1920s Landscape Prints
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Period: 1920s
Landscape - Original Woodcut by Mino Maccari - 1925
By Mino Maccari
Located in Roma, IT
Landscape is an original xilography artwork realized by Mino Maccari in 1925 ca. Hand-signed on the lower left
Included a white Passepartout: 37 x 52
The state of preservation is v...
Category
1920s Landscape Prints
Materials
Woodcut
Requiem - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Mit Reinen Händen is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Fall Der Engel - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, ...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Vintage Drypoint - Rialto Bridge, Venice
Located in Houston, TX
Small but finely detailed drypoint etching of a lovely scene from the Rialto Bridge in Venice, circa 1930. Titled lower right. Blind stamp lower left.
...
Category
1920s Landscape Prints
Materials
Paper, Ink
Grand Central, Night
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
American Impressionist 1920s Landscape Prints
Materials
Drypoint
Edmond Céria - Paris, Quais de Orfèvres - Original Etching
By Edmond Céria
Located in Collonge Bellerive, Geneve, CH
Charles Martin - The Eiffel Tower - Original Lithograph
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Pari...
Category
Modern 1920s Landscape Prints
Materials
Etching
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Located in Collonge Bellerive, Geneve, CH
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
Chas LABORDE
Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine.
He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”.
In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor.
In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...
Category
Modern 1920s Landscape Prints
Materials
Etching
The Anchor
Located in Storrs, CT
The Anchor. 1930. Etching. Hurst catalog 268 state ii. 7 x 6 3/4 (sheet 10 3/4 x 7 5/8). Edition 275. A rich impression with plate tone printed on antique 'GR' laid paper with a hunting horn countermark. As published in J. Lauer's volume, A complete catalogue of the Etchings and Drypoints of Arthur Briscoe. One spot in the right-hand sheet; otherwise in excellent condition. Signed in ink Housed in a 16 x 20-inch archival mat, suitable for framing.
The Roaring Forties is the name given to strong westerly winds found in the Southern Hemisphere, generally in the areas between the latitudes of 40 and 50 degrees south in the Southern Hemisphere, where the prevailing winds blow persistently from the west. The roaring forties have strong, often gale-force, winds throughout the year. They were named by the sailors who first entered these latitudes. Norman Wilkinson also etched the subject.
In 1899 he acquired a studio in Malden, Essex, and bought a 3 ton cutter which, with his young family, he would spend eight or nine months a year, sailing to Calais, along the Belgian coast and through the Dutch waterways, constantly sketching and painting in both oil and watercolor.
In 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity...
Category
Modern 1920s Landscape Prints
Materials
Drypoint, Etching
Jungfubahn
Located in New York, NY
Cardinaux, Emil. Jungfubahn 1928. Color lithograph. 50 1/4 x 35 1/2" [large format].
Cardinaux’s posters were very influential on the way Switzerland saw and represented itself in...
Category
Art Deco 1920s Landscape Prints
Materials
Lithograph
Still Life with a Pipe and a Pichet - Original wooodcut, Handsigned
Located in Paris, FR
Demetrios Galanis
Still Life with a Pipe and a Pichet, 1926
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blind stamp of the...
Category
Modern 1920s Landscape Prints
Materials
Woodcut
Tribute to Cezanne : The Bathers - Original wooodcut, Handsigned
By Paul Vera
Located in Paris, FR
Paul VERA
Tribute to Cezanne : The Bathers, 1928
Original woodcut
Handsigned in pencil
Numbered /160
On vellum 32.5 x 25.5 cm (c. 13 x 10 in)
Bears the blin...
Category
Art Deco 1920s Landscape Prints
Materials
Woodcut
Le Moulin de La Naze - lithograph by M. de Vlaminck - 1925-26
Located in Roma, IT
Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right ma...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Lithograph
Pastorales
Located in Roma, IT
Fine lithograph on ivory colored China paper. Signature on plate on the lower right margin. Beautiful artwork representing a bucolic scene.Excellent conditions, including cardboard p...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Marina in Burrasca - Original Etching by Carlo Carrà - 1924
By Carlo Carrà
Located in Roma, IT
Marina in Burrasca is a splendid etching realized by Carlo Carrà (1881- 1966) in 1924.
Hand-signed, titled and qualified as an artist proof (Prova d'artista) on the lower margin by ...
Category
Modern 1920s Landscape Prints
Materials
Lithograph
Sherman Rose House, Monterey California - Signed 1920's Landscape Etching
Located in Soquel, CA
Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 1975), 1923. As in many of the artist's works, this piece conveys a mysterious and dark mood.
Artwork has been professionally conserved.
Titled, signed and dated lower edge.
Archival mat and backing.
Image size: 9.75"H x 11.75"W.
Born in Cleveland, Ohio, Ferdinand Burgdorff studied at the Cleveland School of Art and in Paris with Rene Menard and Florence Este...
