
In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions.
With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...
Category
Impressionist 1920s Landscape Prints
Materials
Etching
New Fish Market - NEW YORK
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926)
NEW FISH MARKET - (NEW YORK) 1921 (W 797)
Etching, Signed in pencil, edition probably 50. 9 7/8 x 6 7/8 inches. Full sheet, ...
Category
American Impressionist 1920s Landscape Prints
Materials
Etching
Wonderground Map of London by MacDonald 'Max' Gill c. 1924 original poster
Located in London, GB
To see our other original vintage posters and views of London (including original paintings), scroll down to "More from this Seller" and below it click on "See all from this Seller" ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Original French vintage poster Guano de Poisson Francais
Located in Spokane, WA
Original vintage French antique poster, Guano de Poisson Francais. A beautiful stone lithograph that has a monogram signature of the artist. Year; 1925. A French advertisement for fish guano that is produced in 18 different factory locations. (Affiche publicitaire...
Category
Naturalistic 1920s Landscape Prints
Materials
Lithograph
Landscape - Original Woodcut by Mino Maccari - 1925
By Mino Maccari
Located in Roma, IT
Landscape is an original xilography artwork realized by Mino Maccari in 1925 ca. Hand-signed on the lower left
Included a white Passepartout: 37 x 52
The state of preservation is v...
Category
1920s Landscape Prints
Materials
Woodcut
'Le Petit Bay, St. Malo' — 1920s British Impressionism
Located in Myrtle Beach, SC
Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Monotype
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
American Modern 1920s Landscape Prints
Materials
Drypoint, Etching
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Tribute to Cezanne : The Bathers - Original wooodcut, Handsigned
By Paul Vera
Located in Paris, FR
Paul VERA
Tribute to Cezanne : The Bathers, 1928
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blin...
Category
Art Deco 1920s Landscape Prints
Materials
Woodcut
"Etretat, " Giclee Print on Paper after c. 1920s Litho Poster by Andre Galland
Located in Milwaukee, WI
"Etretat" is a giclee print on paper after Andre Galland's c. 1920s original lithograph poster. Etretat is a coastal city in Normandy, France. This travel poster showed what to expec...
Category
Modern 1920s Landscape Prints
Materials
Giclée, Paper
The Old Trees (Art Deco) - Original wooodcut, Handsigned
Located in Paris, FR
Charles Picart le Doux
The Old Trees (Art Deco), 1925
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the edito...
Category
Art Deco 1920s Landscape Prints
Materials
Woodcut
Manhattan Bridge
By George Stimmel
Located in Myrtle Beach, SC
'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...
Category
American Realist 1920s Landscape Prints
Materials
Etching
Mexican Orchestra (joy of the people is captured in this celebratory festival)
Located in New Orleans, LA
"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
Mozart - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Mozart is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a portfolio ...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Salome Tanzt - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Salome Tanzt is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Brittany : Boats at the Harbour - Original wooodcut, Handsigned
Located in Paris, FR
René Quillivic
Brittany : Boats at the Harbour, 1923
Original woodcut
Handsigned in pencil
Numbered /154
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears...
Category
Modern 1920s Landscape Prints
Materials
Woodcut
Requiem - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Mit Reinen Händen is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
La colline de Sainte Anne - Original Etching by Dunoyer de Segonzac - 1925
Located in Roma, IT
Image dimensions: 13 x 18 cm.
Etching on ivory colored paper.
Etching on ivory colored paper, with two embossing stamps: "Libreria Prandi Reggio E." in lower-right corner,"H. Peti...
Category
Modern 1920s Landscape Prints
Materials
Etching, Drypoint
Crab Boats, Southampton Water /// Impressionist British Seascape Ship Maritime
By Aileen Mary Elliot
Located in Saint Augustine, FL
Artist: Aileen Mary Elliot (English, 1896-1966)
Title: "Crab Boats, Southampton Water"
*Signed by Elliot in pencil lower right
Circa: 1925
Medium: Original Drypoint Etching on laid p...