Category
American Realist 1920s Landscape Prints
Materials
Paper, Etching
Belfry - lithograph by Moise Kisling - 1929
Located in Roma, IT
Not signed.
Very good conditions.
Category
1920s Landscape Prints
Materials
Lithograph
The Road with Pine Trees - Handsigned Etching, Limited /150
Located in Paris, FR
Jean-Emile LABOUREUR
The Road with Pine Trees
Original etching
Handsigned in pencil
Numbered / 150 (here n° 89)
On vellum Van Gelder vellum 27.5 x 30.5 cm
Authenticated by the dry stamp of the editor Marcel Guiot (Paris)
REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #390
The etching is part of the set 'Cahier de...
Category
Modern 1920s Landscape Prints
Materials
Etching
The Blacksmith's House - Handsigned Etching, Limited / 150
Located in Paris, FR
Jean-Emile LABOUREUR
The Blacksmith's House
Original etching
Handsigned
Limited edition to 150 copies
On vellum Van Gelder 27.5 x 30.5 cm
Authenticated by the dry stamp of the editor Marcel Guiot (Paris)
REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #391
The etching is part of the set 'Cahier de...
Category
Modern 1920s Landscape Prints
Materials
Etching
Ile de la Cite
Located in Fairlawn, OH
Signed by the artist in pencil
Edition: Rare proof on chine
From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926
Altlier blindstamp l.l.
Category
Expressionist 1920s Landscape Prints
Materials
Lithograph
"Combloux (Golfing), " Original Lithograph Poster signed by Pierre Commarmond
Located in Milwaukee, WI
"Combloux (Golfing)" is an original lithograph poster by Pierre Commarmond. Combloux is a resort in France where people can surround themselves with nature, leisure, and sport. The artist signed the lithograph stone...
Category
Other Art Style 1920s Landscape Prints
Materials
Lithograph
Drei Hauser Grun-violette Stufung (Troi Maisons Gradation vert-violet)
Located in Long Island City, NY
Artist: Paul Klee, After, Swiss (1879 - 1940)
Title: Drei Hauser Grun-violette Stufung (Troi Maisons Gradation vert-violet)
Year: 1964, after 1922 Drawing
Medium: Pochoir on Rice Pap...
Category
Modern 1920s Landscape Prints
Materials
Stencil
Mexican Orchestra (joy of the people is captured in this celebratory festival)
Located in New Orleans, LA
"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...
Category
American Modern 1920s Landscape Prints
Materials
Lithograph
Bohemia
By Max Pollak
Located in New York, NY
Max Pollak (1886-1970), Bohemia, drypoint with wash and pencil additions, c. 1925, signed in pencil lower right and titled lower left. In very good condition, printed on a chine coll...
Category
Realist 1920s Landscape Prints
Materials
Watercolor, Pencil, Drypoint
Tribut der Salome - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Tribut der Salome is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Ma...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
BEAVER HOUSE (AU NORD)
Located in Portland, ME
Arms, John Taylor. BEAVER HOUSE (AU NORD). Fletcher 88. Etching,
1920. And Artist's Proof, printed by Fredrick Reynolds. Signed and
dated in pencil by Arms, lower right, and incscri...
Category
1920s Landscape Prints
Materials
Etching
Hombre! Que Sin Vergeunza!
Located in New York, NY
George Biddle (1885-1973), Hombre! Que Sin Vergeunza!, 1928, lithograph, signed and dated in pencil lower right, titled and numbered lower left [also signed in plate lower left ”Biddle/1928/44]. References: Pennigar 78, Trotter 44. Edition 100. In excellent condition (never framed, without light or time staining), with wide margins, the full sheet, 9 3/4 x 13 3/4, the sheet 15 1/2 x 20 1/2 inches. Printed by George C. Miller. On cream wove paper with the FRANCE watermark. Archival mounting (mylar unattached mounting between acid-free board).
A fine, fresh impression, in pristine condition.
According to Pennigar the title translates roughly to “Buddy! Aren’t you ashamed of yourself!” The title refers to the composition: the well-groomed man with his foot up in the carriage passes a group of naked little boys...
Category
American Realist 1920s Landscape Prints
Materials
Lithograph
Ich will es für dich trage - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Ich will es für dich tragen is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
Fro...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
Modern 1920s Landscape Prints
Materials
Drypoint, Etching
La Chasse au Tigre (after Rousseau), Aquatint Etching by Jacques Villon
Located in Long Island City, NY
Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963)
Title: La Chasse au Tigre
Year: 1924
Medium: Etching with Aquatint, signed and dated in th...