Category
Impressionist 1920s Landscape Prints
Materials
Drypoint, Etching, Laid Paper, Intaglio
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building)
Located in Storrs, CT
Royal Insurance Building of Canada. (Royal Globe Insurance Company Building) 1927. Drypoint. 12 x 6 1/2 (sheet 17 1/2 x 10 1/2). A rich impression with selective plate tone printed in black/brown ink on cream wove paper. Signed in pencil. Housed in a 20 x 16-inch archival mat, suitable for framing.
Rosenberg's first published print of 1927 was a drypoint of the Royal Insurance Building of Canada in New York. From his personal journal, we know that it was executed on January 18th in London and that 108 proofs were printed on 'modern' paper and signed.
The alternate name of the building is the Royal Globe Insurance Company Building. It is located in the financial district of Manhattan, 150 William Street to Gold...
Category
American Modern 1920s Landscape Prints
Materials
Drypoint
Marina in Burrasca - Original Etching by Carlo Carrà - 1924
By Carlo Carrà
Located in Roma, IT
Marina in Burrasca is a splendid etching realized by Carlo Carrà (1881- 1966) in 1924.
Hand-signed, titled and qualified as an artist proof (Prova d'artista) on the lower margin by ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Erfüllung - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Erfüllung is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a portfol...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Still Life with a Pipe and a Pichet - Original wooodcut, Handsigned
Located in Paris, FR
Demetrios Galanis
Still Life with a Pipe and a Pichet, 1926
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the...
Category
Modern 1920s Landscape Prints
Materials
Woodcut
Fall Der Engel - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Rosenwalzer - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Rosenwalzer is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Hand colored Etching - Souk a’ Gabes Tunisia
Located in San Francisco, CA
This exceptional hand colored etching and aquatint is by the noted Parisian artist William Adolphe Lambrecht (1876-1940). The print depicts the Souk, or market in Gabes, Tunisia. It ...
Category
Romantic 1920s Landscape Prints
Materials
Aquatint, Etching
David - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
David is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a portfolio o...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Potiphar - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Potiphar is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a po...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Here They Come !
Located in New York, NY
This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
American Impressionist 1920s Landscape Prints
Materials
Drypoint
The Blacksmith's House - Handsigned Etching, Limited / 150
Located in Paris, FR
Jean-Emile LABOUREUR
The Blacksmith's House
Original etching
Handsigned
Limited edition to 150 copies
On vellum Van Gelder 27.5 x 30.5 cm
Authenticated by the dry stamp of the editor Marcel Guiot (Paris)
REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #391
The etching is part of the set 'Cahier de...
Category
Modern 1920s Landscape Prints
Materials
Etching
The Road with Pine Trees - Handsigned Etching, Limited /150
Located in Paris, FR
Jean-Emile LABOUREUR
The Road with Pine Trees
Original etching
Handsigned in pencil
Numbered / 150 (here n° 89)
On vellum Van Gelder vellum 27.5 x 30.5 cm
Authenticated by the dry stamp of the editor Marcel Guiot (Paris)
REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #390
The etching is part of the set 'Cahier de...
Category
Modern 1920s Landscape Prints
Materials
Etching
Le Moulin de La Naze - lithograph by M. de Vlaminck - 1925-26
Located in Roma, IT
Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right ma...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Lithograph
"Under the Street Lamp" Imp. Etching
By Martin Lewis
Located in Houston, TX
Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame.
Dimensions without Frame: H 15 in x W 9.5 in.
Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...
Category
Naturalistic 1920s Landscape Prints
Materials
Laid Paper, Etching
The Anchor
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
Modern 1920s Landscape Prints
Materials
Drypoint, Etching
"The Caissons Go Rolling Along".
By Kerr Eby
Located in Storrs, CT
"The Caissons Go Rolling Along". 1929. Etching and sandpaper ground. Giardina 145. 17 3/8 x 9 1/2 (sheet 18 3/4 x 11 1/2). Edition 90. Slight mat line, otherwise find condition. A ri...
Category
American Modern 1920s Landscape Prints
Materials
Drypoint, Etching
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