Category
Impressionist 1920s Landscape Prints
Materials
Aquatint, Etching
A Douelan
Located in New York, NY
Adolphe-Marie Beaufrère (1876-1960)
A Douelan, etching, 1923, signed in pencil and numbered (21/50) [also initials and date in the plate]. Reference: Morane 23-07, BN Laran 175. Seco...
Category
Realist 1920s Landscape Prints
Materials
Etching
David - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
David is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a portfolio o...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Rosenwalzer - Vintage Héliogravure by Franz von Bayros - 1921 ca.
Located in Roma, IT
Rosenwalzer is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Mappe, a...
Category
Symbolist 1920s Landscape Prints
Materials
Engraving
Alexander Kanoldt Lithograph " Olevano V ", 1925
Located in Berlin, DE
Lithograph on paper, 1925 by Alexander Kanoldt, Germany. Signed in pencil lower right with "Kanoldt". Framed.
Sheet dimensions: 8.86 x 6.89 in ( 22,5 x 17,5 cm )
Alexander Kanoldt was born in 1881 as the son of the landscape artist Edmund Kanoldt. In 1909 he finished his studies at the Academy of Arts in Karlsruhe, Germany. In the same year he became one of the founding members of the ‘Die Neue Künstlervereinigung München’ (‘New Artist’s Association Munich’) that put forward the editorial team for the Blaue Reiter in 1911. Furthermore he was part of the artist’s group “Munich’s New Secession which was founded in 1913 and included Alexej Jawlensky...
Category
1920s Landscape Prints
Materials
Lithograph
Etching - Regal Remains
Located in Houston, TX
Crisp black and white etching of an imposing arch towering from the remains of an old city by M. Ledda, circa 1920. Signed lower right.
Original artwork on paper displayed on a whi...
Category
1920s Landscape Prints
Materials
Ink, Paper, Etching
Les Deux Chaumieres
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Les Deux Chaumieres, 1927-28, etching and engraving, signed in pencil lower left and numbered lower right. Laboureur 356, second state (of 4). One o...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Etching, Engraving
New York Skyline, Sketch
Located in Myrtle Beach, SC
A fine impression, on cream wove paper, with full margins (5/8 to 1 3/8 inches), in excellent condition. Edition 20. Signed and dated in pencil. Annotated 'Bolton Brown...
Category
American Realist 1920s Landscape Prints
Materials
Lithograph
Le 14-Juillet au Village
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in t...
Category
Cubist 1920s Landscape Prints
Materials
Engraving
General/The North Downs
Located in New York, NY
D. Legg.
General/The North Downs, Ca 1921 Color lithograph.
Designed posters for London Transport 1929.
No Biography available.: London Transport Museum Collectiom
Category
Art Deco 1920s Landscape Prints
Materials
Lithograph
New York Skyline
Located in Myrtle Beach, SC
A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...
Category
American Realist 1920s Landscape Prints
Materials
Etching
Etching - Market Day
By Georges Gobo
Located in Houston, TX
Black and white etching depicting a busy market day in an old world village by Georges Gobo, circa 1920. Signed lower right and numbered 18 of 70 low...
Category
1920s Landscape Prints
Materials
Ink, Paper, Etching
Paysage au Tunnel
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Paysage au Tunnel, etching, 1920, signed in pencil lower left, numbered (19/55 ep) lower right and also titled lower left edge. Reference: Sylvain L...
Category
Cubist 1920s Landscape Prints
Materials
Etching
Paysage au Buttes-Chaumont (2nd Planche), 1920-21
Located in New York, NY
Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting.
A fine, fresh and clear impression of this important cubist-influenced scene.
Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own.
Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...
Category
Cubist 1920s Landscape Prints
Materials
Engraving, Etching
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
Impressionist 1920s Landscape Prints
Materials
Drypoint, Etching
York Avenue, Sunday Morning.
Located in Storrs, CT
York Avenue, Sunday Morning. 1939. Drypoint. Kraeft 78. 7 3/4 x 12 7/8 (sheet 8 x 12). Edition 100. Provenance: Estate of David Llewellyn Reese, New York. ...
Category
American Modern 1920s Landscape Prints
Materials
Drypoint, Etching
Maurice de Vlaminck - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Maurice de Vlaminck - Original Handsigned Etching
Title: L'Oise à Cergy
Reference: Catalogue raisonné Walterskirchen, n°110.
Original etching, hand-signed in pencil by the artist ; ...
Category
Modern 1920s Landscape Prints
Materials
Etching
Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Le chemin de l'eglise
Located in Fairlawn, OH
Signed and numbered in pencil; Signed in the plate
Edition: 75
Provenance:
Frederick Keppel & Co. Inc. No. L 8621 (label)
References And Exhibitions:
Published by Edmund Sagot, ...
Category
1920s Landscape Prints
Materials
Etching
"Harvest Home - Henry Alford Poem, " Color Lithograph Poster of Pumpkins & Hay
Located in Milwaukee, WI
"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...
Category
Other Art Style 1920s Landscape Prints
Materials
Lithograph
Aux Approches de Madrid (also Aux Abords de la Ville)
Located in New York, NY
Adolphe-Marie Beaufrere (1876-1960), Aux Approches de Madrid (also Aux Abords de la Ville), drypoint, 1927, signed and numbered (14/55), from the edition of 55, with the blindstamp of Sagot, publisher (Lugt 2254). Reference: Morane 27-19. In good condition, on very thin cream Japan paper, 6 1/2 x 9, the sheet 8 3/8 x 11 1/4 inches, archival matting.
A fine impression, with the drypoint burr extremely rich and effective (due in part to the use of a Japan paper, which tends to diffuse the ink surrounding the drypoint lines).
Beaufrere was born at Quimperle, in Brittany, and though he traveled widely he re-connected with this area throughout his life. As a teenager he decided that he wanted to become an artist and he traveled to Paris where, shortly after his arrival, he encountered the eminent Gustave Moreau, who took him on as a student. Moreau encouraged him to study old master prints, especially the prints of Rembrandt and Durer, which were available in the Cabinet des Estampes in Paris – this was to be critical in his development.
Beaufrere began printmaking in about 1904, with some woodcuts, but soon got into etching and engraving. Curiously, one of his colleague/teachers at the time was the Canadian etcher Donald Shaw MacLaughlan. He began showing his prints, with some success, but after his marriage in 1905, and with the urging of his new wife, moved out of Paris and back to Brittany. This move had a mixed effect on his career – contacts with other artists became fewer, but he did maintain gallery relationships, and the French countryside and it’s inhabitants would provide a continuing source of inspiration.
During the Great War Beaufrere served in the infantry, and had few opportunities to make art. But he did study a volume of Rembrandt’s prints...
Category
Modern 1920s Landscape Prints
Materials
Drypoint
Open Action.
By Kerr Eby
Located in Storrs, CT
Published edition, not trial proof
Open Action. 1926/1928. Etching. Giardina 124. 7 x 15 1/8 (sheet 12 3/4 x 15 1/4). Trial proof, prior to the edition of 90. A rich, tonal impressi...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Group of three Clowns - Etching and Drypoint by Jean Lurçat - 1921
By Jean Lurçat
Located in Roma, IT
Hand Signed and signed on plate. Edition of 35 prints.
Image Dimensions : 30 x 20 cm
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...
Category
Post-Impressionist 1920s Landscape Prints
Materials
Drypoint, Etching
In the Harbor
By Earl Horter
Located in Wiscasset, ME
Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...
Category
Modern 1920s Landscape Prints
Materials
Aquatint
A Spanish Good Friday (Ronda)
Located in Storrs, CT
A Spanish Good Friday (Ronda). 1925. Drypoint. Dodgson catalog 412 state xxix. Image: 12 1/2 x 8 1/8 (sheet 16 3/4 x 12). Edition 160 in 29 states. Illustrated: Zigrosser: Six Centuries of Fine Prints. A rich impression with velvety drypoint burr. Printed on smooth simili-Japan paper with full margins. Signed in pencil by Bone. Housed in a 22 1/4 x 15 1/2-inch period gold leaf frame.
This is one of Bone's most dramatic images. The night shadows...
Category
Modern 1920s Landscape Prints
Materials
Drypoint
Beach and Willows
By Frederick Garrison Hall
Located in New York, NY
Frederick Garrison Hall (1879-1946), Beach and Willows, etching, c. 1920, signed in pencil by the artist (?) and annotated "by HPH". Reference: Elton Waylon Hall: Frederick Garrison ...
Category
American Realist 1920s Landscape Prints
Materials
Etching
Rio del Santi Apostoli, Venice.
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher 226 catalog state .ii. 8 x 6 (sheet 9 3/4 x 14 1/4). Edition 100 (+ 10 trial proofs). Italian series #4. Illustrated: Dorothy ...
Category
American Modern 1920s Landscape Prints
Materials
Etching
"Font-Romeu, " Original Color Lithograph Poster by Vincent Guerra
Located in Milwaukee, WI
"Font-Romeu (Tennis/Golfing Retreat)" is an original color lithograph poster by the designer Vincent Guerra. He signed the design in the lower left. This poster depicts a woman relaxing under a tree...
Category
1920s Landscape Prints
Materials
Lithograph
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category
American Modern 1920s Landscape Prints
Materials
Etching
Canal at Amiens.
By Eric Glidden Scott
Located in Storrs, CT
Canal at Amiens. 1925. Etching. 8 3/4 x 11 3/8 (sheet 11x 13 3/4). Edition 100, #32. A rich, well-inked impression with plate tone printed on cream wove paper. Monogrammed in the pla...
Category
Modern 1920s Landscape Prints
Materials
Etching
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